{"id":30399,"date":"2025-05-29T09:56:49","date_gmt":"2025-05-29T14:56:49","guid":{"rendered":"https:\/\/wearememphis.com\/?p=30399"},"modified":"2025-06-16T11:07:30","modified_gmt":"2025-06-16T16:07:30","slug":"feature-shock-the-5-most-unexpected-memphis-rap-features-in-history","status":"publish","type":"post","link":"https:\/\/wearememphis.com\/play\/music\/feature-shock-the-5-most-unexpected-memphis-rap-features-in-history\/","title":{"rendered":"Feature Shock: The 5 Most Unexpected Memphis Rap Features In History"},"content":{"rendered":"\n<p>Long before the hypnotic beats and menacing flows of Memphis rap found their way into mainstream playlists and global music festivals, they echoed through cassette tapes, car stereos, and corner stores across the South. Memphis rap was a fiercely regional force\u2014raw, DIY, and often ignored by the broader industry. With little more than rudimentary software, local radio slots, and word-of-mouth buzz, artists like DJ Spanish Fly, Three 6 Mafia, and Tommy Wright III helped define a sound that was dark, lo-fi, and unmistakably Southern.<\/p>\n\n\n\n<p>What started as a local scene rooted in homemade tapes and underground shows evolved into a massive cultural movement, one that laid the blueprint for the modern sound of hip-hop\u2014from Atlanta\u2019s trap to the brooding aesthetic of SoundCloud rap. Unsurprisingly, the city\u2019s once-underground rappers slowly but surely entered the public consciousness and began to appear in songs by artists that would have once been unimaginable. Here are 5 of our favorite unanticipated Memphis rap collaborations throughout the years.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-nbsp-cowboy-selena-gomez-and-benny-blanco-ft-glorilla\"><strong>&nbsp;\u201cCowboy\u201d-Selena Gomez and Benny Blanco ft. Glorilla<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Selena Gomez, benny blanco, GloRilla - Cowboy (GloRilla Remix\/Lyric Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/z5eUREwh89Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>When GloRilla showed up on the outro of Selena Gomez and Benny Blanco\u2019s \u201cCowboy,\u201d it was one of the more unexpected genre crossovers in recent memory. Known for her gritty voice,rowdy energy, and commanding presence, GloRilla typically thrives in hard-hitting Southern beats with minimal polish. \u201cCowboy,\u201d by contrast, is a dreamy, country-pop slow-burn soaked in acoustic textures and soft emotion\u2014a sound world far removed from the visceral energy of \u201cF.N.F.\u201d or \u201cTomorrow 2.\u201d<\/p>\n\n\n\n<p>The result was a moment that felt more like a novelty than a natural fit. While GloRilla\u2019s charisma is undeniable, her short verse felt shoehorned into a song that wasn\u2019t built to support her distinctive cadence or energy. It wasn\u2019t a total mismatch, but the tonal gap between Selena\u2019s delicate vulnerability and GloRilla\u2019s tough-talking swagger left a slight dissonance. For a better (if a little&nbsp; less surprising) example of Big Glo flourishing as a guest, (re)listen to Tyler, the Creator\u2019s <a href=\"https:\/\/www.youtube.com\/watch?time_continue=1&amp;v=16KSivdIGjQ&amp;embeds_referring_euri=https%3A%2F%2Fwww.google.com%2F&amp;source_ve_path=Mjg2NjY\">\u201cSticky.\u201d<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-candy-and-her-friends-the-black-keys-ft-lil-noid\"><strong>&#8220;Candy and Her Friends&#8221;-The Black Keys ft. Lil Noid<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Black Keys - Candy and Her Friends (feat. Lil Noid) [Official Visualizer]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Wf-vJ-oZTM8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Underground legend Lil Noid&#8217;s appearance on the Black Keys&#8217; track &#8220;Candy and Her Friends&#8221; was a surprising\u2013and <em>slightly<\/em> awkward\u2013 fit, blending the raw energy of Memphis rap with the band&#8217;s blues-rock sensibilities. The collaboration was born out of The Black Keys&#8217; deep appreciation for Lil Noid&#8217;s 1995 album <em>Paranoid Funk<\/em>, which Dan Auerbach described as a constant source of inspiration during the making of their album <em>Ohio Players<\/em>.<\/p>\n\n\n\n<p>Although one can certainly quibble about whether the collaboration was ultimately successful, it makes for a fun and light-hearted moment between two artists that we would have never imagined working together.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-gold-teeth-blood-orange-ft-project-pat-amp-gangsta-boo\"><strong>\u201cGold Teeth\u201d-Blood Orange ft. Project Pat &amp; Gangsta Boo<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gold Teeth\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Wzurw1w3AjY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>I can still remember the first time I saw Project Pat and Gangsta Boo\u2019s names on the track list for Blood Orange\u2019s <em>Angel Pulse<\/em>. \u201c<em>Please <\/em>let this be as good as I know it can be,\u201d I told myself with a mixture of excitement and slight dread. Of course my worry was in vain, as \u201cGold Teeth\u201d remains one of my favorite Memphis rap crossovers in recent memory.<\/p>\n\n\n\n<p>As we\u2019ve come to expect, both Pat and Boo (RIP) bring the heat in their verses,&nbsp; contrasting yet complementing Blood Orange\u2019s smooth, soulful melodies and introspective themes. In short, \u201cGold Teeth\u201d is a compelling example of how artists from different genres can come together to create something fresh, emotionally resonant, and genre-defying.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-dark-horse-katy-perry-ft-juicy-j\"><strong>\u201cDark Horse\u201d-Katy Perry ft. Juicy J<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Katy Perry - Dark Horse ft. Juicy J\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/0KSOMA3QBU0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Poor Katy Perry\u2026It\u2019s been a tough year so far for the fallen pop princess and part-time \u201castronaut,\u201d so much so in fact that it can be hard to remember just how massive she once. In case you need a reminder, her inescapable 2013 hit \u201cDark Horse\u201d went 15x platinum and it&#8217;s only her third biggest hit! But I regress. The point is, despite the fact that Juicy J was already a well-known figure among rap fans, he was still a surprising choice to accompany the world\u2019s biggest pop star.<\/p>\n\n\n\n<p>The song, which puts a pop sheen on the type of brooding production that Juicy J helped to make famous, was an important bridge into the mainstream for the rapper and produced the immortal and controversial bars \u201cShe\u2019s a beat, I call her karma\/ She eat your heart out like Jeffrey Dahmer.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-i-m-that-girl-beyonce-ft-princess-loko\"><strong>\u201cI\u2019m That Girl\u201d-Beyonce ft. Princess Loko<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Beyonc\u00e9 - I&#039;M THAT GIRL (Official Lyric Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/b2xLsCo8zmQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The first voice we hear on Beyonce\u2019s blockbuster album&nbsp; <em>Renaissance <\/em>isn\u2019t that of Queen Bey herself, but of a little known rapper named Princess Loko. Drawing from the late rapper&#8217;s fierce verse on Tommy Wright III\u2019s \u201cStill Pimpin,\u201d the sample is more than a sonic nod \u2014 it\u2019s a reclamation and celebration of underground Southern hip-hop, particularly the raw, aggressive energy of women like Loko who helped shape the genre\u2019s legacy. By layering and repeating Loko\u2019s chant of \u201cyou motherfuckers ain\u2019t stopping me,\u201d, Beyonc\u00e9 gives a largely unrecognized pioneer her flowers while grounding her album in the unapologetic confidence of the women who came before. The sample sets the tone for Renaissance&#8217;s theme of empowerment, defiance, and homage to Black musical innovation. Long Live Loko.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Long before the hypnotic beats and menacing flows of Memphis rap found their way into mainstream playlists and global music festivals, they echoed through cassette tapes, car stereos, and corner stores across the South. Memphis rap was a fiercely regional force\u2014raw, DIY, and often ignored by the broader industry. With little more than rudimentary software,&hellip;<\/p>\n","protected":false},"author":84,"featured_media":30400,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[5140,127,5138,38,1],"tags":[5663,5662,15,5570,5660,5658,5657,117,5429,5533,5121,5654,5664,5661],"class_list":["post-30399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hip-hop","category-memphis-music","category-memphis-legends","category-music","category-uncategorized","tag-beyonce","tag-blood-orange","tag-featured","tag-hip-hop-samples","tag-juicy-j-2","tag-lil-noid","tag-memphis-hip-hop","tag-memphis-music","tag-memphis-musician","tag-memphis-rap","tag-princess-loko","tag-project-pat","tag-selena-gomez","tag-three-6-mafia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Top 5 Most Unexpected Memphis Rap Features in History<\/title>\n<meta name=\"description\" content=\"Explore the 5 most shocking and iconic Memphis rap features ever. 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