For the past 16 years, Boiler Room has usually focused on the here and now, documenting emerging artists, new scenes, and sounds that feel like they’re still taking shape in real time. That’s what makes this week’s programming feel like a deliberate shift in perspective. Instead of focusing on the future, Boiler Room is turning its cameras toward the past, specifically to the foundational figures of Memphis rap who first began recording in the 1990s.

In October, the London crew descended on Memphis to record a string of Boiler Room concerts that are truly unlike any others in the series. Recorded at the legendary Royal Studios–once the home to Memphis soul icons such as Al Green, Willie Mitchell, and Ann Peebles–the Memphis rap-focused showcase featured crunked-out performances from underground legends Tommy Wright III, DJ Spanish Fly, Shawty Pimp, Al Kapone, La Chat, and DJ Zirk. 

Nearly three months later, these performances will finally be available to the public as they’re set to premiere on Thursday, January 22nd on Boiler Room’s channel. For those of you in Memphis, you can join the official watch party at No Comment Wine Bar at 8PM, which promises to feature appearances by many of the legendary rappers themselves. 

For longtime fans and newcomers alike, this Memphis-focused Boiler Room set is a rare opportunity to witness the roots of a genre that continues to shape hip-hop today, framed through the uniquely intimate lens that only Boiler Room can provide.

The post Boiler Room to Feature Some of Memphis’ Pioneering Rap Figures – We Are Memphis appeared first on We Are Memphis.

New Albums

HEELS – We Look Happy Here

Memphis punk-folk band HEELS had a banner year in 2025, welcoming a new bassist into their lineup and releasing the gritty, roots-infused We Look Happy Here, an album that sharpened their sound without losing its raw, communal edge.

Joe Restivo – A Beautiful Friendship

Jazz guitarist Joe Restivo’s A Beautiful Friendship is a lovingly precise homage to classic 1950s and ’60s guitar records, channeling deep Memphis friendships, working-class swing, and the easy joy of musicians playing purely for the love of it.

Lukah – A Lost Language Found

Memphis rapper Lukah continued his remarkable ascent in 2025 with yet another standout release, reinforcing his reputation as one of the city’s most intellectually fearless voices and an artist clearly poised for a broader mainstream breakthrough.

Lawrence Matthews – Between Mortal Reach & Posthumous Grip

Fans patiently awaiting new music from multi-hyphenate Lawrence Matthews (formerly Don Lifted) were rewarded with Between Mortal Reach & Posthumous Grip, his most ambitious project to date and a bold statement from one of Memphis’s most compelling creative forces.

Above Jupiter – Abscission

Still in high school, Memphis art-rock band Above Jupiter leveled up with Abscission, a concept-driven, analog-recorded album that deepened their beat-forward, guitar-and-synth sound with striking maturity.

Dead Soldiers – CivilWarLand

On their third album, CivilWarLand, Memphis Americana band Dead Soldiers confronted the lingering effects of the Civil War amid a volatile moment in American history, earning apt comparisons to Southern rock icons like The Band.

Frank McLallen – Extra Eyes

After years helping power Memphis rock outfits such as The Sheiks and Ex-Cult, Frank McLallen stepped into the spotlight with Extra Eyes, a lush, psych-tinged solo debut shaped by loss, healing, and rediscovery.

KIRBY – Miss Black America

After four years away, KIRBY returned triumphantly with Miss Black America, a deeply personal love letter to the rural South that blends blues, soul, and gospel to vividly evoke the Mississippi Delta.

Southern Avenue – Family

The Grammy-nominated soul and blues powerhouse Southern Avenue released Family, a genre-spanning celebration of roots and resilience that quickly became one of Memphis’s most acclaimed local albums of the year.

Key Glock – Glockaveli

Memphis rap star Key Glock further cemented his dominance with Glockaveli, a hard-hitting, trap-driven album that balanced streetwise swagger with polished production, reinforcing his place at the forefront of the city’s hip-hop scene.

Shows

Unapologetic’s 10-Year Anniversary Party

On a balmy day in late August, hundreds gathered at Memphis Made Brewing Co. and The Ravine to celebrate a decade of disruption from Unapologetic, the music, media, and apparel collective that has reshaped Memphis music culture.

Missy Elliott at RiverBeat

Choosing a single standout performer at RiverBeat was no small task, but Rock & Roll Hall of Fame inductee Missy Elliott’s larger-than-life career-spanning set emerged as a defining highlight of the festival’s third year.

Memphis Rap OGz on Halloween Night

Memphis Rap OGz—featuring legends Tommy Wright III, DJ Spanish Fly, DJ Zirk, and Gangsta Pat—delivered a spooky, celebratory night of hometown hip-hop history at Minglewood Hall that won’t soon be forgotten.

Talibah Safiya and Marcella Simien at Crosstown Theater

Two local favorites joined forces for a stunning co-billed performance at Crosstown Theater, backed by the immersive visuals of Infinity Stairs. Their soaring vocals and commanding stage presence captivated a sold-out crowd.

Kraftwerk at the Overton Park Shell

Electronic pioneers Kraftwerk brought their Autobahn anniversary tour to the Overton Park Shell, pairing immersive visuals with pristine sound. More than five decades after reshaping modern music, they still sounded like the future.

Herbie Hancock at GPAC

Few artists truly merit the title “living legend,” but Herbie Hancock is undoubtedly one of them. His GPAC performance traced the evolution of jazz from acoustic traditions to funk and fusion, underscoring his enduring influence.

W.I.T.C.H. at Gonerfest

Any concerns about Gonerfest’s move to Wiseacre Brewing vanished once Zamrock legends W.I.T.C.H. took the stage. Their hypnotic Friday-night set stood out as a highlight of an already exceptional weekend.

Kurt Vile and Stephen Malkmus at Raised By Sound Fest

WYXR’s Raised By Sound Fest raised the bar once again as Kurt Vile and Stephen Malkmus transformed Crosstown Theater into a master class in laid-back virtuosity, blending wry lyrics and tangled guitar lines with effortless confidence.

Moments

Central High School Wins Big

Central High School’s jazz band made history by winning first place at the Lincoln Center’s prestigious Essentially Ellington Competition in New York City, besting elite ensembles from around the world. Kudos again to band director Dr. Ollie Liddell and all of the Central High Warriors!

8Ball & MJG at Shangri-La Records’ Lo-Fi in Hi-Fi Series

Shangri-La Records’ ongoing Lo-Fi in Hi-Fi series reached a high point with an intimate conversation featuring 8Ball & MJG, marking the 20th anniversary of On Top of the World and reflecting on their global impact and Orange Mound roots.

Havenhaus Opens Downtown

Havenhaus—an intimate venue tucked behind Earnestine & Hazel’s—opened its doors this year, expanding from DIY house-show origins into a community-focused space dedicated to supporting underground and touring artists.

Inaugural Glo Bash at FedEx Forum

Following a massive 2024, GloRilla celebrated her hometown success with the first-ever Glo Bash at FedEx Forum, a star-studded event that drew fans nationwide and featured Big Boogie, Sexyy Red, Moneybagg Yo, and more.

Saying Farewell to Local Legends

Alongside moments of celebration, Memphis also mourned the loss of beloved music figures including Steve Cropper, Sam Moore, Luke White, Earl the Pearl Banks, Todd Snider, William Bell, and Terry Manning. Their legacies remain foundational to the city’s sound.

Sinners  Soundtrack Recorded at Royal Studio

Music played a vital role in the hit vampire film Sinners, set in the Mississippi Delta. Director Ryan Coogler partnered with Boo Mitchell and Royal Studio to capture authentic, blues-infused sounds for the soundtrack.

A 9-Year-Old Joins Project Pat on Beale Street

Alaynna Doty, the Mississippi pre-teen who went viral for her flawless rendition of Project Pat’s “Chickenhead,” joined the rapper onstage during Memphis’s 901 Day celebration—a joyful, distinctly Memphis moment of civic pride.

The post 25 Memphis Music Moments That Defined 2025 appeared first on We Are Memphis.

GloRilla & Kehlani – “Xmas Time”

GloRilla and Kehlani make an unexpectedly warm pairing on “Xmas Time.” The song feels like the kind of track you play while you’re getting ready to see people you love, or when you’re driving across town as the city lights flicker across the windshield. Kehlani holds down the melodic center, while GloRilla keeps things grounded with her straight-to-the-point delivery. It’s festive without trying too hard, and it taps into that mix of excitement and reflection that always comes with the holidays.

Yo Gotti – “3 Kings” (feat. DJ Khaled & Fabolous)

“3 Kings” features Yo Gotti stepping into the holiday season with his signature swagger, wrapping his well-known street tales in green and red wrapping paper. From bars about a trap house with mistletoe on it to buying his girl a whole business for Christmas, Gotti sets the tone on this track about counting your blessings (and doing a little flexing) at the end of the year.

Indo G – “Frosty the Blowman”

A standout track from Indo G’s hilarious Christmas N’ Memphis album, “Frosty the Blowman” has been floating around Memphis holiday playlists for years, especially among folks who grew up on that classic underground sound. It’s a funny, clever flip on a Christmas standard, unfiltered and full of drug-dealing innuendo. The track probably isn’t one to play during family dinner, but it deserves a spot on your playlist nonetheless.

DJ Paul – “A Xmas Flock”

DJ Paul’s “A Xmas Flock” is what happens when Memphis crunk collides with the holiday season. The Three 6 Mafia veteran puts a heavy and dark flip on the classic holiday tune “Dance of the Sugar Plum Fairy” this is sure to be ringing in your head until 2026. It’s the kind of song you could easily hear at a Christmas party once the energy picks up and the drinks start flowing. Paul keeps it playful but still true to his sound, giving Christmas a little extra Memphis bite.

NLE Choppa – “What a Christmas”

NLE Choppa takes a lighter approach with “What a Christmas,” treating the holiday like another moment to have fun and talk his talk. The song, which features an equal measure of auto-tuned crooning and rapping, feels like something you’d hear playing in the background while everyone’s running around the house. Choppa keeps it simple and catchy, mixing a little humor with the confidence he’s known for.

The post WAMM in Rotation: 5 Memphis Rap Songs for Your Holiday Playlist appeared first on We Are Memphis.

The Burnettes: Rock n Roll Rebels

Brothers Johnny and Dorsey Burnette stood at the center of the Rock and Roll Trio, one of the first groups to fuse country, blues and emerging rock and roll into something wild and electrifying. Their unpolished and rebellious style became a prototype for rockabilly, inspiring countless musicians across the South. Although their careers fluctuated, the trio’s reputation grew with time as listeners recognized the group’s influence on early rock foundations. Johnny and Dorsey performed with the kind of instinctive unity that only siblings seem to possess, giving their sound an urgency that still feels striking today. The Burnettes helped write an early chapter in the story of family-driven music tied to the Memphis region and to the birth of rock and roll.

The Dickinsons: Southern Roots Innovators

Luther and Cody Dickinson created North Mississippi Allstars as an extension of the musical world they inherited from their father, Jim Dickinson. Jim was a prolific producer and musician whose work throughout Memphis and North Mississippi exposed his sons to a wide spectrum of roots traditions. The brothers combined hill country blues, Southern rock and folk textures in ways that honored their upbringing while still moving boldly forward. Their sound carries the grit of the region, shaped by years of experimentation and deep respect for local musical history. The Dickinsons stand as a family whose creativity and regional pride continue to shape modern Southern music.

The Hodges Brothers: The Heartbeat of Hi Records

Charles, Leroy and Teenie Hodges formed the rhythmic heart of the Hi Rhythm Section, the band that powered many of the most iconic soul recordings of the 1970s. Their playing supported artists such as Al Green, Ann Peebles and Syl Johnson, elevating each song with a warm, steady groove that became synonymous with Hi Records. The brothers shared a musical intuition that gave their arrangements a distinctive subtlety and depth. Although they rarely appeared in the spotlight, their contributions shaped an entire era of Memphis soul. The Hodges family created a rhythmic foundation that continues to influence musicians around the world.

Juicy J and Project Pat: Kings of Memphis Rap

When discussing Memphis rap, the names Juicy J and Project Pat belong at the center of the conversation. The brothers, part of the Houston family, became major architects of the sound that reshaped Southern hip hop in the 1990s. Juicy J brought dark production and hypnotic beats into the mainstream through his work with Three 6 Mafia, while Project Pat developed a gripping storytelling style that resonated deeply across the South. Their careers often unfolded along separate paths, yet their shared roots and creative instincts shaped a movement that continues to influence artists internationally. Together they helped define Memphis hip hop as a cultural force that is both innovative and unapologetically raw.

The Mitchells: Stewards of the Memphis Sound

The Mitchell family stands among the most enduring dynasties in Memphis music. Willie Mitchell, a visionary producer and bandleader, crafted the smooth and refined sound that made Hi Records a global name. His influence stretched far beyond his own era as he passed his knowledge to his children. Boo Mitchell carries the family legacy forward as the owner of Royal Studios and as a producer who works across several contemporary genres. Ana Mitchell has also contributed to maintaining the creative atmosphere of Royal. Through their combined efforts, the Mitchells continue to guide Memphis soul into new territory while honoring its past.

The Newborns: The First Family of Jazz

The Newborn family introduced a sophisticated blend of jazz, blues and early rhythm and blues into the cultural bloodstream of Memphis. Patriarch Phineas Newborn Sr., a drummer and bandleader, provided the earliest stage for his sons by placing them in his ensemble throughout their young lives. Pianist Phineas Newborn Jr. and guitarist Calvin Newborn built their musical identities through these early performances in Memphis and West Memphis, where they often played as the house band at the Plantation Inn. Phineas Jr. became known for extraordinary virtuosity and technical brilliance, while Calvin developed a style that blended jazz finesse with blues feeling. Their individual careers reached far beyond the region, yet both carried with them the musical grounding they received from their father. As a family, the Newborns represent one of the most accomplished and influential lineages in the history of Memphis instrumental music.

The Selvidges: Southern Storytellers

Sid Selvidge earned deep respect within Memphis for his plaintive voice, thoughtful songwriting and dedication to the preservation of roots and folk music. His son, Steve Selvidge, absorbed that world while growing up and later expanded it by moving confidently into rock, alternative and Americana circles. Steve played key roles in bands such as Big Ass Truck and eventually The Hold Steady, broadening the family’s creative footprint far beyond Memphis. Although their musical styles differ, both father and son value the spirit of authenticity that defines much of the city’s music. The Selvidges reflect a multigenerational commitment to artistic honesty and exploration.

The Staple Singers: Voices of Faith and Freedom

Roebuck “Pops” Staples and his children created a sound that wove together gospel, soul and messages of social justice. The Staple Singers carried spiritual traditions into secular spaces in ways that felt fearless and timely during the 1960s and 1970s. Their harmonies, guided by Pops’s expressive guitar, made their music instantly recognizable. After joining Stax, they produced unforgettable anthems such as “Respect Yourself” and “I’ll Take You There,” songs that became rallying cries far beyond Memphis. Their commitment to faith, family and advocacy continues to inspire musicians and activists today.

Jim Stewart and Estelle Axton: Architects of Southern Soul

Jim Stewart and Estelle Axton used their shared vision to build Stax Records into one of the most important recording institutions in American music. Their partnership created a welcoming environment in which emerging artists could experiment, collaborate and define the soul sound of Memphis. Although neither sibling performed as a star, both played essential roles in developing the careers of the singers and musicians who passed through their doors. Their bond brought stability and clear direction to the label during its rise from a small enterprise to a cultural powerhouse. Together, they demonstrate that some of the most influential musical families are those who build the platforms on which others shine.

The Thomases: Funk and Soul Pioneers

Rufus Thomas and each of his children contributed significantly to the development of Memphis soul. Rufus, already known as a radio personality and early talent at Sun Records, recorded the single “’Cause I Love You” with his daughter Carla in 1960. The song helped spark the early success of Stax Records and opened the door to Carla’s national recognition as the “Queen of Memphis Soul.” The family legacy expanded further through siblings Marvell Thomas, a skilled keyboardist and arranger, and Vaneese Thomas, a dynamic singer and producer. Each member pursued a distinct path, yet all contributed to the rich, interconnected world of Memphis music. The Thomases remain one of the city’s most beloved and influential musical families.

As we look toward the present, Memphis’s musical bloodlines continue to grow through younger family groups who are shaping the scene in real time. Southern Avenue, formed around the chemistry between Ori Naftaly and vocalist Tierinii Jackson along with Tierinii’s sister Tikyra, brings a vibrant blend of soul and modern blues to the stage. The group Mak Ro, made up of cousins Eric Makapugay and Kristoffer Ruaro, introduces a fresh mix of pop, R&B and electronic influences that reflects the direction of contemporary Memphis music. Aquarian Blood, powered by the experimental instincts of spouses Laurel and JB Horrell, pushes into punk and psychedelic terrain with fearless energy. Together, these emerging families show that Memphis’s musical heritage is not just a story of the past. It is a living, evolving continuum shaped by new generations who carry the spirit forward every day.

The post 10 Families That Shaped the Sound of Memphis Music appeared first on We Are Memphis.

Cameron Bethany-YOUGETONMYNERVES

Cameron Bethany’s upcoming album YOUGETONMYNERVES isn’t out yet, but the lucky few who heard his recent preview performances at the Green Room and at the MOSH planetarium know it is going to be something special. Bethany has long been celebrated for his blend of soulful vulnerability, experimental R&B, and meticulously crafted soundscapes, and this long wait for a follow-up has only heightened the anticipation. The new material he shared feels both more intimate and more daring, showing an artist who has grown in the years since his 2017 debut YOUMAKEMENERVOUS. If these early glimpses are any indication, YOUGETONMYNERVES promises to be a rich and immersive next chapter from one of Memphis’s most distinctive voices, fully worth the patience it took to get here.

Dead Soldiers-CivilWarLand

Although commercial country radio is still sadly in the grasps of dude bros and even chart-topping AI “artists” gag, there has been a real and welcomed resurgence of the type of country and Americana that speaks truth to power and that isn’t afraid of breaking some rules. Memphis’ own Dead Soldiers is one such group, and they’ve never been better or more insightful than on their urgent new album CivilWarLand. It’s a powerful commentary on how old wounds still shape today’s world and a must-listen for fans of thoughtful, character-driven Americana.

HEELS-We Look Happy Here

HEELS, the local punk band with a blue collar folksy side, is back with both a new album and a new member. For their newest full-length We Look Happy Here, founding members Josh McLane and Brennan Whalen welcomed bassist Buddy Forbess to the party, resulting in a more robust and full sound. The album’s title, which I initially took as a dark joke (the group’s previous album was Pop Songs for a Dying Planet, for some context), seems to be sincere, as the project is filled with moments of sincere warmth. Fans of the group’s previous efforts need not fret, though–there is still plenty of introspective gloom here, if that’s your thing.

Optic Sink-Lucky Number

Lucky Number, the third album by the excellent synth-punk trio Optic Sink, was released on Halloween, an exceptionally fitting drop date for an album that is equal parts gloom and party. You know the video from the original Addams Family series when Wednesday absolutely kills it on the dance floor? Yeah, it kinda sounds like that. In all seriousness though, the group has never sounded better, allowing their minimalistic grooves to build and morph into something cosmic. Pro tip: If you haven’t already, be sure to check out the band’s hypnotic live show as soon as you can.

Joe Restivo-A Beautiful Friendship

Joe Restivo, a Memphis-born guitarist steeped in the city’s rich jazz and soul legacy, pours his deep love of mid-century swing into his stunning new album A Beautiful Friendship. Recorded at the iconic Sam Phillips Recording Studio, Restivo channels a bygone era of great Memphis jazz, reuniting organist Charlie Wood and drummer Renardo Ward to evoke the warm, intimate grooves of ’50s-’60s Beale Street. Across seven beautifully crafted tracks, his lyrical guitar lines and tight ensemble create a vibrant celebration of timeless friendship and sound.

The post 5 Excellent New Memphis Albums Help to End the Year On a High Note appeared first on We Are Memphis.

As one fan at the Paris show later wrote “It was a legendary moment. I came back home covered in sweat and with a crazy smile on my face.”

The trio had touched down in each city not just as touring acts, but as cultural ambassadors who helped transform crunk and horrorcore from a regional sound into a global phenomenon.

The tour first came about as a way to help promote the La Chat-focused documentary The Other Queen of Memphis, a short film directed by Belgian artist Luna Mahoux. “Once the documentary was done, Luna helped me put together a tour so that we could so some shows along with the screenings,” explains La Chat. “We decided to make it a whole Memphis-based showcase, which is where Tommy and Spanish Fly came in.”

The tour kicked off at the historical Bourse de Commerce in Paris, a gorgeous exhibition space built in 1763. “It was high, high energy, man” recalls Spanish Fly. “It was off the chain. Performing in this historical museum in Paris is something that nobody there will ever forget.” Chat shared these sentiments, saying “Paris was great and a perfect way to boost everything off. It gave me that motivation. These folks were really live!”

The fact that a group of self-taught rap artists from the streets of Memphis found themselves being celebrated in front of haute Parisian society may seem a bit crazy (including to the artists themselves), but it was yet another example of the Bluff City’s global impact. Although Tommy Wright III and Spanish Fly had previously toured in Europe, this was La Chat’s first time on the other side of the pond. “It was crazy, because outside of the London show, I of course couldn’t understand the different languages, but they would be singing all of my lyrics during the shows,” she says. “I have to shout out the Barcelona show especially…that crowd was amazing.”

Now, the trio–along with the notable addition of Crunchy Black, Gangsta Pat, and DJ Zirk–will be bringing their globe-spanning show back for a homecoming show on Halloween night. On Friday, October 31st, Shangri-La Records is bringing the Memphis Rap Ogz showcase to Minglewood Hall for an epic hip-hop family reunion.

“As far as what I’m expecting for Halloween night? I’m expecting Memphis, mane. I know my people are gonna show out and show love. It’ll be a night to remember,” says Chat. As for DJ Spanish Fly, he promises “a legendary night…Forreal, we’re planning to show up and to show out.”

The post Memphis Rap Royalty Took Europe by Storm — Now They’re Coming Home for Halloween appeared first on We Are Memphis.

Qemist – “Make U Please U”

Michael Ivy, aka Qemist, has long stood as one of Memphis’s premier voices in EDM and house music, consistently delivering flawless vibes to the city’s clubs. His latest project, THE NEW JUKE TAPE, drops October 10th, led by the first single “Make U Please U.” Clocking in at a rapid 160 BPM, it’s the perfect high-energy track to carry you through the early weeks of fall.

Kennedy Ray – “One Night in Paradise”

Stax Music Academy alumna Kennedy Ray, one of the latest breakout talents from the legendary school, returns with her new single “One Night in Paradise.” Recently featured in FEMI Magazine, Ray now calls Los Angeles home, but her soulful sound remains deeply rooted in Memphis. She’s an artist whose rise is impossible to ignore.

R.U.D.Y. – “Hold On”

Local rapper R.U.D.Y. dropped one of the city’s most exciting hip-hop projects this year with his album Proof of Life. While the entire project deserves attention, the hard-hitting track “Hold On” has been on repeat, showcasing the chest-thumping energy and lyricism that have made R.U.D.Y. a longtime favorite in Memphis hip-hop circles.

Talibah Safiya – “The Message”

When we saw that Talibah Safiya had teamed up with South Memphis Jeff and Ari Morris, a standout track was inevitable. “The Message” delivers sensual, exotic, and liberating vibes that quickly make it a contender for one of the year’s best local singles. It’s a perfect showcase of Mrs. Safiya’s artistry and creative vision.

Cameron Bethany – “TBU”

Just ahead of his performance at MOSH’s Laser Live Concert Series on October 11th, R&B talent Cameron Bethany drops his new single “TBU” (Thinking Bout U) from his upcoming album YOUGETONMYNERVES. Featuring his signature smooth vocals over an airy, emotive production co-created with CmaJor, the track leaves us eagerly anticipating the full album.

The post WAMM in Rotation: 5 Songs for September ’25 appeared first on We Are Memphis.

Memphis Music Hall of Fame Induction Ceremony

Dates & Venue: Thursday, September 25th at the Cannon Center

Hailed as “Memphis Music’s Biggest Night of the Year,” the Memphis Music Hall of Fame is inducting its newest class (Art Gilliam, Cordell Jackson, Robert Johnson, Denise LaSalle, Wendy Moten, and Johnnie Taylor) with the help of some famous friends. John Mellencamp, Martina McBride, and Eric Gales are among the evening’s special guest, but expect many more surprises as well.

Gonerfest 22

Dates & Venue: September 25-28 at Wiseacre Brewing (Broad Avenue), with Sunday’s free grand finale at Overton Park Shell. 

Once a series of unhinged live shows held at several Midtown watering holes, Gonerfest has since matured into a true Memphis institution, gaining a dedicated global following along the way. For their 22nd iteration, Goner has relocated to Wiseacre Brewing and the Overton Park Shell, providing plenty of room for the throngs of people who will surely descend on our fair city to catch an excellent and musically-diverse line-up include Lightning Bolt, Radioactivity, W.I.T.C.H., Tommy Wright III, Snooper, and more. If you’re into gritty, loud, off-beat, and experimental sounds, this is your weekend.

Mempho Music Festival

Dates & Venue: October 3-5, 2025 at Radians Amphitheater at Memphis Botanic Garden

Without disclosing my age, let’s just say that I’m no longer drawn to the discomfort and chaos of large outdoor festivals such as Bonnaroo and Coachella, which is one reason why Mempho Music Fest has become a perennial favorite. Stacked line-ups in a shaded and lush location with plenty of room to lay out and chill? Sign me up. Headliners for this year’s fest include Mempho favorites Widespread Panic, Tyler Childers, Father John Misty, The Flaming Lips, Sierra Ferrell, Lucero, Mavis Staples, and more. You looking for some laid-back outdoor autumn vibes? Well look no further…

Memphist Fest

Date & Venue: October 3-4 at the Hi Tone

Although it shares a similar name to our previous entry, the 2-day Memphist Fest is in many ways the spiritual opposite of Mempho’s feet-in-the-grass vibes. Featuring a heavy-hitting collection of hardcore, punk, metal, and hip-hop, including local favorites such as Lukah and Little Baby Tendencies, this is the weekend choice for those who prefer PBR over patchouli.

Memphis Country Blues Festival Presents Christone “Kingfish” Ingram

Date & Venue: Friday, October 10th at the Overton Park Shell

As part of the ongoing Shell Yeah! Benefit Series–which hosted a great performance from Big K.R.I.T. earlier this month–the good folks at the Shell are bringing Clarksdale, Mississippi native Kingfish Ingram back to the Delta for what promises to be one of this season’s best shows. The modern torchbearer of Delta blues, Kingfish brings jaw-dropping guitar fireworks and a voice steeped in the tradition of the Mississippi Hill Country. An open-air Shell show in early fall is about as perfect as it gets for pure blues magic.

Tambourine Bash (Music Export Memphis)

Date & Venue: Thursday, October 16, 2025 at Overton Park Shell

Now in its fifth year, Tambourine Bash doubles as a community celebration and a fundraiser for Music Export Memphis, a true gem within the local music landscape. As those who have attended the event before can tell you, this night is all about surprise collaborations and all-star jams featuring some of the city’s best and brightest. Highlights of this year’s collaborations include Unapologetic + Future-Everything and Black Cream + Marcella Simien + The Lucky 7 Brass Band.

Chris Brown, Jhene Aiko & Bryson Tiller

Date & Venue: Saturday, October 18th at Simmons Bank Liberty Stadium

I will choose to keep my personal feelings about Chris Brown quiet for now (shout out to Jhene Aiko & Bryson Tiller tho!) and instead celebrate the fact that live music is once again returning to the Liberty Bowl after a 28 year hiatus. We’re genuinely hoping that this star-studded event is the beginning of a new era for the venue and many similar acts continue to stream through in the years to come.

Joe Restivo’s A Beautiful Friendship Record Release Show

Date & Venue: Thursday, October 23rd at The Green Room at Crosstown Arts

Local jazz guitar great Joe Restivo will be celebrating the release of his latest album A Beautiful Friendship with a night of soulful, swinging originals and classics. The Green Room’s intimate acoustics will showcase every warm note of Restivo’s band, which is to include a murderers row of top-notch talent.

The Boy Is Mine Tour Ft. Brandy, Monica, Kelly Rowland & Muni Long 

Date & Venue: Thursday, October 30, 2025 at FedExForum

‘90s R&B fans are eating good as some of the biggest stars of the decade hit the FedEx Forum for a night of nostalgic fun. Brandy and Monica share the stage for the first time in years, where they will hopefully finally decide on who the boy belongs to. They’ll be  joined by powerhouse vocalists Kelly Rowland of Destiny’s Child fame and newer star Muni Long. Expect throw back jams, duets, and plenty of vocal fireworks.

Shangri-La Records Presents Memphis Rap OGz

Date & Venue: Friday, October 31, 2025 at Minglewood Hall

Peanut butter and chocolate. Wine and cheese. Memphis horrorcore and Halloween night. Some things just pair perfectly, which is certainly how we’re feeling about the upcoming Memphis Rap OGz showcase. Featuring some of the most influential artists in Memphis rap history–La Chat, Tommy Wright III, Crunchy Black, DJ Spanish Fly, Gangsta Pat, and DJ Zirk–this is shaping up to be the event for the spookiest night of the year.

The post Your Guide to Live Music in Memphis This Fall appeared first on We Are Memphis.

With such a rich history of work and involvement in numerous bands, I’d imagine many of our readers are familiar with your music even if they don’t know your name. Can you give us a brief overview of your musical journey so far?

Well, I started playing in “bands” in high school, mainly at houses in East Memphis, the occasional clubs that let kids drink. The summer before my senior year, my friends and I were playing in juke joints in North Mississippi backing up the Kimbroughs and Burnsides. That was wild. I played in college party bands while doing weird stuff on the side. The Sheiks formed out of that. We played a ton around Memphis and toured a bit, and recorded an album and some 7”s. I started backing Jack Oblivian, and that took us around the world a few times. I joined Ex-Cult around 2014. That band became an almost full-time job with tons of touring, recording, all that stuff. That went on until 2019, when we formed Model Zero and released an album and toured. When the pandemic happened , it burned me out in several ways. I laid low and tried to get my life back together. During that time, I played around Memphis in the Tennessee Screamers and here I am now putting out an album with my own name on it.

Clearly, you’ve collaborated with countless musicians across a wide range of styles over the years. How did creating a solo album compare to your usual collaborative process?

When you are in a band, there is a feeling of all for one and one for all. I would write or contribute to songs, but there was always someone else to bounce ideas off of or even have to get approval that it was a good idea. There was always a safety net. I feel like once I declared this was a solo project, I was suddenly this trapeze artist that had the nets cut below. I had to have the final say.

Let’s dive into the album itself. From the singles, it feels like a very personal project with an airy, psych-pop vibe. How would you describe the album in terms of both its sound and its themes?

The sound is more laid back than previous projects, I’d say. Less aggressive. These songs were written at home during a period of regrowth after being shattered from years of playing in bands and living the “rock and roll lifestyle”. My dad passed away during this time, I cut off the abuse of substances that were really bringing me down, and learned to love myself and others again. Playing and writing on my acoustic guitar became therapy and these songs just spilled out. I didn’t write any of them with a style or genre in mind. The themes and vibe stem from that period.

It’s clear that you have a voracious musical appetite that encompasses a ton of musical styles. What were some of your inspirations when making Extra Eyes?

I wanted to make a folk record at first, just a take on roots music, but then when I started getting into the studio I wanted to play with all of the colors. “Taking it Back to the Morning” was influenced by Brazilian Topicalia, like Os Mutantes. I was getting super deep into another round of listening to anything Brian Wilson. I really wanted to layer vocals and harmony. He passed away when the album was finished being mixed. New Wave textures have always influenced me–synths, electric organs and such. There wasn’t much of a harder rock or punk influence that had been on previous projects. I also was feeling a mellow home recording vibe of Ted Lucas, White Fence, JJ Cale, R Stevie Moore, etc.

Did you collaborate with other musicians or producers for this album? How did those collaborations shape the record?

The name and concept for the record is Extra Eyes, and those are the people that have been watching over me, or had my back over the years. My extra set of eyes, guardian angels, if you will. I started recording songs at Graham Winchester’s house in late 2023 and those became the initial seeds of this record. In 2024, I started recording some songs at The Bunker studio with Andrew McCalla. A good chunk of tracking was done over there. Lots of freedom. I finished off the project at Memphis Magnetic, tracking, mixing and mastering with Scott McEwen of Red Curtain Records, who is putting out this album. Lots of friends, or extra eyes, appear on Extra Eyes: Daniel Brown, Keith Cooper, Sara Moseley, Jonathan Ciaramataro, and Jon Harrison, to name a few.

You’ll be celebrating the album’s release with a live show at Bar DKDC on September 6th. Give us a little preview of what fans can expect at that show and what it feels like to be able to perform these new songs live for the first time.

This will be the first time playing these songs with a full band. We’ve been rehearsing over the summer for this and I couldn’t be more stoked! We’ll have the record for sale, with some other goodies. Runi Salem, a project of Kacee Russell, will be opening up the show. I’m a big fan of her songwriting, voice, and what she’s got going on creatively. My band will play and then closing out the night will be Recent Future, a great new electronic duo who also happen to be labelmates with me on Red Curtain. They are going to be bringing the late night dance vibes. Hope to see some friendly faces!

Extra Eyes is available for order now at Red Curtain Records or at local record stores.

The post Frank McLallen Steps Into the Spotlight with “Extra Eyes” appeared first on We Are Memphis.

24 Carat Black – Dark Soul Visionaries

A relatively unknown group of high school-aged musicians signed to Stax Records, 24 Carat Black’s 1973 album Ghetto: Misfortune’s Wealth is a haunting, cinematic, and socially conscious masterpiece that tackles the subjects of poverty and inner-city struggles through sweeping soul arrangements. Though the record flopped commercially, it became a goldmine for hip-hop producers, with samples appearing on albums by Dr. Dre, Jay-Z, and Kendrick Lamar.

Suggested Song: “Mother’s Day”

Alex Chilton – The Power-Pop Madman

One of Memphis’ greatest cult figures, Alex Chilton blended heartbreak with pristine pop, crafting songs that sounded both fragile and explosive. After finding teen stardom with The Box Tops, he helped invent power pop in Memphis with the deeply influential (yet commercially unsuccessful) band Big Star, influencing alternative and indie rock icons like R.E.M., The Replacements, and Wilco.

Suggested Song: “The Ballad of El Goodo”

Jim Dickinson – Memphis’ Mad Scientist

A lifelong experimenter who blurred the lines between blues, rock, and Americana, Jim Dickinson and his wild, genre-bending spirit helped to shape the sound of Memphis music throughout the ’70s and ’80s. As both a producer and a session musician, he worked with giants such as The Rolling Stones, Toots and the Maytals, and Aretha Franklin, as well as homegrown talent like Tav Falco and Big Star.

Suggested Song: “Casey Jones (On the Road Again)”

DJ Spanish Fly – The Architect of Memphis Rap

Spanish Fly’s 808-heavy club mixes and chopped-and-screwed techniques shaped the Memphis underground rap and club scene. Beginning in the late 1980s, his mixtapes spread through the city like wildfire, serving as a direct influence on the sound that became crunk, trap, and modern Southern hip-hop.

Suggested Song: “Cement Shoes”

Pat Hare – The Distortion Pioneer

Pat Hare’s fuzzed-out power chords on early James Cotton and Little Junior Parker recordings prefigured punk and heavy metal by decades. His 1954 guitar tone on “Cotton Crop Blues” is often cited as one of the first recorded uses of distortion, putting Memphis at ground zero for the sound of rock rebellion.

Suggested Song: “Cotton Crop Blues” (James Cotton)

Jessie Mae Hemphill – The Queen of the Hill Country Blues

Carrying on the fife-and-drum and hypnotic hill country blues traditions of her family, Jessie Mae Hemphill was both a fierce guitarist and a spellbinding singer. During the 1980s, she moved to Memphis and kept the North Mississippi style alive with raw, trance-like grooves that cut straight to the bone. Her music directly influenced contemporary blues artists like R.L. Burnside and Junior Kimbrough, and later rippled into rock bands such as the Black Keys.

Suggested Song: “She Wolf”

Cordell Jackson – The DIY Rockabilly Queen

Cordell Jackson wasn’t just a musician — she was a pioneering entrepreneur who ran her own label, recorded her own songs, and produced albums long before women were encouraged to do so. Operating out of her living room in the 1950s and ’60s, she founded Moon Records, making her one of the very first female rock ’n’ roll label owners. Her fearless energy and scrappy production style opened doors for women in punk, garage rock, and indie DIY scenes.

Suggested Song: “The Split”

Arthur Lee – The Psychedelic Visionary

Before most people knew what psychedelic rock even was, Arthur Lee was fusing Memphis soul with L.A. garage rock to create something completely new. As the leader of Love, he released the seminal album Forever Changes in 1967 — now considered one of the greatest of all time, full of swirling arrangements and haunting lyrics. Though celebrated later, Lee’s daring, soulful approach influenced The Doors, Jimi Hendrix, and generations of indie and psych-rock artists.

Suggested Song: “Alone Again Or”

The Memphis Boys – The Unsung Hit Machine

The Memphis Boys weren’t a household name, but as the house band at Chips Moman’s American Sound Studio, they cranked out hit after hit with a laid-back precision that defined late-’60s soul and pop. From Dusty Springfield’s “Son of a Preacher Man” to Neil Diamond’s “Sweet Caroline” to Elvis Presley’s comeback sessions (“Suspicious Minds”, “In the Ghetto”), their fingerprints are everywhere. The group’s versatility — sliding seamlessly between country, soul, R&B, and rock — made them one of the most in-demand studio groups of their era.

Suggested Song: “Son of a Preacher Man” (Dusty Springfield)

The Oblivians – The Garage Rock Outlaws

The Oblivians, a raw and ferocious garage punk trio formed in the early 1990s, are widely regarded as one of the most influential bands of the garage rock revival. Known for their stripped-down sound—often eschewing bass in favor of two guitars and drums—they delivered blistering, lo-fi records that captured the energy of punk while channeling the grit of Memphis blues and soul. Their uncompromising style inspired countless bands across the globe, including The White Stripes, The Black Keys, and The Hives.

Suggested Song: “Bad Man”

The post 10 Underground Musical Innovators from Memphis Who Quietly Changed Popular Music appeared first on We Are Memphis.

Juicy J – “The Sri Lanka Jungle”

Juicy J proves he’s still willing to take chances with his moody, introspective new jazz album Caught Up in This Illusion. There’s a psychedelic stoner haze here that slightly nods to his Three 6 Mafia roots, but it’s a fundamentally different sonic venture than from his elbow-throwing heyday. While it’s hard to choose a favorite from the project, “The Sri Lanka Jungle” is a great laid-back instrumental that we keep coming back to. Even decades into the game, Juicy continues to surprise, reminding us why he’s one of the city’s most enduring voices.

Kirby ft. Big K.R.I.T. – “Miss Black America”

On “Miss Black America,” Memphis-born soul singer KIRBY delivers a stirring anthem that radiates pride, resilience, and elegance. Her velvety vocals float over a lush, retro-soul backdrop, while an excellent Big K.R.I.T.’s feature adds some poetic weight to the affair. Kirby’s songwriting shines with purpose here—this is protest music wrapped in beauty, and hopefully a sign of more music to come.

Lawrence Matthews – “Saint Sebastian (Death Comes a-Creepin’)”

Lawrence Matthews (formerly known as Don Lifted) offers a haunting, genre-blurring meditation on mortality and legacy with “Saint Sebastian (Death Comes a-Creepin’).” The track is steeped in gospel, blues, and experimental soul—evoking the Southern Gothic imagery that has marked much of his more recent work, with a lyrical nod to Goodie Mob that this writer certainly appreciates.. Matthews remains one of Memphis’s most compelling multidisciplinary artists, and this song is another step in his fearless creative evolution.

Slimeroni & Dubba-AA – “Super Trick”

“Super Trick” is the pool side banger we’ve been waiting for all summer and further affirmation of Slimeroni’s place at the forefront of Memphis rap’s next generation. Teaming up with veteran producer Dubba-AA, Slime rides the beat with her signature gruff yet playful style, putting every man who may cross her path on notice. You’ve been warned…

Spek Was Here – “Makumbi”

Spek Was Here delivers something cinematic and spiritually charged on his new single “Makumbi,” blending soulful vocal chops, hard Afrobeat-esque drums, and ambient textures into a track that feels both grounded and otherworldly. The local producer and artist has been quietly carving out his own lane in experimental hip-hop and beat-making, and this track is proof of his growing mastery. There’s a meditative quality to it, but it still knocks—a tough balance to strike.

The post WAMM in Rotation: 5 Songs for August ’25 appeared first on We Are Memphis.

The “Stuntarious” Series

If there were a cheat code to understand what Unapologetic stands for as succinctly as possible, it would be the Stuntarious series, five mixtapes released at various points throughout the years. Launched in the early days of the label, these collaborative mixtapes became semi-annual checkpoints of the collective’s evolution — chaotic, confident, and creatively unhinged. Blending trap, punk, R&B, spoken word, and experimental electronics, each Stuntarious release acts as both a time capsule and a manifesto. 

Unexpected Collaborations

In 2018, Ballet Memphis invited Unapologetic to participate in their fall program with an inspired blending of ballet and hip-hop, marking the beginning of a remarkable series of unconventional collaborations. Since then, the collective has partnered with a wide range of organizations beyond the music scene, including the PGA Tour, Memphis International Airport, and local cultural institutions like the Metal Museum and the Memphis Zoo. Whether or not it seemed to make sense on paper, each collab has proven to be a resounding success.

Indie Memphis Block Party

Speaking of partnerships, in 2019 Unapologetic curated a raucous Indie Memphis Film Festival block party that transformed the family-friendly Overton Square area into a high-brow, politically-tinged showcase that would make Kendrick Lamar proud. For those who were lucky enough to be there, the performance cemented the label’s reputation for high-concept DIY events in the starkest terms possible. One could argue that the group has outdone themselves since, but there’s nothing quite like your first time.

The Unapologetic World App

Launched in 2017, the Unapologetic World App was an early sign that the label simply wasn’t interested in playing by industry rules. Designed as a digital home for everything Unapologetic (music, visuals, films, interviews, live streams, and exclusive content), the app has remained a reliable one-stop-shop for dedicated fans. 

Unapologetic Garments

After making waves in music, art, and digital media, it was only natural that Unapologetic would dive into fashion with Unapologetic Garments. Since its launch, the label has emphasized original design, quality craftsmanship, and community storytelling, offering everything from graphic tees and hoodies to limited-edition merch that blends art and fashion. Their 2024 collaboration with the Memphis Grizzlies marked a milestone—bringing their signature aesthetic to a wider audience through the “Gold Collection,” a line that captured the city’s grit and pride while celebrating Memphis’ sports culture.

The Opening of Outerspace

In November 2022, Unapologetic celebrated the grand opening of Outerspace, their new studio nestled in the heart of Midtown. The studio acted as a physical manifestation of both the label’s meteoric growth and the bright future that they envisioned. Visually stunning and meticulously planned, Outerspace isn’t just a studio—it’s a sonic launchpad, designed to foster collaboration, vulnerability, and the boundary-pushing ethos that defines Unapologetic. 

A Weirdo from Memphis’ Gonerfest Performance

Photo by Laura Jean Hocking

Over its two-decade run, Gonerfest has seen its share of unforgettable sets from punk and garage heavyweights like Jay Reatard, Ty Segall, and King Khan. But even the most seasoned festivalgoers were caught off guard by A Weirdo From Memphis’ wildly unhinged—and undeniably electric—performance in 2022. By the time he scaled the stage at Railgarten, any lingering hip-hop skeptics in the crowd had been thoroughly won over by the beautiful chaos. 

Midnight Marauder Series

Last year, Unapologetic introduced a new series at MOSH called Midnight Marauder (shouts to ATCQ!). Designed as a public celebration of beat culture, the series highlights producers, beatmakers, and electronic artists as performers in their own right. Unlike traditional beat battles, Midnight Marauder centers on musical expression and live performance. As IMAKEMADBEATS put it, “This is not a beat battle, it’s a beat performance.” 

IMAKEMADBEATS Releases WANDS

Strictly as a piece of music, IMAKEMADBEATS’ 2024 release WANDS is a landmark release for the label–abrooding, richly textured instrumental project that showcases his signature ability to evoke emotion without a single lyric. Beyond the music itself, though, WANDS marked a significant moment in the artist’s journey: a deliberate and personal return to the forefront of music-making after years focused on building his Unapologetic label and nurturing other artists.

A Glimpse into the Future

While many of the artists who first defined Unapologetic’s first era remain central to its identity, the rise of Kid Maestro as the label’s leader, the emergence of bold new voices like EILLO and Nubia Yasin, and the company’s expansion into bold new fields make it clear the collective is constantly evolving. If the past decade was about breaking molds, the next era promises to redefine them entirely.

The post A Decade of Disruption: 10 Iconic Moments From Unapologetic appeared first on We Are Memphis.

Memphis is still buzzing in the afterglo (see what we did there?) of GloRilla’s sold‑out Glo Bash at the FedExForum, and it’s only fitting that the city’s own queen of trap takes center stage throughout the remainder of the weekend. With that in mind, we here at We Are Memphis voted on her top five tracks, which includes a mix of big hits, guest features, and lesser-known deep cuts…

“F.N.F. (Let’s Go)”

It’s been three years since this breakout anthem rattled car speakers throughout the city all summer long and officially placed GloRilla on the national map. With Hitkidd’s menacing yet catchy production and Glo’s instantly-iconic declaration of freedom—“I’m F‑R‑E‑E, fuck‑n**ga‑free”—it’s become a cultural moment and a true summer anthem. Few songs in recent memory have announced the arrival of a new star quite like this one.

“TGIF”

A hard‑hitting, confidence‑fueled track that solidified her as one of 2024’s boldest voices, “TGIF” was a massive follow-up hit that was named TIME Magazine best song of 2024. With a scorching beat and another unforgettable opening line (“It’s 7 p.m. Friday / It’s 95 degrees…”), TGIF was proof GloRilla’s verse‑crafting and stage presence was the real deal.

“On Wat U On” Moneybagg Yo feat. GloRilla

Trading barbs over a tense, piano-laced beat, the two Memphis stars go head-to-head in a fiery exchange that sounds like a couple mid-argument with the record button accidentally left on. GloRilla’s aggressive delivery is perfectly matched with Moneybagg’s laid-back tone, creating a spiritual successor to Project Pat’s “Chicken Head”, another iconic Memphis “battle of the sexes” anthem.

“Rain Down on Me” feat. Kirk Franklin & Maverick City Music

This gospel‑inflected track reveals GloRilla’s roots as a former choir singer and her ability to inject a bit of spirituality into her music when the spirit hits. Featuring gospel icons Kirk Franklin, Kierra Sheard, and Chandler Moore, it’s a deeply reflective piece that balances confession and uplift. Like several tracks on her debut album Gloria, it showcases her emotional range and versatility.

“No More Love”

Though it never got the push of a single, “No More Love” quickly became a deep-cut favorite among fans for its raw vulnerability and emotional weight. On the track, GloRilla opens up about fake friends, heartbreak, family betrayal, and the loneliness that can come with success. Over a moody, minimalist beat, she delivers some of her most introspective bars—stripped of bravado and full of real-life pain.

The post From F.N.F. to FedExForum: The 5 Most Essential GloRilla Tracks (So Far) appeared first on We Are Memphis.

Valerie June- “Joy Joy”

Memphis singer Valerie June’s new single “Joy, Joy!”—a vibrant, soul-infused burst of fun—opens her sixth studio album Owls, Omens and Oracles on a much-needed optimistic note. Rooted in her signature blend of folk, blues, gospel, and soul, the track is built on the metaphor of a seed pushing through darkness. Altogether, “Joy, Joy!” offers a joyful manifesto, with Valerie’s singular voice guiding listeners through resilience into radiance.

Lukah- “Mirror Discussions“

Memphis rapper Lukah once again delivers a raw and reflective punch with his new single “Mirror Discussions,” the lead cut from his new collaborative album A Lost Language Found with legendary producer Statik Selektah. Self-described as “a conversation with my past, my people, and the mirror that never lies,” Lukah has given us another strong argument that he’s Memphis’ best underground rapper.

Isabella&Sebastian- “Oxygen“

Isabella&Sebastian–the local duo composed of 19 year-old Isabella DeFir and 13 year-old Sebastian Stephens- continue to amaze with their latest synth‑driven single “Oxygen,” a sparkling addition to their growing catalog of retro‑tinged, hook‑laden indie pop. Perfectly crafted for your poolside playlist, “”Oxygen” is yet another exciting addition to the group’s quickly-expanding setlist.

Kenny Muney-“Nevaaa“

A protege of the late great Young Dolph, Kenny Muney has emerged as one of the brightest stars within Memphis’ insanely deep crop of trap music talent. “Nevaaa,” the lead single from his bold new album Kenjamin Franklin, has quickly flown up the streaming charts and is a great introduction to his locked-in flow for anyone late to the game.

Recent Future- “Bite My Tongue

Recent Future, the newish duo of multi-instrumentalists Charlie Davis (Trash Goblin) and David Johnson (James & the Ultrasounds), is carving out a distinctive niche in the city’s growing alt‑pop/electronic scene. Fresh off of their previous two releases “Top of the Moon” and “Crosstalk,” the group’s newest single “Bite My Tongue” is further proof that Recent Future is a must-listen for anyone tracking the city’s next wave of musical innovators.

The post WAMM in Rotation: 5 Songs for June ’25 appeared first on We Are Memphis.

Julien Baker

Arguably the most prominent queer musician to ever hail from Memphis, Julien Baker has carved out a powerful space in the indie rock world with her raw, confessional songwriting and haunting melodies. Her music often explores themes of faith, identity, addiction, and emotional survival, all delivered with an intensity that’s both intimate and explosive. Whether performing solo or as part of the supergroup boygenius, Baker is a one-of-a-kind talent who continues to improve with each new project. If you haven’t already cried to her celebrated debut Sprained Ankle or checked out her excellent new album with TORRES Send a Prayer My Way , now’s the time to add her to your playlist.

Mama Honey

If you’re craving queer-leaning, soul-tinged punk blues with a Memphis twist, Mama Honey is where vintage grit meets fresh energy. This dynamic power trio is fronted by vocalist–guitarist Tamar Love, whose bold, expressive singing and songwriting bring both fire and vulnerability. Both proudly and unmistakably Memphis-rooted and queer, Mama Honey’s live performances feel more like a communal uprising—wild, heartfelt, and impossible to ignore.

Anna Rose Baker

Anna Rose Baker is a rising star in Memphis’s indie folk scene, weaving tender storytelling with a voice that’s equal parts earthy and ethereal. A proud queer artist, Baker brings an intimate perspective to her songwriting, exploring love, loss, and self-discovery with quiet intensity and poetic grace. Her music often pairs stripped-down acoustic arrangements with haunting melodies that linger long after the last note. Whether playing solo sets at cozy local venues or collaborating with fellow Memphis musicians, Baker’s authenticity shines through every lyric.

Wilson Good

Wilson Good is a genre-defying force, blending dreamy synth-pop with moody, cinematic flair. As a queer artist and skilled producer, Good crafts soundscapes that feel both nostalgic and futuristic—think ‘80s heartbreak ballads with a modern, electronic pulse. Their lyrics often explore themes of gender, longing, and emotional dissonance, delivered with a vocal style that’s soft, aching, and deeply human. It’s music to get lost in—preferably with headphones on and the volume way up.

Mak Ro

Mak Ro, the electrifying Memphis-based duo made up of cousins Kristoffer Ruaro and Eric Makapugay, have earned a dedicated following for their blend of infectious synth-pop and slick R&B. Together, they craft high-energy tracks that are equal parts danceable and emotionally rich, drawing inspiration from early 2000s pop, house, and modern electro. Kristoffer, who is queer, often writes about his own romantic experiences in his lyrics.

Alex da Ponte

Alex da Ponte is a Memphis-based trans man whose punchy pop-rock songs blend sharp lyricism, emotional nuance, and a healthy dose of wit. A longtime fixture in the local scene, Alex writes with disarming honesty about relationships, identity, and the messy beauty of growing into yourself. His sound—a mix of crunchy guitars, catchy hooks, and heartfelt storytelling—draws from alt-rock and indie pop influences, but always feels uniquely his own.

Jordan Occasionally

Jordan Occasionally’s music radiates queer Black joy, resistance, and groove. Their eclectic style fuses R&B, neo-soul, disco, and funk into a silky, socially conscious soundscape. As a nonbinary artist, Jordan Occasionally uses their music to celebrate identity, explore love, and challenge norms—all with a voice that’s as smooth as velvet. As anyone who has attended a JO concert knows, their live shows double as dance parties and affirmations. Whether you’re swaying in your room or sweating it out on the floor, Jordan Occasionally brings the kind of sonic freedom that feels both personal and revolutionary.

Lawrence Matthews

Lawrence Matthews–formerly known by his musical moniker Don Lifted– is a multidisciplinary artist whose work transcends easy categorization—blending music, visual art, and activism into a deeply personal and culturally resonant practice. As a queer Black man from Memphis, Matthews explores themes of identity, mental health, and the Black Southern experience with poetic vulnerability and precision. Capable of creating both lush atmospherics and down-in-the-mud rap, Matthews remains one of the city’s most exciting musical talents.

Fosterfalls

Fosterfalls (they/them) brings a spellbinding touch of dreamfolk to Memphis’s queer music tapestry. Rooted in atmospheric guitar loops, meditative vocals, and lyrical nods to nature and introspection, Fosterfalls creates sonic spaces that feel both intimate and expansive . Their debut EP, “Somniscience” (a melding of “dream” and “knowing”), offers a conceptual journey through the subconscious that is perfect for listeners seeking music that both soothes and challenges.

DJ AD

If you’ve been out in Memphis past 10PM over the past several years, the odds are good that you’ve danced to the music of DJ AD (whether you knew it or not). A fearless force behind the decks, AD is known for electrifying parties with mixes that fuse hip-hop, house, bounce, and ballroom into a seamless, body-moving experience. In addition to rocking the party, AD is a vocal advocate for safer, more affirming nightlife spaces for queer and trans people of color.

The post Loud & Proud: 10 LGBQIA+ Memphis Musicians to Add to Your Playlist appeared first on We Are Memphis.

What started as a local scene rooted in homemade tapes and underground shows evolved into a massive cultural movement, one that laid the blueprint for the modern sound of hip-hop—from Atlanta’s trap to the brooding aesthetic of SoundCloud rap. Unsurprisingly, the city’s once-underground rappers slowly but surely entered the public consciousness and began to appear in songs by artists that would have once been unimaginable. Here are 5 of our favorite unanticipated Memphis rap collaborations throughout the years.

 “Cowboy”-Selena Gomez and Benny Blanco ft. Glorilla

When GloRilla showed up on the outro of Selena Gomez and Benny Blanco’s “Cowboy,” it was one of the more unexpected genre crossovers in recent memory. Known for her gritty voice,rowdy energy, and commanding presence, GloRilla typically thrives in hard-hitting Southern beats with minimal polish. “Cowboy,” by contrast, is a dreamy, country-pop slow-burn soaked in acoustic textures and soft emotion—a sound world far removed from the visceral energy of “F.N.F.” or “Tomorrow 2.”

The result was a moment that felt more like a novelty than a natural fit. While GloRilla’s charisma is undeniable, her short verse felt shoehorned into a song that wasn’t built to support her distinctive cadence or energy. It wasn’t a total mismatch, but the tonal gap between Selena’s delicate vulnerability and GloRilla’s tough-talking swagger left a slight dissonance. For a better (if a little  less surprising) example of Big Glo flourishing as a guest, (re)listen to Tyler, the Creator’s “Sticky.”

“Candy and Her Friends”-The Black Keys ft. Lil Noid

Underground legend Lil Noid’s appearance on the Black Keys’ track “Candy and Her Friends” was a surprising–and slightly awkward– fit, blending the raw energy of Memphis rap with the band’s blues-rock sensibilities. The collaboration was born out of The Black Keys’ deep appreciation for Lil Noid’s 1995 album Paranoid Funk, which Dan Auerbach described as a constant source of inspiration during the making of their album Ohio Players.

Although one can certainly quibble about whether the collaboration was ultimately successful, it makes for a fun and light-hearted moment between two artists that we would have never imagined working together.

“Gold Teeth”-Blood Orange ft. Project Pat & Gangsta Boo

I can still remember the first time I saw Project Pat and Gangsta Boo’s names on the track list for Blood Orange’s Angel Pulse. “Please let this be as good as I know it can be,” I told myself with a mixture of excitement and slight dread. Of course my worry was in vain, as “Gold Teeth” remains one of my favorite Memphis rap crossovers in recent memory.

As we’ve come to expect, both Pat and Boo (RIP) bring the heat in their verses,  contrasting yet complementing Blood Orange’s smooth, soulful melodies and introspective themes. In short, “Gold Teeth” is a compelling example of how artists from different genres can come together to create something fresh, emotionally resonant, and genre-defying.

“Dark Horse”-Katy Perry ft. Juicy J

Poor Katy Perry…It’s been a tough year so far for the fallen pop princess and part-time “astronaut,” so much so in fact that it can be hard to remember just how massive she once. In case you need a reminder, her inescapable 2013 hit “Dark Horse” went 15x platinum and it’s only her third biggest hit! But I regress. The point is, despite the fact that Juicy J was already a well-known figure among rap fans, he was still a surprising choice to accompany the world’s biggest pop star.

The song, which puts a pop sheen on the type of brooding production that Juicy J helped to make famous, was an important bridge into the mainstream for the rapper and produced the immortal and controversial bars “She’s a beat, I call her karma/ She eat your heart out like Jeffrey Dahmer.”

“I’m That Girl”-Beyonce ft. Princess Loko

The first voice we hear on Beyonce’s blockbuster album  Renaissance isn’t that of Queen Bey herself, but of a little known rapper named Princess Loko. Drawing from the late rapper’s fierce verse on Tommy Wright III’s “Still Pimpin,” the sample is more than a sonic nod — it’s a reclamation and celebration of underground Southern hip-hop, particularly the raw, aggressive energy of women like Loko who helped shape the genre’s legacy. By layering and repeating Loko’s chant of “you motherfuckers ain’t stopping me,”, Beyoncé gives a largely unrecognized pioneer her flowers while grounding her album in the unapologetic confidence of the women who came before. The sample sets the tone for Renaissance’s theme of empowerment, defiance, and homage to Black musical innovation. Long Live Loko.

The post Feature Shock: The 5 Most Unexpected Memphis Rap Features In History appeared first on We Are Memphis.

RØA- “BORDERLINE“

For several years, Memphis singer-songwriter RØA has quietly been releasing some of the city’s best and most experimental alt-R&B and neo-soul songs. We’re proud to announce that her newest single “BORDERLINE” is no exception. Dedicated to the ups and downs of what she calls a “temporary lover,” the song’s hazy atmosphere paired with RØA’s unique vocal style is a perfect fit for the coming dog days of summer.

Key Glock- “No Sweat“

Key Glock’s emergence as one of the city’s most popular stars in recent memory is due in large part to two things: his effortlessly hypnotic flow, and his elite ability to select beats. Both of these strengths are on full display throughout his fourth album Glockavelli, which is a masterclass in finding a lane and then excelling within it. While we’d suggest listening to the album in full, “No Sweat” is an excellent starting point.

Cyrena Wages- “If It Ain’t Broke“

In her new single “If It Ain’t Broke,” Cyrena Wages embodies a classic and beloved figure within popular music: the woman scorned. Although we’re accustomed to Wages’ soulful Americana coming with a bit of venom, this is the singer at her snarky best. Teased as the first single from an upcoming album, “If It Ain’t Broke” has us giddy to hear what comes next.

C MaJor, Spookyli, AWFM, & Project Pat-“Expresso“

When Unapologetic’s last Stuntarious album was released, Avengers: Endgame was dominating the box office, “Old Town Road” was inescapable, and global pandemics were solely the concern of epidemiologists. In other words, it’s been a hot minute, but the wait was well worth it. With Stuntaious V, the gang is back to their old tricks with a few new and exciting faces along for the ride. One of the many stand-out tracks in “Expresso,” an already great posse cut that is elevated even further by the inclusion of Memphis rap icon Project Pat, whose menacing sing-song flow never ceases to get heads bopping.

Spek Was Here & Dame Mufasa-“Rabbit Reloaded (Low Down Dirty Shame)“

Speaking of posse albums from innovative local hip-hop talent, iNGud Co’s newly released Anthology, Vol. 1 is proof positive that Unapologetic doesn’t have a monopoly on avante garde hip-hop and R&B. Featuring performances from Spek Was Here, The Goddessie, Dame Mufasa, Ash Leon, 91’ Co., and others, Anthology is truly one of the best–and most unexpected– local releases of the year thus far. The opening track “Rabbit Reloaded” sets expectations high from the beginning, which the crew goes on to clear throughout the 7-song project.

The post WAMM in Rotation: 5 Songs for May ’25 appeared first on We Are Memphis.

Liz Brasher

Bringing together the sounds of her longtime home of Memphis and her birthplace of rural North Carolina, Liz Brasher offers a new take on soul for this millennium. According to her site, “Liz Brasher makes her kind of southern music – one that’s caught halfway between the garage, the church, the bar, and the bedroom.” At once a soul singer and a guitar-playing rocker, Brasher is a master storyteller, weaving retro-inspired sounds with the influence of her multi-ethnic upbringing into her music. “By nature, I’m mixed. That’s been my whole life – having to reconcile two different cultures, or the religious and secular world, or the different genres that have all influenced me.” Let Liz Brasher take you to church by watching her Jam in the Van performance of “Blood of the Lamb.”

Louise Page

With sounds that will make you think of Regina Spektor and Lana Del Rey, Louise Page is an impressive vocalist and pianist. But what makes her even more interesting is how she uses her music as a way to bridge gaps and give the underrepresented a voice. “I am deeply interested in using music as a way to bring communities together. If there is a cause that helps disadvantaged communities – queer folx, POC, women, the homeless – music, specifically live shows, can be a way to bring light and love to that cause and that community in an exuberant and accessible way.” With passion unparalleled and a voice to match, listening to Page is the perfect soundtrack for your mood swing listening pleasures. Jam out to one of her 2019 songs, “Future Runaway Bride,” below.

Alicja Trout

From Lost Sounds to River City Tanlines to Sweet Knives to Alicja Pop, Alicja Trout has been creating some of the defining sounds of Memphis music since the 90s. The good news for Memphis music lovers is that she’s nowhere near done. The guitarist, singer, songwriter, and multi-instrumentalist is making new music and repping Memphis on stages across the country. In 2019, she toured with Sweet Knives and became a resident artist at Crosstown Arts. “Music is like meditating with my hands on instruments, waiting to see where they take me. My lyrics come from thoughts that have been swirling in my head in confusion, as if a little brain monkey is teasing me. Finally, she can’t resist organizing my thoughts into a nice packaged daydream or soundscape. I’ve been addicted to this cathartic satisfaction since I began.” Hear her rock out with Sweet Knives and enjoy this video for “I DON’T WANNA DIE,” and then go on a sonic journey through her many projects over on Spotify.

Talibah Safiya

If you’re looking to vibe out or maybe even get a little in your feelings, Talibah Safiya is the soundtrack you need. A soul singer born and raised here in Memphis, she uses minimal but impactful instrumentation paired with moving visuals to create a listening experience unlike any other that is sure to bewitch. “I grew up in a house where we listened to a lot of music as a means of lifting us from our circumstances. Everybody uses music as healing, and for me, I recognized at a young age the necessity for music in my life.” Most recently, she toured the country with A Deep Water Sound – an experience that took her on the road coast to coast, playing intimate shows that created a one-of-a-kind, exported Memphis experience. Experience the dark and light in heartbreak by listening to her song “Healing Creek” below.

Marcella Simien

Daughter of two-time Grammy award-winning Zydeco artist Terrance Simien, music runs in Marcella Simien’s blood. And you might think that she would ride the wave of her family’s success, but Marcella has blazed her trail and made a name for herself here in Memphis and beyond. “A lot of my words come from journals I’ve carried with me since I was 14. I started writing songs when I was 12 in an attempt to try and keep up with an imagination that was always running away from me. It’s still like that now, in a way.” A multi-talented artist, Marcella moved to Memphis from her hometown of Lafayette, La., to study at Memphis College of Art, but she found a home in the music scene. Described as a living testament that soul music is alive and well, Marcella is an accordion-wielding powerhouse of spunk and full-bodied sound. Catch the vibe by watching her Jam in the Van session below.

Aretha Franklin

No list of famous singers from Memphis would be complete without the “Queen of Soul,” Aretha Franklin. Born in Memphis, Tennessee, Aretha’s powerful voice and emotional depth established her as a global icon. Her legacy includes timeless hits like “Respect,” “Natural Woman,” and “Chain of Fools,” making her an indelible figure in music history. Franklin’s groundbreaking career spanned decades, earning her numerous Grammy Awards and induction into the Rock and Roll Hall of Fame as the first female inductee. Her music remains influential, empowering women and artists across the world.

Carla Thomas

Often hailed as the “Queen of Memphis Soul,” Carla Thomas is one of the pioneering female singers from Memphis. Her smooth voice brought hits like “Gee Whiz” and “B-A-B-Y” to life, solidifying her role in shaping the soul music genre and paving the way for future generations of Memphis female singers. Daughter of legendary singer Rufus Thomas, Carla collaborated frequently with Stax Records, significantly impacting the label’s growth and prominence in the music industry.

Ann Peebles

Memphis singer Ann Peebles became synonymous with Southern soul through hits like “I Can’t Stand the Rain.” Her evocative style and soulful expression continue to influence contemporary artists, solidifying her legacy as a pivotal figure in Memphis music history. Peebles recorded extensively for Hi Records, where she worked closely with renowned producer Willie Mitchell, helping define the sound of Memphis soul in the 1970s.

Valerie June

Blending folk, blues, soul, and country, Valerie June stands out among modern Memphis singers. Her unique, genre-defying music showcases her distinct voice and creative authenticity, earning her widespread acclaim and recognition in the global music scene. June’s critically acclaimed albums, such as “The Order of Time,” reflect her versatility and have led her to perform at major international music festivals and collaborate with various esteemed artists.

Gangsta Boo

An influential figure in hip-hop, Gangsta Boo was among the first female rappers from Memphis to gain national attention. As a member of Three 6 Mafia and through her successful solo career, she blazed trails for female artists in the predominantly male-dominated hip-hop scene, solidifying her legacy as an iconic Memphis artist. Her confident lyrical style and pioneering presence in the hip-hop community inspired many female rappers who followed.

Julien Baker

Julien Baker, one of the standout contemporary Memphis female singers, captivates listeners with her emotional honesty and compelling songwriting. Known for her indie rock and folk influences, Baker’s powerful and introspective music continues to resonate deeply with audiences around the world. Her albums, such as “Sprained Ankle” and “Little Oblivions,” have received widespread acclaim for their raw vulnerability and insightful lyricism.

K. Michelle

Memphis-born singer-songwriter K. Michelle has made a significant mark in R&B and soul. Known for her powerful voice, authenticity, and candid storytelling, K. Michelle’s dynamic performances and chart-topping hits have earned her recognition as one of the prominent female singers from Memphis currently active in the music industry. Her honest narratives about love, loss, and personal growth have resonated deeply with fans, securing her position as a celebrated figure in contemporary R&B.

Wendy Moten

From soulful ballads to country hits, Wendy Moten’s versatile vocal prowess places her among Memphis’ standout female artists. Her extensive career includes collaborating with legends like Vince Gill and touring extensively, showcasing Memphis’ diverse musical roots worldwide. Moten’s notable performances on “The Voice” further highlighted her exceptional talent, introducing her remarkable voice to broader audiences and underscoring Memphis’ rich musical diversity.

These extraordinary women represent the ongoing strength and diversity of female artists from Memphis. Their voices, creativity, and enduring legacies continue to inspire and shape the musical heritage of this iconic city.

You might also be interested in: Memphis Musicians | Legends & Rising Stars

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Dreamfest:Friday-Sunday, May 16th-18th

Although the line-up for this year’s Dreamfest Weekend hasn’t been released yet, the event has more than earned our trust at this point. This marks the 14th (!!) iteration of the 3-day weekend fest, which is all about promoting Memphis music and artist collaboration. Arguably the best annual showcase of the Bluff City’s R&B and hip-hop artists, Dreamfest weekend always brings the vibes and just gets better every year. Stay tuned for more information at https://www.dreamfestweekend.com/.

New Breed Brass Band ft. Trombone Shorty: Saturday, May 31st

As a former resident of the Big Easy, it’s hard for me to overstate my deep love of New Orleans brass bands and second line culture, which very well may be the most fun music ever created. New Breed Brass Band, a group of young and fiercely talented New Orleanians steeped in the tradition, will be joined by the great Trombone Shorty. Incorporating elements of Caribbean music, Cash Money-era NOLA rap, and Anderson Paak-esque R&B, New Breed Brass Band is the new wave in Crescent City brass.

Corey Lou & Da Village + Savannah Brister: Saturday, June 7th

You know we had to give some love to the home team, right? This summer’s season features several great homegrown acts that we plan on catching, including performances from Mak Ro and the Stax Music Academy, but we’ve got this unexpected co-headlining pairing of soul-funk band Corey Lou & Da Village and former The Voice contestant Savannah Brister. If you’re looking for an excuse to break out your dancing shoes, look no further.

Eddie 9V:Thursday, June 12th

Eddie 9V’s brand of soulful blues is undeniably retro, yet his sharp observations of modern America place him solidly within the current moment. Although the Georgia-born bandleader has yet to reach the age of thirty, he’s already a seasoned veteran who has earned favorable comparisons to blues greats such as Freddie King.

Alejandro Escovedo-Friday, June 20th

NPR Music recently referred to Alejandro Escovedo’s career as “one of the most fascinating paths in music,” and once you’ve read over his biography, it’s certainly hard to disagree. Beginning as a notable figure in NYC’s ‘70s punk scene, Escovedo went on to play an important role in the development of roots rock (the True Believers) and alt-country (Rank & File) and is now a living legend in his hometown of Austin, TX. Whether or not you’ve heard his name, Escovedo is one of the greatest musical chameleons of his generation.

Eggy-Thursday, June 26th

If you can get past their exceedingly goofy band name, then Connecticut jam band Eggy really does have a lot to offer. Known for their electric live shows, the quartet has mastered the art of creating fun, funky feel-good music perfect for the summer. Think Phish with a few more contemporary influences as you’ll be close to capturing Eggy’s unique sound.

For more information about this summer’s Orion Financial Free Concert Series, visit https://overtonparkshell.org/calendar.

The post 6 Must-See Shows for This Season’s Orion Free Concert Series at the Overton Park Shell appeared first on We Are Memphis.

PreauXX-“Lost Airpods”

I seek therapy but never commit/I got trauma I could never forget/I got people who gon’ love me no matter/But watch the ones who gon’ hate from the fence…

As you can see, lost airpods aren’t the only concern on Preauxx’s infectious new single, but damn if he wouldn’t like to know where they are. Over understated, hazy production from LEE MVRS, PreauXX tells the tale of a hungover morning that continues to spiral out of control (despite him sounding cool and collected throughout). As we’ve become accustomed to, the Unapologetic rapper once again delivers proof that he’s one of the city’s most unorthodox and outstanding talents regardless of genre.

Frank McLallen-“Manic”

To say that we are living in stressful times would be quite the understatement, so Frank McLallen’s new sweet Beatles-esque pop track “Manic” has come like a much-needed salve. McLallen, a veteran of the local music scene who has been a member of bands including Ex-Cult, the Sheiks, the Tennessee Screamers, and Model Zero, confidently takes center stage on the first single from his upcoming solo album Extra Eyes. A perfect laid-back ditty for these beautiful (if stressful) spring days.

Zen Desire ft. Ronin-“Good Coffee”

Still not relaxed enough? Fair enough! May we suggest “Good Coffee,” the new single from local singer-songwriter Zen Desire? Grounded by Desire’s dulcet vocals and acoustic guitar and featuring an unexpected but welcomed guest rap verse from Ronin, the track blends elements of R&B, folk, and hip-hop to create a breezy and vibey track that is as comforting as–you guessed it–a cup of good coffee.

TANGELA-“Miso”

While one of our primary goals with this segment is to highlight songs that are hot off the presses, we can be convinced to revisit a previously-released track, especially when it goes as hard as TANGELA’s February release “Miso.” Produced by Ethan Hunt & Ryan Peel and featuring Elliott Ives on guitar, “Miso” is an exhilarating hodgepodge of trap, hard rock, and pop that just demands to be played LOUD. Our only complaint is that with a run-time of just under two minutes, we’re left wanting even more.

Bleu Levees-“Vieux Carre”

Earlier this month, Bleu Levees dropped his highly-anticipated debut album The Way of the Cat, which we’ve had on repeat ever since. We’ve been fans of the Memphis by the way of New Orleans rapper for years and his signature sound and conscious lyricism are both in top form throughout the project. One of our favorites is “Vieux Carre,” a sultry late-night jam that takes its name from NOLA’s oldest neighborhood (as well as a bourbon cocktail from the Crescent City). Be sure to check out the upcoming listening party for the album this Saturday (April 19th) at the Memphis Listening Lab!

The post WAMM In Rotation: 5 Songs for April ’25 appeared first on We Are Memphis.

Brezay

Although Brezay isn’t necessarily a new face on the Memphis music scene–we published a profile of the rising rapper back in 2022–this year is shaping up to be a truly break-out moment for the multi-faceted performer. This month alone, she dropped the ground-shaking anthem “Pinky on My Grillz” and performed during halftime at a Grizzlies halftime show, proving that her time has finally arrived.

Suroor

Since moving to Memphis in 2022, Pakistan-born pop star Suroor has hit the ground running when it comes to taking her music career to the next level. A self-described “industrial hyperpop” artist, Suroor first began winning over fans with her high-energy live performances and has since helped to start a DIY music label called Purgatory Pressings and release her debut album LAVENDER SHOWERS.

Raneem Imam

Arab-American singer-songwriter Raneem Imam has been gaining attention from the local music industry since she was still a student at Rhodes College, earning several prestigious fellowships. Since graduation, she has continued to hone her craft and expand her fanbase with her soft brand of R&B and electropop.

Haley Ivey

Probably best known as a member of the delightfully unhinged duo Little Baby Tendencies, Haley Ivey has been playing her part in keeping the city’s punk scene thriving for years. In today’s fraught political climate, she has also been a fearless voice in speaking out against injustices of every stripe with righteous anger in recent songs such as “Flight of the Fascists” and “Walking While Woman” from the 2025 album Burn Down the State.

Nubia Yasin

At this point, Unapologetic’s track record of discovering some of the city’s brightest and boldest young talent is unimpeachable, and rising pop priestess Nubia Yasin is proof that the label is still at the top of their game when it comes to scouting talent. With a wide-range of eclectic influences and a sound that is both fresh yet steeped in tradition, Nubia Yasin is certainly an artist to keep a close eye on.

Victoria Dowdy

In case you haven’t noticed, Americana music has been having a true renaissance over the past couple of years, and singer-songwriter Victoria Dowdy has been at the forefront of Memphis’ vibrant scene the whole time. As both a solo artists and as a member of the duo Oakwalker, Dowdy’s modern take on classic folk and country has made her a key figure in the local singer-songwriter community, a position she isn’t likely to give up any time soon.

Alice Hasen

If you’ve yet to see violinist/fiddler Alice Hasen perform live yet, believe us when we say that it is truly a sight to behold. The Vermont-born musician has a virtuosic control over her instrument that is absolutely spellbinding, earning her praise from across the country.

Isabella deFir

Despite still not being of legal drinking age, Isabella deFir already has over a decade of musical experience to her name. As both a solo artist and a member of the up-and-coming synth-pop duo Isabealla&Sebastian, deFir’s uniquely beautiful tone and gift for lyrics places her in a league of her own.

Glockianna

Two years ago, we here at WAMM told you that rapper Glockianna was a homegrown talent worthy of your attention, and that sentiment has only grown stronger since. Much like labelmate Duke Deuce, Glock is keeping the classic Memphis crunk sound alive with a seemingly endless stream of elbow-throwing bangers. The most exciting part? She’s still in her teens and only getting better.

Rachel Maxann

Much like Valerie June before her, Rachel Maxann’s gorgeous blend of soul and folk is bolstered by her rare and unparalleled vocal talent, making her a true star within the city’s Americana scene. For anyone who still holds the wrongheaded notion that folk is somehow a so-called “white” genre, Maxann is a living testament to Black artists’ many contributions to the genre.

The post The Future is Female: 10 Women Who Are Defining the Future of Memphis Music appeared first on We Are Memphis.

Let’s start at the very beginning. Tell us a bit about the formation of WIMM and the people behind it.

It had been an idea running through my head for a while since 2020/2021 when I’d see monthly listings at venues and wondering why I didn’t see many women acts on the boards when I was meeting so many female musicians around town. I’d run a successful live-streamed show in NY and thought, we should do that here, for women! I mentioned it to my friend Alice Hasen, who thought it was a good idea and WiMM was born. We enlisted a few others to help out and then in March 2022 we hosted our first showcase at BSIDE. It has grown from there and honestly, there really is no limit because if you can dream it up and execute it, it lives. Currently, it is a one-woman operation but we are always collaborating with other movers and shakers here.

For those who may be unfamiliar with WiMM, give us an overview of your typical work and programming.

WiMM is “Women in Memphis Music.” We are committed to providing a platform that highlights and uplifts female and female-identifying musicians and provides a space to connect and create a community that thrives, collaborates, supports, and promotes one another. That has been our mission statement from day one. We want to offer up-and-coming musicians trying to get their footing here in Memphis a resource and place to start by meeting other women musicians and a platform dedicated to highlighting their talents.

You recently celebrated your third anniversary as an organization (Congratulations!). Reflecting back on the past three years, what are some of your personal highlights?

Thanks! Hosting Carla Thomas’ 81st birthday will always remain a highlight. Hosting an all female-fronted music festival with all genres represented; from Glockianna to Joyce Cobb to Oakwalker to The KLiTZ. Seeing the crossover of women playing in each other’s bands at showcases is always cool. Hearing that musicians met at one of our events and play together now, is the reward! I purposely combine genres with each show to help “cross-pollinate” and introduce artists who may never cross paths otherwise. Having people come up to me after the shows to say what a beautiful night it was and they felt the good vibes of camaraderie and love through the evening always warms my heart. We are all in this together, unity is the only way!

We certainly won’t ask you to pick favorites, but share some of the up-and-coming women artists that you think more people should have on their radar this year.

There is simply no way I could pick any one artist or artists because with every show we host, I am constantly blown away with the talent in this city. The caliber of female artists here is vast and covers all genres! I invite people to check out our YouTube page that contains the last 3 years of archived performances and find your new favorite artist in the city! Or come to a monthly showcase! Nothing beats live music!

What are some of your plans for WiMM, both the in the near future and longer-term?

We plan to keep hosting monthly showcases, happy hours, informational events, vocal workshops, representing at events across the city, connecting women, amplifying women’s presence in the music scene here and we’d love to produce another successful female fronted music festival! I’m sure other things will transpire as well, we want to keep growing and connecting.

What are the best ways to connect with WIMM, both for artists and fans?

You can reach us anytime via email (connectwimm@gmail.com) for more information on how to be a featured artist and through our IG page (@womeninmemphismusic). We’d love to hear from you and if you are an artist, host you! We also hope to see you at a show soon!

The post Three Years In, WiMM Continues to Showcase the City’s Brightest Women Artists appeared first on We Are Memphis.

5 Fridays of Jazz at the Benjamin Hooks Library (Every Friday in March)

The annual 5 Fridays of Jazz series is returning yet again for another stellar season of free local jazz at the central library. This year’s slate includes local luminaries such as Joyce Cobb, Deborah Swiney, and the Jazz Ensemble of Memphis. Food and drinks will be available for purchase, making this the perfect way to kick off your weekend in style.

The Rock Orchestra by Candlelight at the Orpheum (March 13)

The Rock Orchestra is a collective of classical musicians who breath beautifully dark energy into legendary rock and metal songs from legendary acts such as Metallica, Rage Against the Machine, and AC/DC. Surrounded by an ethereal candlelit setting and elaborate costumes, this is truly a one-of-a-kind experience that will make you hear some of your old favorites in a completely new way.

Isley Bros+ Keith Sweat and the Landers Center (March 14)

There are few musical acts more legendary than the Isley Brothers, who have been churning out classic hits since the late 1950s. Featuring original members Ronald and Ernie Isley, the group will soon be headed to the Landers Center for an evening of sweet soul music featuring guests Keith Sweat and Keke Wyatt.

Aaron Lee Tasjan at Growlers (March 15)

Songwriter, singer, and sideman guitarist (New York Dolls, Drivin’ n’ Cryin’, Everest) Aaron Lee Tasjan is a true musical chameleon with a seemingly endless array of musical styles, ranging from country-rock to funk. That said, he has most often earned comparisons to singer/songwriters like Harry Nilsson, Tom Petty, and Randy Newman, which ain’t bad company to say the least.

Optic Sink + Greg Cartwright at Lamplighter Lounge (March 15)

Before heading out of town to record their third album, local synth-bunkers Optic Sink will be hitting the stage at the Lamplighter to preview some of their new songs. As if that wasn’t enough, they’ll also be joined by Hartle Road and Greg Cartwright, making this arguably the finest local line-up of the month.

Bright Eyes w/ Hurray for the Riff Raff at Minglewood Hall (March 17)

Over 20 years, Bright Eyes and lead singer Conor Oberst have become synonymous with cripplingly melancholy indie rock that speaks directly to the sad boys and girls across the globe. With his warbling voice and deeply intelligent songwriting, Oberst has famously been called his generation’s Bob Dylan. Don’t forget to bring a few tissues to dry your tears on your way to the venue.

Kraftwerk at Overton Park Shell (March 25)

The Shell Yeah! Benefit Series has brought many notable performers to Overton Park over the years, but this just might be their crown jewel. Kraftwerk–the pioneering German electronic group that forever changed the face of popular music–will be bringing their world-renown multi-media extravaganza to the Shell for what is arguably the most anticipated show of the spring.

Paul Taylor at The Green Room (March 26)

To celebrate the 10th anniversary of his critically acclaimed EP “The Old Forest Trail,” Paul Taylor will be returning home from the Great White North for a rare performance at the Green Room at Crosstown Arts. Paul, a multi-instrumentalist who has worked with a countless number of Memphis musicians, is well-known around these parts for his musicianship and abilities as a live performer and is sure to draw a great crowd.

Heavy Meddle Fest at Meddlesome Brewing Co. (March 29)

Cordova’s Meddlesome Brewing Co. is rocking the suburbs yet again with their annual Heavy Meddle Fest, a free day-long festival of face-melting metal. This year’s line-up is particularly stacked, featuring performances from some of the area’s best hard rocking acts, including Epoch of Unlight, Ohms, Anemoia, and others.

Betor Fest at the Hi Tone (March 30)

Betor Fest, the annual fundraising concert for the harm reduction non-profit A Betor Way, has quickly become one of the best days for local music and a great way to give back to a critical cause. This year’s line-up is their biggest and best yet, featuring a full slate of some of the city’s best rock acts.

The post 10 Must-See Concerts for March ’25 appeared first on We Are Memphis.

Syl Johnson-“Is It Because I’m Black”

“After Martin Luther King got killed, I wanted to write a song…. I didn’t want to write no song about hating this people or hating that people… I really didn’t have no vendetta against people. It’s a sympathy song,” soul artist Syl Johnson once said about his mournful anthem “Is It Because I’m Black.” Released during the tumultuous year of 1969, the slow-burning track laments a world that willfully tries to hinder the opportunities of people based on race. Despite the song’s obvious heartache, Johnson still sounds prideful and resistant.

MonoNeon-“Breathing While Black”

Like Sly Stone before him, MonoNeon is probably best known for his funked-out feel-good bangers, but still has the ability to come out with thoughtful laments about the harsher realities of the world. During the revolutionary summer of 2020 that found tens of millions of people hitting the streets as part of the Black Lives Matter movement, MonoNeon released this modern classic that became a rallying cry for many here in the Bluff City.

Jordan Occasionally- “Dear Broad, Bingham, and Beale”

As with MonoNeon, Jordan Occasionally is equally as capable of soundtracking a protest as they are at filling up the dance floor. From the very beginning, the nonbinary activist’s music has always been unapologetically political, which is the case with this anti-gentrification track that speaks to the frustrations and anger felt by many when their neighborhoods seem to be sold off to the highest bidder.

Negro Terror-“The Voice of Memphis”

Before bandleader Omar Higgin’s untimely death in 2019, Memphis’ all-Black hardcore band Negro Terror had established themselves as one of the city’s most exciting bands and seemed poised for a national breakout. While the pain of Omar’s loss still lingers, the band’s music lives on, especially “Voice of Memphis,” a reworking of the white-supremacist/neo-Nazi skinhead band Skrewdriver’s “Voice of Britain.” Now THAT is punk rock.

Brandon Lewis-“Black Man”

Brandon Lewis’ “Black Man,” which was also released during the summer of 2020, is both deeply personal and a call to pride for Black men everywhere. “Part of being an artist, my responsibility is to not just make the things that we dance and groove to, but also music that implements a sense of social awareness,” Lewis said at the time. The song’s video is also a beautiful homage to the city’s deep ties to the struggle for racial justice, largely shot at the historic Clayborn Temple where the iconic “I AM A Man” signs were first produced.

The post “Talking to the People, Ya’ll:” 5 Memphis Anthems for Black History Month appeared first on We Are Memphis.

The genre’s development was bolstered by legendary producers like Willie Mitchell, who worked with Al Green and Ann Peebles to craft timeless tracks. Meanwhile, Stax Records became the epicenter of southern soul, producing hits by artists such as Isaac Hayes, Sam & Dave, and Carla Thomas. Their contributions created a unique musical identity that continues to resonate today.

Key Characteristics of Memphis Soul Music

• Emotional Vocals: Inspired by gospel, singers like Otis Redding and Al Green brought unparalleled depth and passion to their performances.
  
• Dynamic Instrumentation: A hallmark of Memphis soul is its use of brass and strings, creating a rich, layered sound.
  
• Gritty Production: The lo-fi and unpolished quality of recordings from studios like Stax added authenticity to the music.
  
• Collaborative Spirit: Bands like Booker T. & the MG’s, an integrated group of musicians, epitomized the unity and innovation of the genre.
  
• Cultural Impact: Themes of love, resilience, and community resonate deeply, reflecting the experiences of Memphis’ African American community.

Contemporary Artists and Resurgence

While legends like Al Green and Otis Redding paved the way, contemporary artists continue to carry the torch of Memphis music. Artists like Don Bryant and Susan Marshall blend traditional elements with modern influences, ensuring the genre evolves while honoring its roots.

Platforms like streaming services and documentaries such as Stax: Soulsville U.S.A. have reignited interest in southern soul, connecting a new generation of listeners to Memphis’s rich musical history.

Memphis Soul Music Venues

Stax Museum of American Soul Music: Located at the original site of Stax Records, this museum immerses visitors in the rich history of Memphis soul with exhibits featuring iconic artists like Isaac Hayes and Carla Thomas.

Beale Street: As the heart of Memphis’s entertainment district, Beale Street offers live performances that celebrate the city’s musical legacy, from rhythm and blues to modern interpretations of soul music.

Memphis Rock ‘n’ Soul Museum: A Smithsonian-affiliated museum that explores the intersections of rock and American soul music, highlighting Memphis’ pivotal role in shaping both genres.

Legendary Memphis Soul Artists: Past & Present

Southern Avenue

This soulful ensemble combines elements of soul, blues, and gospel to create a fresh and energetic sound. Led by the powerhouse vocals of Tierinii Jackson and the skillful guitar playing of Ori Naftaly, Southern Avenue has garnered acclaim for their captivating live performances and soul-stirring lyrics. Tracks like “Don’t Give Up” and “Keep On” showcase their ability to infuse traditional soul with a modern edge.

Valerie June

With her distinctive voice and poetic songwriting, Valerie June has become a rising star in the contemporary soul music scene. Her music effortlessly blends elements of folk, blues, and soul, creating a unique and captivating sound. Songs like “Pushin’ Against a Stone” and “Astral Plane” highlight her soulful delivery and introspective lyrics, showcasing her ability to transcend genres.

Talibah Safiya

Talibah Safiya’s music style is a captivating fusion that defies easy categorization. Drawing from a wide range of influences, her music seamlessly blends elements of soul, R&B, jazz, and electronic sounds to create a truly unique sonic landscape. Safiya’s velvety smooth vocals, combined with her poetic lyricism, create an intimate and emotive listening experience. Her music often carries a sense of introspection, exploring themes of love, identity, and self-discovery. With her rich and soulful voice, Talibah Safiya effortlessly navigates through genres, delivering a mesmerizing blend of contemporary and timeless sounds.

Don Bryant

A veteran of the Memphis soul music scene, Don Bryant has recently experienced a resurgence in his career. Known for his work as a songwriter and performer for Hi Records in the 1960s and 1970s, Bryant returned to the spotlight with his critically acclaimed album “Don’t Give Up on Love.” With his smooth and soulful vocals, Bryant continues to captivate audiences with his timeless sound and heartfelt delivery.

Joyce Cobb

A true legend of Memphis soul, Joyce Cobb has been a staple of the city’s music scene for decades. Known for her powerful voice and dynamic stage presence, Cobb’s music embodies the soul’s essence. From her early hits like “Dig the Gold” to her recent releases, such as “Love Infection,” Cobb’s soulful delivery and captivating performances continue to captivate audiences.

The Bo-Keys

This Memphis-based band blends soul, funk, and R&B into their signature sound. With a lineup of seasoned musicians and members who have played with iconic artists like Al Green and Otis Redding, The Bo-Keys deeply understands the soul music tradition. Their albums, including “Heartaches by the Number” and “Got to Get Back!”, exemplify their ability to deliver grooves that honor the rich legacy of Memphis soul.

Al Green: Known as the king of Memphis soul, Green’s smooth voice and hits like Let’s Stay Together and Love and Happiness made him a global icon. His collaborations with Willie Mitchell at Hi Records defined the sophisticated sound of the genre.

Otis Redding: Often hailed as one of the greatest soul singers, Redding’s tracks like Dock of the Bay remain timeless anthems. His emotive delivery and profound lyrics embody the essence of soul music.

Sam & Dave: With classics like Soul Man, this duo epitomized the energy and harmony of American soul music. Their work with Stax’s house band remains a defining example of the genre.

Isaac Hayes: A trailblazer of Memphis music, Hayes’s deep baritone voice and orchestral arrangements brought sophistication to the genre. His work on the Shaft soundtrack earned him an Academy Award.

Carla Thomas: Dubbed the “Queen of Memphis Soul,” Thomas’s hit Gee Whiz showcased her vocal elegance and helped establish Stax Records.

You might also be interested in: Famous Memphis Musicians | Memphis Singers

The post Memphis Soul Music – Past and Present appeared first on We Are Memphis.

Prior to the concert, we caught up with both women for a preview of what fans can expect from the most anticipated show of the year so far.

Before we get into the upcoming show, let’s play a bit of catch-up. You both released some of our favorite projects of 2024, which we’d love to hear about, but let us know what else you’ve been up to in recent weeks/months:

Marcella Simien: I’m feel so honored and flattered! Thank you for supporting and listening to the new music. I’ve been building a new live experience involving a cylindrical art installation I’ve built with my amazing group of collaborators: my husband Dustin, plus Yvonne Bobo and Graham Burks. It’s a metal structure Graham and I designed and Yvonne did a beautiful fabrication. When we build it out for shows, we adhere screens on the exterior and we project imagery onto the cylinder. It’s been a really exciting new chapter and it’s allowed me to integrate my visual art degree into my music career in a whole new way. I just released a 90’s club inspired dance song I wrote with Ryan Peel called Manifest It. I’m about to release the deluxe version of the album including remixes, instrumentals, a meditation track and an alternate version of Lelia. I’m really excited to be exploring new sonic avenues and writing more than ever! Also been integrating music into special yoga monthly events I’ve been offering around Memphis. Just played Sony Hall in NYC this weekend. Feeling overjoyed to be able to do the work I’m currently doing.

Talibah Safiya: Lately, I’ve been focused on my next rollout for a new project. I’ve been reading a lot, cooking, resting, hanging out with my boo. We’re very much in winter mode.

How did this collaborative concert first come together, and have you two ever worked together before?

MS: Talibah and I actually met through Memphis’s favorite music advocate, Elizabeth Cawein, in 2018 where we were partnered up for the first annual Tambourine Bash. We developed a mutual admiration for each other’s work and then reconnected in 2023 where Talibah invited me to play the frottoir and sing background vocals on Black Magic. Then it sparked ann excitement about working together. I joined her at Riverbeat, she joined me at Overton Park Shell. Then I did a lil percussion and sang on her song “Sure Thang.” And we just both have a lot of parallels in our work and similar ideologies. I’m honored to call Talibah a friend and a sister in sound- because she is truly a brilliant artist who inspires me.

TS: Our first time working together was for the Tambourine Bash in 2019 (love to Elizabeth Cawein of MEM). I recently found a recording of us rehearsing for the first time and we just sound so good singing “Bag Lady” by Erykah Badu. Since then, we’ve added some fairy dust to a few tracks for each other and made guest appearances at each other’s shows. That seed started a friendship that has been watered over time.

Without giving away too much, what can fans expect in terms of what you have planned for the show? Will you be performing together, separately, or a bit of both?

MS: We will def do a lil somethin together! We have our own sets, but there will definitely be collaboration happening. We have sonic elements of African, Blues, Electronic, Creole and ofcourse Soul. Since my new album was me on all the instruments I’m entering new territory, working with electronics as well as live instrumentation. It’s going to be a fun and entirely new way to experience my music.

TS: We will be doing our own thing and supporting each other. We want our audiences to connect because we have such similar themes and sonic journeys, we know they’d be delighted to discover one through the other.

Infinity Stairs (the A/V project of Graham Burks) will be providing visuals during the show as well. For the uninitiated, could you tell us a bit about his work and how you all collaborated for this particular show?

MS: I saw Graham’s work when he did his first maiden voyage of his project Infinity Stairs that he and Thomas Corbin have been developing. They did something at Black Lodge and I saw video and I was completely blown away at the experience. I thought I was going to be a digital cinema major when I first got into MCA, and had dreams of being a music supervisor. So my love for placing music with imagery and vice versa- started very young watching Michel Gondry films where Jon Brion worked on the score and a huge inspiration for me was Mark Mothersbaugh and Wes Anderson and those soundtracks helped shape my music taste early on as a pre-teen. I always wanted to dig into imagery with music, because since I was a kid I was a BIG dreamer and when I let my imagination lead the way I was able to tap into a whole other level of my artistry.

And so seeing what Graham was doing cracked my consciousness on video art wide open!!! I had been teaching his song Graham III voice lessons and then reached to him about collaborating for this new show idea I had. Dustin and I started with a geodesic dome we bought and built that did not go as planned ???? so we tried another structure for the Eyes On music video and that was cool but we knew we could do better and I wanted a softer edge, a round shape, I intentionally wanted soft lines for this because it lends itself to the content of the album. Circles are wonderful places to connect and sit in community. So we created another circular shape, the cylinder.

Graham and I have worked closely for the last year developing the show. I knew the color story of the album as I was writing the songs, I knew going into the project that I wanted the live experience to be otherworldly. I used chakra points that related to the stories of the songs and the colors that corresponded with those chakra points. I referenced elements in nature, celestial patterns and ether. And there’s just so much compelling imagery that Graham and Corbin put together based on a long idea sheet I wrote out of what I envisioned would resonate with each song. Each song has its own lil visual matrix that helps to tell the story. I don’t wanna give away too much.

Graham is a genius at projection mapping and he’s not only a brilliant multi-instrumentalist but he is a bonafide computer whiz. Dustin and I have learned so much from him. Then with Dustin’s knowledge of live sound and his visual art background working in glass sculpture and neon signs for over 20 years. And Thomas Corbin has a great eye, and our aesthetic is aligned, so when we all lend our talents – it makes for a stellar team. I feel blessed to be creating with these folks who are just as excited about the work as I am!

Graham uses state of the art technology and outdated old tech too in his visual creations. Which I love! He has an appreciation for the old and is up to speed on all the current innovative tools for our toolbox. He’s worked on shows at the planetarium, he’s working on visuals for some upcoming projects on a national level. I’m so glad people are taking notice on a National scale, because he is insanely talented, he and his work deserves to be celebrated. This is such an innovative exciting moment for Memphis music. I love this creation of more immersive multi-disciplinary work.

This is an amazing way to help kick off 2025, so we don’t want to be greedy, but do you have anything else planned for the year that we should be anticipating?

MS: 2025 is going to be fun, I cannot wait for Talibah’s new music- I got to hear her new body of work… and y’all! I’m so excited. headed out to play the Legendary Rhythm and Blues cruise literally the next day after the Crosstown Theater show! Then headed to play Montreal in February.

I have some dates as a special guest with my father’s band in the spring. I’ll be down in New Orleans around JazzFest for a few solo and special guest performances. We are planning to bring this new show overseas. And I have another single slated to come out in the coming months. And who knows? Maybe you’ll see me and Talibah on tour together in the future!

TS: New music, of course!

Event Details

• What: Marcella Simien ft. Infinity Stairs + Talibah Safiya
• When: January 25, 2025
• Time: Doors 7pm | Show 7:30pm
• Where: Crosstown Theater (1350 Concourse Ave, Memphis, TN 38104)
• Tickets: HERE

The post Two Memphis Queens–Marcella Simien and TalibaH Safiya–Team Up for a Special Performance at Crosstown Theater appeared first on We Are Memphis.

Memphis music is truly unstoppable, constantly evolving and shaping the soundscape with its rich history and innovative artists. Every month brings fresh talent and exciting new releases, making it clear that the city’s musical legacy is as strong as ever. November has been no exception, with an impressive lineup of projects that showcase the heart and soul of Memphis’ diverse music scene. Here are five standout releases we’ve been playing on repeat this month, and we’re sure you’ll love them as much as we do. Dive in and discover your next favorite Memphis artist!

Al Green-”Everybody Hurts”

Although Al Green’s recently-released cover of R.E.M.’s 1992 classic “Everybody Hurts” was certainly not something we were expecting, the iconic soul singer’s excellent rendition of Lou Reed’s “Perfect Day” from last year gave us at least an inkling that such things were possible. Ever since Johnny Cash scored a late-career hit with his cover of Nine Inch Nails’ dour “Hurt,” aging legends have often returned to the deep well of angsty Gen X anthems for inspiration. Count this one amongst the best, especially as Green is able to imbue the song with a sense of optimism. 

In his social media posts announcing the song, the good Reverend wrote “Recording ‘Everybody Hurts,’ I could really feel the heaviness of the song, and I wanted to inject a little touch of hope and light into it. There’s always a presence of light that can break through those times of darkness.” Amen.

IMAKEMADBEATS-”MAGIC”

Last week, producer extraordinaire IMAKEMADBEATS made his triumphant return with a mesmerizing performance of his new album WANDS at the Planetarium. As is true with albums such as J. Dilla’s Donuts, WANDS is best experienced in-full, but to keep with the theme of this article, we’ll suggest starting with “MAGIC,” one of the album’s many stand-outs. If you haven’t check out the album yet (and you absolutely should), think of it as “Lo-Fi Hip-Hop Beats to Study and Travel the Cosmos To.”

Hitkidd-”Lookin’ For Ah Trick”

Earlier this month, Memphis producer Hitkidd released his newest album Hitkidd For President, yet another collection of trunk-rattling bangers that proves crunk is still very much alive. As he’s been known to do in the past, Hitkidd assembled some of Memphis’ baddest women for a posse cut with the undeniably great title ”Lookin’ For Ah Trick.” Featuring Jucee Froot, La Chat, and the late great Gangsta Boo, Hitkidd transports us back to the elbow-throwing mid-2000s. Also, shout out to Talibah Safiya, who provides a gorgeous outro to the album on the track “Land of the Free.”

General Labor-”Calculator”

From Lost Sounds to NOTS and Optic Sink, Memphis has been a strong breeding ground for kick-ass synth punk bands for a couple of decades now. General Labor, the duo of Thomas Corbin and Elijah Poston, have established themselves as worthy entrants into this tradition, especially with their new album  The Airtight Garage. Album opener “Calculator” has been released as the first single and is a perfect summation of the band’s sound and philosophy: using technology to rage against the machines.

ISpeakWithAGift Ft. Preauxx- “F.T.O.S.”

and is a perfect summation of the band’s sound and philosophy: using technology to rage against the machines.I honestly can’t remember if we’ve ever covered the artist ISpeakWithAGift before in this space, but if not, shame on us. The rapper-producer, who has been regularly releasing music for the better part of a decade, has earned a dedicated following with his unique production and smooth flow that seems to grow more skillful with each release. His newest single “F.T.O.S.,” which features an excellent feature from a very hungry sounding Preauxx, is a woozy banger reminiscent of early releases from A$AP Mob. 

The post WAMM In Rotation: 5 Songs for November ’24 appeared first on We Are Memphis.

Memphis music is truly unstoppable, constantly evolving and shaping the soundscape with its rich history and innovative artists. Every month brings fresh talent and exciting new releases, making it clear that the city’s musical legacy is as strong as ever. October has been no exception, with an impressive lineup of projects that showcase the heart and soul of Memphis’ diverse music scene. Here are five standout releases we’ve been playing on repeat this month, and we’re sure you’ll love them as much as we do. Dive in and discover your next favorite Memphis artist!

Suroor-“!TOXIC!”

Memphis-based Pakistani hyperpop artist Suroor has gained quite the local following since dropping their debut album LAVENDER SHOWERS in 2023. Since then, their unique blend of pop–which borrows elements of Eastern genres such as bhangra and qawwali–has regularly been on display during their high-energy live shows. Today, Suroor is back with their newest single “TOXIC,” and it’s an absolute banger. Utilizing a classic Bollywood sample 3 different ways, Suroor has created a track that is both playful and aggressive, harkening back to the golden age of M.I.A.

Virghost-“MOP THA FLO”

Although he has been releasing music for over a decade, Memphis’ Virghost remains an underappreciated talent in the local hip-hop scene. To his credit, he just continues doing what he does best: regularly dropping gems that showcase both his verbal dexterity and the production skills of regular collaborator KingPin Da’ Composer. Virghost recently blessed us yet again with “Red on All Sides,” a three-track EP that is a great starting point for anyone who has missed out thus far. “MOP THA FLO,” which borrows liberally from the classic ‘90s Memphis sound, has been blasting in our car all month.

Marcella Simien-“Lelia”

Marcella Simien’s Louisiana roots have always been an integral part of her musical identity, but the Bayou State’s influence has never been stronger than on her new single “Lelia.” An ode to Simien’s great grandmother, “Lelia” begins with the sounds of the swamp, followed by a spoken-word tribute to a woman that Marcella never met, but whose influence is clearly felt. From there, the song absolutely floats, bringing the listener on a journey through time and space. The single is featured on the singer’s brand new album To Bend to the Will of a Dream That’s Being Fulfilled, which we’re sure we’ll spill more ink on soon.

Nonconnah-“An Escape From Doomscroll Valley”

Memphis noisegaze stalwarts Nonconnah recently dropped their new album Nonconnah vs. the Spring of Deception, their first in several years. As we’ve come to expect, the duo has once again delivered a masterclass in loud, messy, and oftentimes beautiful drone. While the album is best listened to as a cohesive whole, the opening track “An Escape From Doomscroll Valley” is a great way to tip your toes into their particular brand of deep and murky water.

Chinese Connection Dub Embassy “Stay Focused”

CCDE, Memphis’ premiere reggae act, is back with a laid-back and motivational new single featuring Kween Jasira called “Stay Focused.” Featuring a classic dub beat, the song is a reminder to not let outside distractions, haters, or anything else knock you off of your course. Our only complaint is that the song wasn’t released a couple of months ago, as its the perfect summer time jam.

The post WAMM in Rotation: 5 Songs for October ’24 appeared first on We Are Memphis.

Cover Photo: Justin Friesen

Mak Ro–the soulful duo of Filipino-American cousins Eric Makapugay and Kristoffer Ruaro–have been self-releasing music since 2019, winning over a dedicated local fanbase in the process. Now, the group is finally prepared to release their debut album, a beautiful and emotionally honest 8-song LP entitled Love in the Dark. Set to release on Friday, October 18, the duo have already released the first single from the album, a sensual slow-burner called “Hero.”

We caught up with Mak Ro to discuss their origins as a group, the process of creating the album, and what fans can expect over the next few weeks.

Before we get into the new album, let’s talk about your musical journey so far. Tell me a bit about how you both first got into music and when you began working together.

Kris: Being cousins, we’ve been around each other our whole lives since our families grew up super tight. But I’ve been singing my whole life and at some point – after trying a ton of different hobbies – Eric’s parents gave him a guitar and he ended up dropping everything else. Prior to becoming Mak Ro though, we both had our own separate music projects – I was doing some solo stuff and Eric played guitar in a couple bands. It wasn’t until 2016 when we accidentally wrote “Elevator” from a seemingly inconsequential guitar riff that Eric improvised during a jam session. After that, we just kind of kept accidentally making more and more songs and we haven’t been able to stop since.

Eric: I still remember before I did music going to Kris’s singing performances watching him do his thing. He has always had that performance energy and movement that you just can’t forget. At the time, we had different musical tastes in terms of the artists we listened to, so when I started playing guitar at 13, we didn’t really play too much music together. We both took our own musical journeys around the 2010’s, but eventually our worlds linked when one of my bands needed a singer for a show. I called up Kris, and that was honestly the start of it all. We kept jamming together at family gatherings and that eventually led us to accidentally writing songs.

Photo by Kris Ruaro

Although you have been releasing music for years now, “Love in the Dark” will be your first full-length album. How did the process of crafting an album differ from making singles, and what was each of your roles in that process?

Kris: What’s funny is, when we make music, we’re not thinking, “Let’s create a hit single” or “We need to make an album.” Like with our singles, we just ride the waves of inspiration whenever they come, without the pressure to release something. That’s really important to us—it keeps our creative intentions pure and lets us be fearless in what we create. Over the past five years, we’ve written over a hundred songs, and at some point, we realized these eight tracks felt connected. From there, we just kept building the world and figuring things out as we went. Honestly, we’re still in the thick of it, so we’re not even sure where this whole process of presenting the album will take us. We’re letting the wind guide us and experiencing it all along with everyone else.

Eric: For us, it’s just whatever we’re feeling at the time. Writing the singles, we just threw a bunch of paint at the wall and shared songs once they felt really good to us. For the album, I feel like we threw a bunch of songs or diary pages on a table, and out of the pages that seemed to connect, those are the ones that ended up forming the book. Our creative process is always collaborative. We both have different technical skill sets but overall our vision is combined in every part of the process from the songwriting, producing, mixing, video editing, marketing, etc.

You continue to blend a variety of different musical genres on this project, which has become a calling card for ya’ll. Who and/or what were some of your sonic inspirations for this particular project?

Kris: I’m not the most knowledgeable when it comes to pinpointing musical styles or linking techniques to specific artists, but I’ve always loved a wide variety of music, and I think that naturally influences what I create. For example, the first album I ever bought was a Destiny’s Child CD from a gas station in the Philippines, which I obsessed over for a while. I was also hooked on Mariah Carey, Brian McKnight, Luther Vandross, Stevie Wonder, Whitney Houston, and tons of R&B growing up. My dad introduced me to classics like Jackson 5, Nat King Cole, and Donny Hathaway. Then, when the iPod came along, it was game over—I went through phases of country, EDM, singer-songwriters, pop, rock, Lady Gaga (and that one I’m still going through tbh).

Looking back, though, I’ve always been drawn to music that feels good, and having such a broad range of influences gives me more emotional shades to work with. Ultimately, when I’m writing lyrics or producing vocals, my goal is to create something that feels as good as the music I connect with.

Eric: I’m trying to remember the art that I was experiencing at the time, but in terms of sonic inspirations, I think I was listening to a lot of Rosalia, Men I Trust, Khruangbin, The Doors, Sam Gellaitry, Billie Holiday, Jordan Ward, and others at the time. I didn’t really think about listening to artists for inspiration on our album, although I’m sure a part of that came out from within my subconscious during the writing process. Usually, I unknowingly take inspiration from non-music related art as well, so it all just kind of blends together like a boiling stew. I don’t really think about genres too much, because in my head I’m like “ooh what if I combine this 808 bass sound with light-hearted drums on top of fluttering guitars, but with a twist of dissonant synth chords while making it all feel like it’s coming out of a broken speaker.” I listen to a lot of different kinds of music, so I take inspiration from it all, put it in a boiling pot, stir it, and taste it until it feels good – because why not!

Photo by Justin Friesen

Of course making an album takes a whole team of people. Tell us about some of the people you worked with and what the recording process was like.

Kris: Yes, shoutout to our team—though it’s just the two of us! We’re really hands-on with our creative process and handle almost everything ourselves. Even when recording vocals, I prefer to be alone to fully dive into the moment without outside influences. From writing and production to marketing, press releases, and booking, it’s just Eric and me at the moment. However, we do collaborate with some amazing people. Specifically for Love in the Dark, Dr. Ford Music, our long-time friend and engineer, has mixed most of our tracks, and Randy Merrill at Sterling Sound mastered the album and pretty much our entire discography – and though we’re all in different cities, they always nail our vision. As for visuals, Jamie Harmon (Amurica Photo) really helped bring the album cover to life, and Morgan Bell (Belltoll Media) captures our videos with a unique, cinematic touch. Our team is small but mighty, and we love it that way.

Eric: We love the people we collaborate with, and we especially are appreciative of how open they are to our ideas. Our recording process is very minimal. We make the music at our home studio, and I’ll usually create the music with a combination of recording instruments, samples, and mixing. Kris records himself and writes the entire vocal production and lyrics. We combine the instrumentals, vocals, and lyrics that feel the best to us and filter out the ideas that we don’t fully resonate with. It’s a back and forth process that gives us a lot of flexibility, and we both are collaborating throughout every part of it.

Photo by Jamie Harmon

I imagine that you will have a few events and live performances to celebrate the album’s release. What are some things that fans should be on the look-out for?

Kris: In tandem with the album releasing, we are holding a few special events in October in Memphis because hometown eats first! On Thursday, October 3rd, we’re hosting a secret listening party at the Memphis Listening Lab at 7:00 PM. Very limited seats are available, so we ask that folks RSVP via our website. Also, on Saturday, October 19th, we’re holding our album release show at Crosstown Arts’ The Green Room at 7:30 PM. That night, we’ll be playing some of our discography favorites, as well as the full album! We have another cool thing planned for the end of October, but we’ll save that for another interview. Folks can get tickets at www.makromusicofficial.com or the links on our instagram bio.

The post R&B Duo Mak Ro set to release debut album “Love in the Dark appeared first on We Are Memphis.

Bleu Levees ft. Dame Mufasa – “Hashtag”

There’s truly nothing better than when two formidable artists link up and join forces. Together they can elevate an already great song, and push it to a standout level. Case in point: “Hashtag,” Memphis rapper Bleu Levees latest single which also features Memphis heavyweight Dame Mufasa. The two seamlessly play off each other, as they trade their own signature styles over slithering production by EMPEE. Fingers crossed there’s more collabs like this in the future.

She’Chinah- “Gimme A Reason”

She’Chinah has an unparalleled voice. It wraps itself around you, slowly and purposefully as it paints a feeling of pure bliss. Don’t believe me? Listen to “Gimme A Reason,” She’Chinah’s latest single. It’s a sugary-sweet, uptempo offering that perfectly highlights her vocal prowess. Get familiar.

Therèse ft. Idaly Maceano – “Bitch You Thought”

The talent of Memphis’ female artists is unreal. These women consistently raise the bar with each new song, and “Bitch You Thought” is no different. The track is the latest from singer and rapper Therèse (formerly Mai Ty) who brings her trademark rich vocals and velvety delivery to some smooth, R&B beats courtesy of LJ1S. She also taps fellow Memphis rapper Idaly Maceano, who ferociously delivers a flawless guest verse. This is a must add to your most recent playlist.

Slimeroni – “Skyami”

On her newest single, Slimeroni starts the track by rapping the very question all her fans are asking: “Slime, where you been?” The answer is, thankfully, hard at work in the studio readying a slew of new music. To quench our thirst in the meantime, the Memphis artist offers “Skyami,” a track that perfectly pairs gritty, bouncing production with Slime’s relentless delivery. She sounds sharper and more confident than ever, making us that much more excited to hear what she’s been cooking up.

Cameron Bethany – “Want Me To”

You know that scene from The Office where Micahel Scott freaks out and tells everyone, “Oh my God it’s happening! Everyone stay calm!” as he runs out of the building? That’s almost exactly what I did the morning I woke up and saw a new song from Memphis singer Cameron Bethany had dropped. “Want Me To” is an absolute bop, complete with dance-ready, poppy production overwhich Bethany layers his soulful vocals. Put this on repeat as you close out summer 2024.

The post WAMM in Rotation: 5 songs for August ’24 appeared first on We Are Memphis.