Pablo Ávila just graduated from the University of Memphis as a Student Marshal with two majors, two Outstanding Senior Awards, and a whole lot of Memphis to show for it.

Born and raised in Bogotá, Pablo spent a gap year doing community service work in Mexico. That experience deepened something he had always carried: a drive to serve, understand people, and contribute to the communities around him. Anthropology was the natural fit. The University of Memphis had a practicing anthropology program that stood out, and his brother was already in the city. He made the move with intention.

What happened next is exactly the kind of story Memphis keeps writing for people who bring that energy to it.

Plugged Into the City

From his first semester, Pablo connected his academic work directly to the people around him. He started volunteering at Amigo Community Center, an amazing local nonprofit that connects resources to Memphis’s Latino community, and that work grew into a paid internship through the university. A full semester of real work alongside a community he was proud to be part of.

“My volunteer work opened that door so I could get paid, have an internship experience, and keep supporting that community,” he says.

He also partnered with the Benjamin L. Hooks Public Library on the 901Voices oral history project, pitching and leading interviews with Latino Memphians whose stories hadn’t been formally documented. His academic work didn’t stay in the classroom. It went back to the people.

“My work and research projects in school translated and contributed to the overall image and work being done in Memphis,” he says. “I thought that was super cool.”

Memphis Was Also Where He Found Home

During that same gap year in Mexico, Pablo met Katie, another participant in the same program. Memphis became the place they could both land, and they built a life here together. They enrolled at UofM and got married at Shelby Farms in the summer of 2023.

“We both came into Memphis from different parts of the world and fell in love with it.”

Pablo graduated as a Student Marshal for the College of Arts and Sciences, earning the Outstanding Senior Award for both of his majors and the Dean’s Award for the college. Katie walked across the stage as a Student Marshal too! He is about to transition into a full-time at the Consilience Group, a Memphis consulting firm where he grew from intern to part-time to the real thing, and Katie will being teaching young Memphians at Richland Elementary.

They are not leaving. That is what Memphis does for people who show up for it!

The post This City Did That: Pablo Ávila and the University of Memphis appeared first on We Are Memphis.

And then he built a whole studio.

Last fall, IMAKEMADBEATS partnered with Google and Urban Arts, the national nonprofit that teaches video game design as a pathway to college and career, to design and build a state-of-the-art sound studio at Urban Arts’ Game Academy in New York City. Professional recording equipment. Production tools. Game audio design. All free for NYC public school students.

He showed up with blueprints and a philosophy: “Fostering creativity in youth is one of the most powerful things we can do, especially in a time when most systems teach conformity and call it preparation. Creativity builds problem solvers and visionaries. I see myself in almost every young person I meet, because I know how much it matters to have someone believe in your ability to create something.”

That’s not a New York idea. That’s a Memphis idea.

Access Changes Everything

Urban Arts student Darlyn “Dayl!ght!” Gutierrez is the proof. Three years ago he had no idea he loved making music. Now he’s a rising college junior studying Music Technology, Entrepreneurship, and Production, and he was on stage at the studio launch performing an original release alongside IMAKEMADBEATS himself.

The talent was always there. The access was the variable.

90% of Urban Arts students come from low-income communities, and through the program they’ve achieved 100% college acceptance and earned over $46 million in scholarships. In April 2026, the Urban Arts Color Ball, where the studio took center stage, raised a record-breaking $1.1 million, with partners like Google, Paramount, Take-Two Interactive, Adobe, and NBCUniversal all in the room.

IMAKEMADBEATS didn’t move to New York to do this. He brought Memphis to New York. His values, his vision, his belief that young people deserve real tools and real investment, that’s what built that studio.

There is no shortage of that same vision here at home. If a Memphian can walk into a room with Google and come out with a studio that changes young lives, the ceiling is higher than we’ve been told.

The talent here travels. The vision here scales. And it starts with someone deciding to build something.

The post A Memphis Innovator Just Changed the Game in New York City appeared first on We Are Memphis.

On May 21, he’s opening the door wider than ever.

A CHRISTOWNSEND JUNT is a one-man show designed to be something different. Not just a concert. An experience. An intimate night of music, storytelling, and community that walks through 11 years of his artistic journey in a space where the audience is part of the room, not just watching from it.

I want to create a forum for people to come and have a holistic experience that is unique and gives them a chance to go into my creative world,” Townsend shared. “And I hope this format becomes something other local artists can build on, too.

That last part matters. This is not just a celebration of his own work. It’s a blueprint. A proof of concept that Memphis artists can create their own stages, their own formats, and their own terms for connecting with an audience.

Doors open May 21. Entry starts at $11, but this is a proud-to-pay event. You pay what the experience means to you.

Get tickets here.

The post Chris Townsend Is Inviting Memphis Into His World appeared first on We Are Memphis.

After more than a decade in Memphis’ film community, Glenn noticed his work naturally shifting toward stories for younger audiences. That path took him to children’s film festivals across the country—experiences that were not only creatively inspiring, but also emotionally impactful.

“I kept thinking how meaningful these experiences were,” Glenn shared. “And I wished something like that existed back in Memphis.”

So, he built it.

Like You Film Club is a nonprofit dedicated to supporting the emotional growth and mental wellness of kids and families through film. But it’s not just about screening movies—it’s about transforming the way people experience them.

In a time when watching a film often means sitting alone or scrolling on a small screen, Like You Film Club creates space for something different. Each gathering invites families to come together, watch with intention, and engage beyond the credits.

Every event begins with an introduction that provides context and themes to look for, encouraging audiences to think more deeply about what they’re watching. After the film, the experience continues with interactive activities designed to spark conversation, connection, and creativity.

It’s a simple but powerful idea: film as a shared experience, not just entertainment.

By bringing people together in this way, Like You Film Club is helping to build a stronger sense of community in Memphis. One where families can connect, kids can grow emotionally, and stories can open the door to meaningful conversations.

For Glenn, it all comes back to creating space for reflection, for connection, and for belonging.

And in Memphis, that’s exactly where the soul lives.

The post Like You Film Club Brings Community and Connection to the Big Screen appeared first on We Are Memphis.

At The Studio Karaoke, that feeling is turned into an experience.

Founded by Memphis native Deidre Ellis, The Studio Karaoke was created with one goal in mind: to bring more joy to the city. After leaving Memphis and returning home with a fresh perspective, Ellis saw an opportunity to create something new in the local entertainment scene. Something that felt both globally inspired and deeply rooted in Memphis culture.

The result is a “karaoke box” concept—popular across many Asian countries and growing in cities across the U.S.—that offers private, bookable suites where guests can sing, celebrate, and connect in a space of their own.

But this isn’t just karaoke.

A New Way to Experience Memphis Music

Inside The Studio Karaoke, each room tells a story.

Guests can step into Memphis-inspired suites designed to reflect the city’s rich musical legacy, from the energy of performing on Beale Street to the intimacy of a recording studio session. Every detail invites visitors to not just listen to Memphis music, but to become a part of it.

Whether you’re channeling your inner performer in the arena-style room or vibing out with friends in a studio-inspired space, the experience is immersive, personal, and uniquely Memphis.

Designed for Joy, Connection, and Community

At its core, The Studio Karaoke is about creating space.

Space to celebrate.
Space to be yourself.
Space to experience joy without pressure.

By offering private suites, guests can enjoy karaoke with friends, family, or coworkers—no stage fright required. You control the playlist straight from your phone, order food and drinks directly to your room, and create your own vibe from start to finish.

It’s a different kind of night out—one that centers connection and comfort just as much as entertainment.

Rooted in Memphis, Built for the Moment

As a Black woman-owned business, The Studio Karaoke represents the kind of innovation and cultural influence that continues to shape Memphis today. It’s a reflection of the city’s ability to honor its past while embracing new ideas and experiences.

For Ellis, it all comes back to pride in the place she calls home.

Memphis has always been a city worth celebrating, and spaces like this make that even more clear.

Because here, you don’t just listen to the legacy.
You step into it.

Soul lives here.

The post Soul Lives Here: The Studio Karaoke appeared first on We Are Memphis.

After graduating from Booker T. Washington High School, he pursued his studies at LeMoyne Owen College and Lincoln University, before embarking on a career that would redefine music marketing. From promoting legendary artists like Sam Cooke, Nancy Wilson, and Earth, Wind & Fire, to helping launch hits like Chuck Brown & the Soul Searchers’ Bustin’ Loose, Dr. Westbrooks’ influence reached far beyond Memphis. He became the first African American territory salesman at Capitol Records and later served as Director of Special Markets for CBS Records under Clive Davis—a role in which he expanded the reach of Black music globally and created opportunities for countless African American professionals in the industry.

But Dr. Westbrooks’ impact isn’t limited to music. He has always leveraged his success to give back to the community. From supporting youth programs and mentoring future leaders, to creating spaces for local artists to thrive, his work reflects a lifelong commitment to empowering others.

Most recently, Dr. Westbrooks returned to his hometown to celebrate the release of his book Lauderdale Sub at Crosstown Concourse’s Listening Lab. The event brought together local families, artists, and community leaders to honor the history and legacy of the Lauderdale Sub neighborhood. Guests shared stories, celebrated the contributions of families like the Westbrooks, Davenports, Pattersons, and more, and highlighted the importance of preserving and celebrating Memphis’ rich cultural history.

Dr. Logan H. Westbrooks embodies the spirit of Black excellence: a Memphis native who has left a global legacy, nurtured communities, and inspired the next generation of leaders, artists, and storytellers. His story reminds us that with vision, determination, and heart, one person can change an industry—and uplift a city in the process.

The post Black Legacy Lives Here: Dr. Logan H. Westbrooks appeared first on We Are Memphis.

For Brent Hooks, that legacy is both inherited and actively built. 

The native Memphian and regional vice president at Cornerstone Engineering recently became the first professional from Memphis and Tennessee to earn dual recognition on two of the nation’s most prestigious young professional lists in architecture, engineering, and construction: Engineering News-Record’s Top Young Professionals 40 Under 40 and Building Design + Construction’s 40 Under 40 Class of 2025. 

In an industry where representation shapes opportunity, Hooks’ achievement sends a clear message: Memphis produces leaders who shape cities across the country. 

Rooted in Memphis 

Born and raised in Memphis, Hooks’ leadership journey began early. He earned his degree in accounting and finance from the University of Memphis before completing an Executive MBA at Vanderbilt University, building a foundation that blends financial strategy with operational leadership. 

Before joining Cornerstone Engineering, Hooks served as Chief Administrative Officer at Allworld Project Management, helping guide the civil engineering and construction management firm through rapid growth. Under his leadership, the company earned recognition on Inc. Magazine’s Fastest-Growing Companies in America list in 2019 and 2023. 

Allworld played a role in several transformative Memphis developments, including Crosstown Concourse, the Fairgrounds redevelopment, Hotel Chisca, and The Citizen at Union and McLean — projects that continue to shape how residents experience the city. 

Today, Hooks leads strategic growth and operations for Cornerstone across the Southeastern United States, including Memphis, Atlanta, and Birmingham. His work drives business development while ensuring projects directly impact quality of life. His work increasingly intersects with large-scale redevelopment efforts, capital strategy, and public-private partnerships that influence how cities grow. 

“I view my work as an opportunity to make a positive contribution to my community,” Hooks has shared. 

Hooks has expressed long-term ambitions in real estate development and financial structuring, aiming to help shape the next generation of transformative projects in Memphis and beyond. 

A Legacy of Leadership 

Excellence for Hooks is generational. His great-great-grandmother, Julia Britton Hooks, was the first Black woman to attend Berea College. His great-uncle, Benjamin L. Hooks, served as Tennessee’s first Black criminal court judge and later as executive director of the NAACP. 

That legacy informs his commitment to access, opportunity, and civic investment. 

Beyond his executive leadership, Hooks serves on several boards, including the Downtown Memphis Commission, the New Ballet Ensemble & School, and the Chairman ACE Mentor Program of Memphis, supporting economic development and creative growth across the city. 

“This honor reflects the power of Memphis and what’s possible for our young people,” Hooks said of his national recognition. “I hope it inspires students across our city to explore careers in STEM.” 

Brent Hooks’ story is a reminder that Black legacy in Memphis isn’t just historical — it’s present, active, and building the future in real time. 

Because here, excellence doesn’t just live. 

It leads. 

The post Black Legacy Lives Here: Brent Hooks appeared first on We Are Memphis.

She was in fourth grade when her teacher assigned the class to memorize a poem. Sabrina chose Langston Hughes’ “Mother to Son,” a reflection on perseverance — a reminder that life “ain’t been no crystal stair,” but you keep climbing anyway.

At that moment, Sabrina’s own climb had already begun.

In the spring of 2009, her grandmother noticed a lump on Sabrina’s cheek. Within days, a series of tests led her to St. Jude Children’s Research Hospital®, where she was diagnosed with rhabdomyosarcoma, a rare cancer that develops in soft tissue.

Even at nine, Sabrina understood the gravity of her diagnosis. Cancer was not abstract. Her aunt had died of breast cancer just months earlier, and another uncle had worked decades before at St. Jude as one of its first Black pharmacists.

“I was very aware of what cancer was — and what cancer could do,” Sabrina has said.

A Little Soldier With a Notebook

Sabrina endured surgery, chemotherapy, and radiation. After a tracheotomy, she woke unable to speak, terrified as she tried to communicate with her grandmother. She spent weeks hospitalized and nearly a year in intense treatment.

Through it all, Sabrina carried notebooks with her everywhere.

Writing became the one thing she could do entirely on her own. While her body was exhausted — often nauseous, weak, and in pain — poetry gave her a place to pour out fear, grief, and confusion.

“It’s an interesting feeling,” she later reflected, “to know that you are simultaneously growing, but also in the process of dying. I could feel my body at war with itself.”

As she recited Hughes’ poem again and again for homework, Sabrina began to fall in love with the way words worked — their rhythm, their weight, their ability to hold emotion without explanation. It was then that she knew poetry would always be part of her life.

Growing Beyond Survival

At ten, Sabrina had her first poem published in her school’s literary magazine. She kept writing as she navigated survivorship — learning that the impact of cancer does not end when treatment does.

At fourteen, she celebrated five years of clear scans, a major milestone for childhood cancer survivors. That same year, she learned radiation therapy had damaged her hearing in one ear. Years later, vision complications surfaced — another late effect of treatment.

Still, Sabrina thrived.

She excelled academically, joined honor societies, ran cross-country, fenced, performed in theater, and eventually became editor-in-chief of the same literary magazine that first published her work. She earned a bachelor’s degree in English and creative writing from Washington University in St. Louis, joined Alpha Kappa Alpha Sorority, Inc.®, and returned to Memphis to pursue her Master of Fine Arts at the University of Memphis.

Now 25, Sabrina teaches freshman composition and prepares to defend a thesis exploring grief, Black womanhood, the South — and poetry.

“I love sharing my words,” she says. “Creating connections. Making people feel something.”

A Legacy Larger Than One Story

Sabrina’s journey is deeply personal, but it also reflects the foundation St. Jude was built upon.

When St. Jude opened in Memphis in 1962, it became the first fully integrated children’s hospital in the South — treating patients regardless of race, religion, or ability to pay, and hiring Black doctors, nurses, and researchers at a time when segregation was still the norm.

That commitment shaped lives.

Early research at St. Jude included studies on sickle cell disease, a condition disproportionately affecting Black communities and long neglected elsewhere. Physicians like Dr. Rudolph Jackson, one of St. Jude’s first Black doctors, helped pioneer treatments that would be shared worldwide.

This legacy of equity and inclusion is what allowed children like Sabrina not only to survive, but to imagine a future beyond illness.

“St. Jude Lays Stones for Streets of Safe Passage”

In 2022, Sabrina returned to St. Jude not as a patient, but as a poet. She performed an original spoken-word piece titled “When I Was Nine,” reflecting on fear, faith, and the fragile courage of childhood.

The poem ends with a line that captures both gratitude and legacy:

“St. Jude lays stones for streets of safe passage
so kids like me can grow up to be adults like me.”

Sabrina credits the village that carried her — her mother, aunt, grandmother, and the institution that refused to turn her away.

“I’m not who I am today without St. Jude,” she says.

A poet. A survivor.

A living reminder that Black legacy lives here — in resilience, in care, and in the power of words.

The post Black Legacy Lives Here: Finding Power in Poetry at St. Jude – We Are Memphis appeared first on We Are Memphis.

If five years ago you told me that I’d one day be living in Memphis, I would’ve been just as shocked as anyone. I’m a native Marylander who spent most of my life on the East Coast, so I never thought I’d stray too far from home. But education has a strange way of bringing about unforeseen circumstances, and five years later, here I am, studying optometry at a school that’s nearly halfway across the country and much farther south than I ever thought I’d end up living.

From the time I decided to pursue a career in optometry, I subconsciously assumed that I would remain on the East Coast throughout the remainder of my educational (and professional) career. But after several conversations with local optometrists about my interest in the field, one name kept recurring due to its strong reputation within the optometric community: Southern College of Optometry in Memphis, Tennessee. Intrigued by SCO’s excellent reputation, I applied to the school in November 2021, despite the fact that I knew almost nothing about Memphis apart from some vague associations with Elvis and famous barbecue. Not surprisingly, SCO lived up to its reputation and exceeded my expectations throughout the entire application process. Perhaps more surprisingly, I found myself moving down to Memphis nine months later.

The Difficulty: Adjustment

When I arrived, my emotions were equal parts excitement and apprehension. I was about to begin a new chapter in my life, and it promised to be unlike any chapter yet. Moving from the Mid-Atlantic to the Mid-South, I soon realized that I was in a decidedly different culture. Even though I was new to the area and knew little about it, the laid-back pace and personality of Memphis was a stark contrast to the more businesslike and up-tempo culture I was used to back home. Adjusting to this cultural shift was not always easy, but at SCO I found a kind and welcoming atmosphere that is reflected, on a larger scale, in the city of Memphis itself.

The Discovery: Acclimation

From a professional perspective, SCO’s location in the Memphis Medical District provides an excellent opportunity for collaboration with other health care providers, including St. Jude Children’s Research Hospital, Le Bonheur Children’s Hospital and Regional One Medical Center, to name a few. This high concentration of health care providers and their associated educational programs allows for a vibrant community of graduate students that is not limited to a single medical profession. Thanks to the Memphis Medical District and its associated entities, I’ve had the chance to meet not only lots of fellow optometry students, but also other students and residents from neighboring health care institutions.

However, even if you’re not in a health care-related field, Memphis still has plenty to offer. Two of my greatest passions – exercising and eating – have helped me to discover the unique versatility that Memphis offers to residents with a wide variety of interests. Regardless of your own interests or hobbies, Memphis is almost guaranteed to provide you with an avenue to pursue your passions. Having played competitive sports for a large portion of my childhood and young adulthood, I’ve enjoyed recreational soccer and pickleball at local facilities like Greenfield Arena and Pickleball 901. And during most of the year when the weather’s temperate enough for outdoor activities, Memphis offers excellent running, walking and biking trails ranging from Shelby Farms Park in the east to Tom Lee Park in the west. Once you’ve worked up an appetite, there is an equally impressive offering of foods. Everyone seems to be familiar with Memphis’s famous barbecue and fried chicken, but I’ve been thrilled to discover the variety and quality of global cuisine that’s available within the city. From pho and ramen to shawarma and couscous, you can experience a taste of India, Africa, the Middle East or Southeast Asia without ever leaving the Memphis metro area. And the majority of these restaurants are unique to Memphis, owned and operated by hardworking Memphians.

Before I arrived in Memphis, I heard lots of good things about the Memphis food scene, and I couldn’t help but think that it must be overstated. But after living here for several years, I’ve come to realize that it is a microcosm of Memphis itself. In most cases, the power of a city lies in its people, and Memphis is no exception. You can’t find Taconganas, Takashi Bistro or Global Café anywhere else besides Memphis. These aren’t large corporate chain restaurants with locations scattered across the country, but rather local businesses whose owners are committed to channeling their culinary passion in order to serve the local community. It is through my experience with the Memphis food scene that I’ve come to realize that, at the end of the day, Memphis is made special not by its hospitals, schools and research centers (though there are many), nor by its restaurants, pubs and parks (though they are wonderful). Ultimately, what makes Memphis so special is the thousands of hardworking people who continually pour their time, energy and passion into their local communities. Because of this, I’ve learned that Memphis is an extraordinary city – one in which everybody can find their own niche while simultaneously contributing to the city’s greater community.

Noah Eckel is a fourth-year student and member of the Class of 2026 at Southern College of Optometry, located at 1245 Madison Ave. in Midtown Memphis. He serves as a student ambassador for the college.

The post Meet Noah Eckel: “How Southern College of Optometry Led Me to Memphis” appeared first on We Are Memphis.

“It makes me proud,” Drew said. “He’s cementing my legacy. I did my part—but now I’m stepping into his shadow.”

Drew’s legacy includes being named the 2015 Distinguished Young Alumnus, serving on the University Alumni Association board, and launching impactful campus initiatives like Project Unite, the Freshman Senate, and the Frosh Camp funding model—many of which still exist today.

But Christopher is focused on building something new.

Now a senior studying business economics, Christopher leads with a servant-leader mindset. “Being a leader is as simple as serving others,” he said. His goals include strengthening student connections through orientation, campus events like Spring Fest, and bringing back school spirit around athletics. He also plans to launch a President’s Council to unite student group leaders and expand collaboration.

Christopher is no stranger to involvement—he’s a member of Empowered Men of Color, the Black Student Association, and the Memphis Institute for Leadership Education, and has served as both a Frosh Camp Counselor and Orientation Guide.

“I want every student to feel like they have the same doors open to them as the SGA president,” he said. “This should be a unified experience.”

For the Baileys, this isn’t just a family legacy—it’s a powerful reflection of community, leadership, and passing the torch to a new generation of changemakers.

“It’s Chris’ turn to lead,” Drew said. “And I couldn’t be more proud.”

The post A Legacy of Leadership: Father and Son Make History at the University of Memphis appeared first on We Are Memphis.

Champions of Equality

• Ida B. Wells – A teacher-turned-journalist, Wells was a fearless anti-lynching activist and suffragist who used her powerful voice to fight for justice and racial equality.
• Mary Church Terrell – As a founding member and later president of the National Association of Colored Women, Terrell was a prominent suffragist and civil rights advocate. She also played a key role in establishing the NAACP.
• Equality Trailblazers Mural – This striking public art installation in Memphis honors the many local women who fought for suffrage, civil rights, and gender equality.

Entrepreneurs and Pioneers

• The Lee Sisters – This inspiring trio made history as the founders of Tennessee’s first African-American-owned tour company, paving the way for future Black entrepreneurs.
• Elma Neal Roane – A fearless advocate for women in sports, Roane led the charge for gender equality in athletics, ensuring women had equal opportunities in competition.
• Lucie Campbell – A gifted teacher and musician, Campbell composed hymns that resonated deeply within the African American community and worked to advance education.
• Annie Cook – During the devastating Yellow Fever epidemic, Cook courageously transformed her home into a hospital, caring for the sick when many fled the city.
• Lena Angevine Warner – A nurse during the Yellow Fever crisis, Warner fought for improved sanitation and public health measures in Memphis.

The Power of Women’s Voices

• WHER–All-Girl Radio – As the first all-female-staffed radio station in the U.S., WHER gave women a new platform to make their voices heard. Marion Keisker, a pioneering broadcaster, was the station’s first voice on air.
• Estelle Axton – A co-founder of STAX Records, Axton played a key role in shaping Memphis’ iconic soul music scene.

You can follow the Memphis Women’s Legacy Trail through downtown, Central Avenue, Elmwood Cemetery, and other notable spots to learn more about these women and even more local pioneers.

The post Memphis Women’s Legacy Trail: Honoring the Local Trailblazers This Women’s History Month appeared first on We Are Memphis.

Let’s start at the very beginning. Tell us a bit about the formation of WIMM and the people behind it.

It had been an idea running through my head for a while since 2020/2021 when I’d see monthly listings at venues and wondering why I didn’t see many women acts on the boards when I was meeting so many female musicians around town. I’d run a successful live-streamed show in NY and thought, we should do that here, for women! I mentioned it to my friend Alice Hasen, who thought it was a good idea and WiMM was born. We enlisted a few others to help out and then in March 2022 we hosted our first showcase at BSIDE. It has grown from there and honestly, there really is no limit because if you can dream it up and execute it, it lives. Currently, it is a one-woman operation but we are always collaborating with other movers and shakers here.

For those who may be unfamiliar with WiMM, give us an overview of your typical work and programming.

WiMM is “Women in Memphis Music.” We are committed to providing a platform that highlights and uplifts female and female-identifying musicians and provides a space to connect and create a community that thrives, collaborates, supports, and promotes one another. That has been our mission statement from day one. We want to offer up-and-coming musicians trying to get their footing here in Memphis a resource and place to start by meeting other women musicians and a platform dedicated to highlighting their talents.

You recently celebrated your third anniversary as an organization (Congratulations!). Reflecting back on the past three years, what are some of your personal highlights?

Thanks! Hosting Carla Thomas’ 81st birthday will always remain a highlight. Hosting an all female-fronted music festival with all genres represented; from Glockianna to Joyce Cobb to Oakwalker to The KLiTZ. Seeing the crossover of women playing in each other’s bands at showcases is always cool. Hearing that musicians met at one of our events and play together now, is the reward! I purposely combine genres with each show to help “cross-pollinate” and introduce artists who may never cross paths otherwise. Having people come up to me after the shows to say what a beautiful night it was and they felt the good vibes of camaraderie and love through the evening always warms my heart. We are all in this together, unity is the only way!

We certainly won’t ask you to pick favorites, but share some of the up-and-coming women artists that you think more people should have on their radar this year.

There is simply no way I could pick any one artist or artists because with every show we host, I am constantly blown away with the talent in this city. The caliber of female artists here is vast and covers all genres! I invite people to check out our YouTube page that contains the last 3 years of archived performances and find your new favorite artist in the city! Or come to a monthly showcase! Nothing beats live music!

What are some of your plans for WiMM, both the in the near future and longer-term?

We plan to keep hosting monthly showcases, happy hours, informational events, vocal workshops, representing at events across the city, connecting women, amplifying women’s presence in the music scene here and we’d love to produce another successful female fronted music festival! I’m sure other things will transpire as well, we want to keep growing and connecting.

What are the best ways to connect with WIMM, both for artists and fans?

You can reach us anytime via email (connectwimm@gmail.com) for more information on how to be a featured artist and through our IG page (@womeninmemphismusic). We’d love to hear from you and if you are an artist, host you! We also hope to see you at a show soon!

The post Three Years In, WiMM Continues to Showcase the City’s Brightest Women Artists appeared first on We Are Memphis.

We caught up with Victoria Johnson, a professional and creative legacy writer, who is doing amazing work with individuals as well as youth in the city to use their voices to narrate their stories as a form of healing.

WAM: Can you describe the unique work that you do and what inspired you to pursue it?

I am a professional and creative legacy writer, as well as an impact speaker. My work centers around facilitating healing writing communities and curating safe spaces—through dinners, Storytelling shows, community conversations, and more. I create spaces where language is used not just to communicate, but to heal rather than harm.For a long time, I knew the purpose and need for these creative and honest spaces, but I struggled to believe I could be the one to bring them to life. Life didn’t always make room for it, support was scarce, and I wasn’t sure how to make it happen. But one thing I’ve learned is that the gifts we carry don’t let up—they call to us, no matter how much time passes. After years of doing my own work and healing, I knew it was time to step fully into this purpose. Writing, creating, and building community are not just things I do—they are who I am. And now, I use them to support others in a way that is both natural and deeply meaningful to me.

WAM: What are some key lessons or values you hope to impart to those who engage with your work?

I hope people learn to breathe again or rediscover what it means to truly exhale—to release the weight & to set down the burdens they’ve been carrying. I hope people find the unspoken versions of themselves and greet them well. I hope that in these moments their spirits feel unburdened, unbound, and full. More than just leaving inspired, I want them to leave impacted. I always say, “Do not let your dreams die in draft mode.” I want them to walk away believing in the power of their own story, knowing that their voice matters, and that their life is meant to be fully lived.I hope they remember that their worth isn’t tied to how much they produce or how hard they work. There is just as much value in being—in being seen, heard, loved, and held exactly as they are. Their experiences, their truth, their existence means something. I want them to feel the freedom to create, to express, to take up space without questioning if they deserve to. More than anything, I want them to leave with a renewed sense of self—lighter, unafraid, and willing to embrace the life that is still unfolding before them.

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission?

When I was in college, Native Son, by Richard Wright was at the top of every required read list. I would soon realize why. It has steadily become one of my favorites. Reading this naturally caused me to invest my efforts into getting to know the author. I remember stumbling across some information that indicated he was denied access to a  library card at Cossitt Library, in Memphis TN. While disheartened by this I didnt think too much about it over the years. Until two years ago, I found myself walking through the doors requesting a library card. As I read some random pieces of paper I kept repeating “ Cossitt, Cossitt Library, why does this sound so familiar?” I would ask myself until it hit me heavy-like. Here I am casually getting a library card in a space where one of the most prolific writers was denied the chance to read. While he found a way to get reading materials from Cossitt ( which continued to feed and spark his curiosity to becoming a writer / author), his skin color tried to dictate his worth at that time. We share the same skin color. We share the same desires and wants to communicate to the world through words. As speakers, authors, creators. One of us is living while one of us has passed on and left LEGACY between each page written. That day, standing in Cossitt Library, I felt the weight of history press against my shoulders. I pulled out my phone and looked up the details: In 1927, a young Richard Wright had to rely on a white co-worker’s library card to access books here, forging notes that said “Please let this Negro boy have some books.” He would carefully select his reading material from a distance, never allowed to browse the shelves himself.

Now, nearly a century later, I stood at the front desk as the librarian smiled and handed me my own card – no questions asked, no subterfuge needed. I ran my fingers across its smooth surface, thinking of Wright writing in his memoirs: “I forged my first works of fiction, writing the notes that would enable me to get books.” That simple piece of plastic in my hand represented not just access to books, but the distance we’ve traveled and the distance still to go. I found myself wandering through the stacks that day, pulling out books at random, simply because I could. I touched their spines, opened their pages, breathed in their scent – all the simple freedoms Wright had been denied. Before leaving, I checked out a book at my leisure. As the librarian scanned it, I imagined Wright’s ghost watching from the corners of this renovated space, nodding in quiet acknowledgment. His determination to read and write despite the barriers placed before him had helped pave the way for future generations of Black writers and readers. Now, every time I use my library card, I remember: I’m not just checking out books – I’m continuing a legacy of literary persistence, of turning words into weapons against injustice, of transforming pain into prose that changes hearts and minds. In the end, Wright’s legacy isn’t just in the books he wrote, but in the doors he helped open – including these library doors – for those who would follow. His story reminds us that sometimes the simplest acts, like getting a library card, carry the echo of hard-won battles and the promise of victories yet to come.

WAM: Why do you think Memphis is an important place for the work you do?

I did not grow up here, but my roots grew here. They were watered here. Some still remain, while others had to be uprooted for different reasons. Moving to Memphis felt like finally coming home.This city carries so much history, resilience, unspoken pain and undoubted joy. There is so much healing needed in this space but also so much beauty that is already showing itself proudly. So many people are longing to be cared for, to be given space, to be seen in ways that don’t require them to perform or prove their worth. Memphis is a city of storytellers, of legacy builders, of those who have fought to make something out of nothing. And I believe the work I do—creating spaces for healing, writing, and self-expression—helps nurture that legacy. Memphis is a place where voices deserve to be heard, where stories deserve to be honored, and where people deserve to be reminded that they are worthy—not just because of what they’ve endured, but because of who they are. My work belongs here because the people here deserve spaces that remind them they are not alone, their experiences matter, and they still have the power to write what comes next. My story started here, the chapters traveled, and now it is back here to tell the stories to come.

WAM: Why do you believe your work is especially important for the Black community in Memphis?

My work is especially important for the black community as it  focuses on empowering Black Memphians to become the authors of their own narratives. Whether it’s helping a grandmother document her family’s journey from the Delta, guiding young writers to find their voice through poetry, or working with community elders to preserve oral histories, each project adds another vital thread to our collective tapestry. This work isn’t just about preserving the past—it’s about building bridges to the future. When a young person discovers they can write their truth, when a community member realizes their story matters, when a family’s history is documented and celebrated, we’re not just creating literature—we’re creating legacy. We’re showing future generations that their experiences are valid, their voices are powerful, and their stories deserve to be told.

In Memphis, where the echoes of struggle and triumph still resonate, this work becomes even more crucial. We’re not just writing stories—we’re reclaiming our narrative sovereignty, one word at a time. It’s about breaking generational cycles of silence, finding clarity in our stories, and speaking our truth in a way that feels real and unapologetic.  Because when we own our stories, we own our power to shape what comes next. This is how we ensure that our history doesn’t just live on, but lives forward, inspiring and empowering generations to come. We are becoming the wisdom that was once down passed to us, it now runs through us. My work is also used to strengthen organizations and businesses with their internal struggles.

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture?

Black legacy and culture live in our stories—our truths, our triumphs, our struggles, and the wisdom we pass down. I see my work as a way to honor and preserve that legacy by helping Black writers in Memphis and beyond reclaim their voices and document their journeys with intention. Writing is a powerful form of resistance, healing, and transformation, and through my programs, I encourage people to tell their stories as they were, but also to write the futures they want to see.

By creating a space where Black voices are nurtured, validated, and amplified, I’m contributing to a legacy of storytelling, writing, creating, and educating, that has always been central to our culture. Whether through personal narratives, letters to our ancestors, or visions of the future, we are archiving our existence in a way that ensures our stories don’t just survive—they thrive. My work isn’t just about words on a page; it’s about building a bridge between where we’ve been and where we’re going, making sure that our history is preserved and our future is written by us, for us.

WAM: What are your hopes for the future of your work and its impact on Memphis?

I envision this body of work growing into a deeper movement—one that inspires a culture of storytelling and writing , self-discovery,  healing through words, and empowerment within the Black community in Memphis. I want writing to be more than just an art form; I want it to be a tool for healing, transformation, and social change. My hope is that more people will step into the power of their own narratives, using their voices to break cycles of silence, reclaim their truths, and shape the futures they deserve.

Ultimately, I hope this movement sparks a lasting ripple effect—where the stories we tell today become the foundation for the legacy we leave behind.

The post Black Legacy Lives Here: Victoria Johnson appeared first on We Are Memphis.

Meet Kevin Thomas, the Founding Artistic Director of Collage Dance, who is shaping the next generation of dance and artistry right here in Memphis.

WAM: Can you describe the unique work that you do and what inspired you to pursue it? 

I began my own ballet training at the age of 7 in Montreal, Canada. It would take another 8 years before I ever saw a Black professional ballet dancer, a person who looked like me and had achieved the career I’d dreamed of. I went on to dance professionally for companies in both Canada and the United States and landed at Dance Theatre of Harlem, the first black dance company in the nation, as a ballet dancer for ten years. 

This was the first time I felt seen, celebrated and ultimately safe to be my full self. That planted the seed for the Collage Dance Conservatory which now trains nearly 1,000 young dancers of color in Memphis each week. 

WAM: What are some key lessons or values you hope to impart to those who engage with your work? 

Training in our conservatory cultivates qualities in our students that they need to dance, train, and perform, but that also benefits them greatly beyond the stage. We’re not just creating great dancers, we’re inspiring the next generation of leaders who have discipline, accountability, work ethic, collaboration, creativity, and self-pride as deeply embedded core values to ground their life’s work. 

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

I’m deeply inspired by the community of Memphis, its rich cultural heritage, beloved music and arts community, and the people who make it a great place to live and create. It’s why we relocated and established our organization’s roots in the city 15 years ago. 

I have also choreographed pieces inspired by Memphis’ history, like Rise set to Dr. King’s “I’ve Been to the Mountaintop” speech given at the Mason Temple in Memphis, Tennessee on April 3, 1968, and featuring professional dancers from our international touring company performing alongside students from the Collage Dance Conservatory. 

We have also invited guest choreographers to visit our city and create new works inspired by the richness all around us like Amy Hall Garner’s Bluff City Blues, a first-of-its-kind ballet inspired by the Home of the Blues, and Joshua Manculich’s Wash inspired by his visits to the Mississippi River. 

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis has a rich creative and cultural heritage, and, at the same time, Memphians are working towards a bold vision for what this city can become. We’re inspired by this promise and were moved to contribute to that vision, and this rich community, when we relocated the organization here many years ago.

WAM: Why do you believe your work is especially important for the Black community in Memphis? 

Our art form, and most classical art forms, have histories that did not center our stories, welcome our complexions, or seek to include our communities on or off the stage. Collage Dance is on a mission to change that and introduce historically excluded communities, like African Americans, like Southerners, like so many of us, to our beloved world of ballet. We’re committed to creating story ballets, event experiences, public performances, training opportunities, and more, with our community in mind. 

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture? 

We advance community and our culture’s legacy through the thousands of children of color who feel seen, invested in, and nurtured through our dance education programming. And when we share stories that center communities of color on stages around the country, patrons leave feeling affirmed and overcome by emotion. And when hundreds take beginner-friendly adult dance classes each week in our welcoming and affirming Center for Dance in the heart of Binghampton. We are preserving and advancing culture through the work we create, the space we share, and the community members of all ages we are proud to engage each day. 

WAM: What are your hopes for the future of your work and its impact on Memphis? 

We hope that our mission becomes a lasting reality. That we do our part to “inspire the growth and diversity of ballet” the world over, so that one day the dancers on stages, patrons in seats, students in dance studios, and philanthropists generously supporting our work reflect the beautiful diversity of our world without exception.  

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

I would encourage people to pursue what moves you. When the days are long, the resources are challenged, and the support is wavering, it’s deep passion for the work that will keep you committed to moving forward. 

The post Black Legacy Lives Here: Kevin Thomas & Collage Dance appeared first on We Are Memphis.

Radio Personality; Journalism Professor at The University of Memphis.

Memphis lives and breathes Black history. This February, We Are Memphis presents Black Legacy Lives Here—a month-long celebration of Black excellence, past, present, and future. We’re spotlighting four educators and leaders shaping the next generation.

Here, we spoke with Terris Sheronda King who is moving Memphis’ history forward with her voice both live on air and in the classroom.

WAM: Can you describe the unique work that you do and what inspired you to pursue it? 

I’m a radio personality and a journalism professor at the University of Memphis. I take great pride in training the next generation of broadcasters. What inspired me to teach was a conversation with Stan Bell, a longtime Memphis radio legend. He told me many years ago that teaching broadcasting is different from teaching other subjects like English or Math. He told me that students in broadcasting are genuinely excited about learning the ins and outs of radio and the broadcast industry. He was right for the most part. It’s that energy and enthusiasm from the students that makes it so fulfilling for me to teach. I love watching them grow, not just as students, but as future professionals. 

WAM: What are some key lessons or values you hope to impart to those who engage with your work?   

As a radio personality and journalism professor, I aim to instill a deep passion for broadcasting and a commitment to integrity in my students. It is important that your audience trusts you. That is why it is equally important to really think critically about what comes out of your mouth. I encourage my  students to be adaptable and innovative because the media landscape is always changing, and everyone is a media maker now. I also stress the value of collaboration, networking, and social responsibility, ensuring that students understand the power of their voices and the impact their words can have on the community. 

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

Memphis has played a significant role in shaping both my personal and professional journey. The city’s rich musical roots and its deep connection to social justice movements, has taught me the power of using your voice to influence change. As a radio personality, I draw inspiration from my city. I feel that Memphis thrives on community connection and resilience.  In my work as a journalism professor, I emphasize the importance of understanding the local culture and what challenges we face. Journalism can also be used as a tool for social impact. I teach podcasting at the University of Memphis and last semester I required my students to podcast with a purpose. What changes can be made because of the research presented in your podcast? Memphis reminds me daily of the responsibility we have as journalists to reflect our communities truthfully including the changes that need to be made.   

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis is an important place for the work I do because it’s where I was born and raised, and it’s a city that truly embodies both its challenges and its incredible sense of community. Despite the struggles the city faces, there’s a strong undercurrent of resilience and solidarity that surfaces during times of difficulty. As a radio personality, I’ve seen firsthand how the community comes together through music, conversation, and shared experiences, and I love that for us. As a journalism professor, Memphis offers a unique backdrop for teaching my students the power of local stories—stories that speak to the heart of the city’s history, diversity, and collective strength. There’s a responsibility to not only inform but also to amplify the voices of those whose stories are often overlooked, and Memphis provides a fertile ground for that kind of  journalism. 

WAM: Why do you believe your work is especially important for the Black community in Memphis?  

I believe my work is especially important for the Black community in Memphis because representation matters. As a Black woman who grew up in South Memphis and the Westwood area, I want Black students to see someone who looks like them thriving in spaces like radio and journalism. Too often, our communities are underrepresented or misrepresented in the media, and I strive to challenge that narrative. By being on the radio and teaching journalism, I’m able to show that Black voices can lead, inform, and shape the conversation. I want my students to know that their stories matter, that their perspectives are powerful, and that they have a place in this industry. It’s about empowering the next generation to not only see themselves in the media but to create it themselves—making sure our narratives are told with authenticity, pride, and integrity. 

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture?   

I have been doing radio in Memphis since 1995, and over the years, I’ve made it my mission to represent the rich heritage as well as the culture. This is my city, and I have a deep love for the Black community in Memphis because I am a part of it. Whether through music, interviews, or community-focused topics, my work in radio serves as a platform to celebrate Black culture and bring attention to the issues that impact us. It’s not just about entertainment—it’s about preserving and advancing our legacy and helping shape the future of Black Memphis. 

WAM: What are your hopes for the future of your work and its impact on Memphis? 

It is my hope that someone is inspired by hearing me either on air or in the classroom to the point where they want to pursue their own voice in broadcasting or journalism. Whether it’s a student who feels encouraged to step into this industry or a listener who feels seen and heard, I want others to feel empowered to share their truth. I hope to contribute to a future where Memphis’ diverse voices—especially those from underrepresented communities—are consistently highlighted and celebrated. My ultimate goal is for my students and my audience to realize the power they have to shape narratives, influence change, and connect with their communities in meaningful ways. If I can inspire even one person to believe in their own potential and see the importance of their story, I will feel that my work has made a lasting impact on Memphis. 

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

As a Black woman in broadcasting and journalism, I would encourage others in the Black community to pursue work that enriches others while embracing the unique power of their voices and experiences. My mom always told me growing up that everyone has value, and our stories also have value, and they need to be heard from our perspective. Whether it’s through radio, journalism, or any other field, I’d tell them to lean into their passion and remain authentic. Don’t try to emulate anyone else. You can have an impact just by being yourself. Use your platform to uplift your community, challenge stereotypes, and create opportunities for future generations. In our stories, there’s healing, there’s wisdom, and there’s power—don’t ever underestimate what we bring to the table. My hope is that others don’t just follow in my footsteps, but that they make an even bigger imprint by carving out their own paths and pushing boundaries even further. 

I am HER. I am the little black girl born in South Memphis, schooled in Westwood who dared to pursue my own path and use my talents to do what I love while making a difference in the lives of those who hear me. 

The post Black Legacy Lives Here appeared first on We Are Memphis.

Chief Program Officer, BRIDGES

Memphis lives and breathes Black history. This February, We Are Memphis presents Black Legacy Lives Here—a month-long celebration of Black excellence, past, present, and future. We’re spotlighting four educators and leaders shaping the next generation.

Here, we spoke with Mario Hendrix who is moving Memphis’ history forward as the Chief Program Officer for BRIDGES, known mostly for the Bridge Builders Program.

WAM: Can you describe the unique work that you do and what inspired you to pursue it 

I’m the Chief Program Officer for BRIDGES. Many people know us mostly for the Bridge Builders program. We are a Leadership, Diversity, and Community Action Program that provides hands-on unique experiences for middle and high school students. When I first entered the Bridge Builders program, I was a rising 10th grader and didn’t want to come. My grandparents made me attend. I was the only one from my school Corry Jr. High. I grew up in South Memphis on Judson St off Alcy. My experiences in the Bridge Builders program provided me with a chance to meet people like and different from my life experiences. The people I had conversations with and did activities with completely widened my perspectives on life.  I have engaged thousands of students over time through Bridge Builders. My personal goal is to ensure that each student knows they count. So far in my professional career, I have been in the nonprofit world. This is very important because it allows me to interact and provide a one-on-one service that assures them that they are heard and validated.  

WAM: What are some key lessons or values you hope to impart to those who engage with your work?  

There is no right or wrong way to be a leader. Everyone has the skills and power within. Students are realizing they are valuable members of the community while learning how to handle different types of conflict, respect for the genuine person, how you are a product of your neighborhood and more, and how to be problem solvers. All of this can be accomplished with face-to-face communication and conversation. 

It doesn’t matter what neighborhood or community you grew up in or currently live in. Each experience has value in shaping and making Memphis a place to live, work, and play. It is important for me to let students know that even if you go away for school after graduating, Memphis is a place where you can bring your talents back to the city and have an impact.  Memphis can always use fresh opinions and perspectives.  

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

Memphis is truly a small town. Everyone knows everyone. This uniqueness bears fruit for everyone to know they matter. My mentors have instilled in me the sense of being “a student of the game.” I’m constantly learning> I try to always find a glow to add to my toolbelt to give to others. I aim to go the extra mile to get the information that people need. Many people say I don’t know and stop there. I want people to know I want to provide answers that are beneficial. I want each staff member, student, and family that they have contact with to know it is more than a job. When they get through interacting with me, they know I listened carefully and gave them my undivided attention. Great service goes hand in hand with my character.  

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis is my home. I graduated from Central High School and the University of Memphis. Memphis is rich in heritage and history. We are known for music and barbecue. We are also one of the most philanthropic communities. We are willing to give our time and money to causes that support growth in our city.  This at times is why people are always involved whether we want them to be or not. Memphis is a very resilient city. Our community is vibrant with significant neighborhoods with extraordinary people. My work is all about human experience. The deeply rooted connections between students lead to strong leadership and connection within our city. 

WAM: Why do you believe your work is especially important for the Black community in Memphis? 

Many times, black students are told that they don’t matter or that what they do doesn’t matter. This is incorrect. Their perspectives and viewpoints are often overlooked. We try to provide support in navigating the challenges they experience. Oftentimes, black students don’t have the opportunities to experience outside their neighborhood. We provide experiences that showcase our city. We offer insights that are different and similar to theirs. We foster connections that they may not have thought about, and most importantly encourage conversations that may be hard to have but provide the space and comfort zone for them to speak up and out.  

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture? 

We are always seeking students to join the program from every middle and high school. We are especially seeking students from our periodontally black schools. However, many times students attending these schools are not provided the same resources as other schools. The culture of their school is vital to bring our larger communities into one accord. This allows all students a chance to express positive things about their schools and the great attributes of the community their school is in. They can destroy the negative stereotypes that people here have by enhancing perspectives and the richness of their neighborhoods. The enriching stories and knowledge from the history of the people that are currently in the program and alumni promotes success. We have many black leaders throughout our city who have been through the program or had an experience with our programming. This empowerment within our community breathes success for Memphis.  

WAM: What are your hopes for the future of your work and its impact on Memphis? 

I hope that adults in our community understand that the youth in our community should be at the table with us as colleagues. I want Memphis to not stay settled and open the envelope that may cause us to pause and rethink things that lead to a better today. We have to create and foster connections that empower us to improve the Black experience within our city.  Times have changed since I grew up. This new age that we are in allows me to be a catalyst for people to have dialogue. I want students and adults to take ownership of their narratives and use their strengths to build a positive and thriving city. Our voices are different and no one voice should be silent. I eagerly look forward to heightening the voices of our community. I intentionally spread the good news that our city offers.  

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

I’m a servant leader at heart. I’m always trying to listen to understand another person’s perspective. My goal is for each individual that I come in contact with to understand they can be more than what they thought they could be. I am in their corner. Many students especially our black boys and men don’t have the encouragement they need to get over that hump. It is my lifestyle to live a life of seeing the best in each individual person. I encourage people to see the importance of mentorship, working together, and staying grounded. As a proud black man who was raised and grew up in Memphis. A place that has taught me life lessons self-respect and endurance. Memphis is me and I am it. I will always look for greatness in my city for others to follow my lead.  I will always honor and showcase the pride I have in myself, my family, my work, and my MEMPHIS.  GO TIGERS!! 

The post Black Legacy Lives Here: Mario Hendrix appeared first on We Are Memphis.

Meet Payton Willis

“From being brought up in a hardworking and loving family throughout my adolescence, what inspired me to pursue higher education at the University of Memphis was the support from my family to achieve my true ambitions with no regrets. With their encouragement and the positive influence they have had on me, I prioritized finishing the dream they couldn’t achieve when they were young—going to college. I proudly graduated in three years as a first-generation student representing the Willis and Green family.

My family and I are blessed to have received financial assistance throughout my college journey, which made my persistence possible. Balancing school with family, personal, social, and work-life obligations as the oldest son has been my greatest challenge. Time never stands still, so I learned to take life in baby steps, much like riding a bicycle for the first time or following instructions to assemble furniture. I’ve realized the importance of patience in everything I do. With patience comes achievement, and with achievement comes success. This wisdom became a guiding principle not only for my academics but for every aspect of my life, reminding me to also take time for myself.

I’ve always valued physical health, a principle instilled in me during my time as a Cub Scout and Boy Scout. The scout laws and oaths—keeping physically strong, mentally awake, and morally straight—remain deeply rooted in my heart. Alongside my studies, I prioritized staying active by working out at the gym, stretching, and breakdancing.

I started breakdancing a year ago and am proud of the skill level I’ve achieved with my original techniques and creativity, all developed through baby steps. I look forward to joining a Bboy crew and competing one day, representing my family, friends, the University of Memphis, and the First Scholars program.

First Scholars has been instrumental in my success at the University of Memphis. This four-year scholarship program supports first-generation students in achieving their dreams by providing one-on-one mentoring, workshops for professional and personal development, service and leadership opportunities, and extensive networking to connect with peers, faculty, alumni, and employers. Through this program and others offered by the Office of First-Generation Student Success, first-generation students are empowered to win.

I am incredibly grateful for the resources available to me as a student at the University of Memphis, which have shaped me into the renaissance man I am today. I cannot wait to give back to the community and serve others through my unique character and original dance moves. Go Tigers Go!”

Ready to take the next step toward your future?

From excelling academically to honing his unique breakdancing skills, Payton embodies the University’s commitment to nurturing well-rounded leaders. Programs like First Scholars have empowered students like Payton to thrive and give back to their communities. Click here to learn more about The University of Memphis and start your journey today!

The post Meet Payton Willis: Dreams and Determination Paving the Way for Success appeared first on We Are Memphis.

The University of Memphis has always been deeply connected to the heartbeat of its city and highlights the stories of individuals who embody Tiger pride and the spirit of perseverance. One such story is that of Ariday Acosta, a first-generation college graduate who transformed her dreams into reality with the help of the University of Memphis.

Through the support of the Office of First-Generation Student Success and the Equal Chance for Education (ECE) scholarship, she not only overcame these obstacles but also flourished as a leader, advocate, and inspiration to her peers. Her journey speaks to the transformative opportunities the University of Memphis provides for its students—opportunities grounded in mentorship, community, and a commitment to helping every student succeed.

Ariday’s story reminds us all that Memphis is a city where dreams are nurtured and barriers are broken. Read on to discover how the University of Memphis helped her pave the way for a brighter future and why it remains a beacon of opportunity!

Meet Ariday Acosta

“Coming from a household where neither of my parents attended college and both moved from their home country to the United States, higher education had always been my goal. The University of Memphis gave me the opportunity to pursue that dream. Through the Office of First-Generation Student Success, a scholarship helped me attend the University of Memphis. Equal Chance for Education (ECE), a nonprofit organization based in Nashville, Tennessee, offers scholarships to thousands of undocumented students who wish to attend university. Without this program and the University of Memphis, I wouldn’t have been able to walk across the stage at graduation.

As the second child to attend university, my experience was different from my sister’s. I became the first child to move away from home, and as a first-generation student, I faced many obstacles on my own. Moving 79 miles away from home, I had to navigate a new city I was unfamiliar with, guide myself through college courses, question my own self-worth, and take the next step in life on my own. I grew up in a household where education was always highly valued, and as a straight-A student most of my life, college really challenged how I viewed myself in higher education. There were moments when I struggled with whether I was in the right major and pursuing the right degree. When everything felt impossible, I knew I could rely on the Office of First-Generation Student Success.

Without the mentorship of Jacki Rodriguez, many of the challenges I faced would have been even harder to overcome. Jacki Rodriguez, the Director of the Office of First-Generation Student Success, has helped me understand my purpose from the moment I committed to the University. I meet with her once a month to check in on my progress. Through the program, I was honored to receive the Spirit of the Tiger award two years in a row. Without the support of the program, I wouldn’t have been able to branch out into campus involvement. I became a campus tour guide, the Director of Diversity, Equity, and Inclusion for Alpha Delta Pi, Chapter President of Alpha Delta Pi, Vice President of Diversity, Equity, and Inclusion for the Panhellenic Council, Vice President of Order of Omega, and a Frosh Camp Counselor. Campus involvement has played a key role in shaping who I am today.

To all the undocumented, first-generation students out there wondering if higher education is possible, take it from me: it is possible. Although the next step in life may feel uncertain, continue to push yourself beyond those “impossible” limits. I want to leave behind a legacy at the University of Memphis that shows that, even though first-generation students are often seen as unlikely to finish school, it’s okay if it takes time. Keep pushing yourself to achieve what others might doubt you can do. As my dad always says, ” Yo Soy, Yo Puedo, es facil, y lo voy a lograr” (I am, I can, it’s easy, and I will achieve it).”

Ready to take the next step toward your future?

The University of Memphis offers endless opportunities to help you succeed, whether you’re a first-generation student, an aspiring entrepreneur, or someone looking to join a vibrant and supportive community. From life-changing mentorship to hands-on learning experiences, the UofM is here to help you achieve your dreams. Click here to learn more about The University of Memphis and start your journey today!

The post Meet Ariday Acosta: A Trailblazer and Advocate for First-Generation Students appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Tara M. Stringfellow

Tara M. Stringfellow is a former attorney, Northwestern University MFA graduate, and two-time Pushcart Prize nominee whose debut noveland national bestseller Memphis was a Read with Jenna pick and longlisted for the Women’s Prize in Fiction. A cross-genre artist, the author was Northwestern University’s first MFA graduate in both poetry and prose and her work has appeared in Collective Unrest, Jet Fuel Review, Minerva Rising, Women’s Arts Quarterly and Apogee Journal, among others. After having lived in Okinawa, Ghana, Chicago, Cuba, Spain, Italy, and Washington, D.C., she moved back home to Memphis, where she sits on her porch swing every evening with her hound, Huckleberry, listening to records and chatting with neighbors.

Tara’s Favorite Places to Write

Novel Bookstore in East Memphis.
Another great writing spot for me is Novel Bookstore, mostly because they are the only bookstore I know that have a restaurant, Libro, inside. I sign copies of my novel Memphis and my poetry collection Magic Enuff as I sit at the bar and write. They’ve got a delicious brunch. It’s also lovely to write being surrounded by books; I usually leave with a new novel. And the amazing staff have always supported me as a new novelist. Novel feels more like home to me than a bookstore and I cannot recommend visiting this Memphis spot enough.

Caption by Hyatt in Downtown Memphis
This hotel lobby is gorgeous, filled with lots of light, making the bar space and surrounding tables a perfect place to write for hours. And a plus, there’s often live music in the lobby. I’ve seen Jeremy Stanfill swoon a crowd. I highly recommend this downtown spot that’s both chic and Southern down to earth at the same time. 

In Memphis, soul is woven into the fabric of everyday life, and people like Tara M. Stringfellow remind us why this city’s spirit is so special. Memphians draw from the city’s unique blend of warmth, creativity, and resilience. It’s this same energy that fuels our stories, drives innovation, and encourages connection. As we continue to celebrate the faces and places that make Memphis extraordinary, we invite you to discover your own soulful experiences and share in the pride of our community. Keep an eye out for more stories that showcase how we all bring our soul to the city we love!

The post Author Tara M. Stringfellow’s Favorite Places to Write In Memphis appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Kathryn Hicks

Kathryn Hicks is the Chief of Games and Technology for Baron Von Opperbean and The River of Time, an immersive XR adventure coming to Mud Island. As the founder of Creature Studio, Kathryn specializes in character-driven extended reality (XR) experiences. With a background in AR and VR, she has worked on notable projects like HBO’s House of the Dragon Snapchat campaign. Her passion for storytelling, game design, and community-focused projects has made her a leader in Memphis’ immersive entertainment scene.

What are your top 3 places you love to visit in Memphis? 

• South Main Arts District: I’m drawn to the Central Station Hotel, Bishop’s Door [ my favorite door ], and Arrive Hotel. I frequently hit up coffee spots like Hustle & Dough in Arrive Hotel and Dr. Beans. While I miss the old Puck Food Hall during Trolley Nights, I’m pumped about new developments like the upcoming Level Up Memphis a gaming speakeasy bar. 

• Commonwealth Building area: The Landis Blair illustration area in the Commonwealth Building is a hidden gem, and Boycott Coffee is a favorite of mine. The architecture in this area, including the YMCA, Commonwealth, and Sterrick buildings, is simply stunning. 

• Crosstown Concourse: I tend to gravitate towards this place when I want to get out of the house. There’s always something happening on weekends, from events to art galleries. The Art Bar is particularly magical – it’s like stepping into one of those enchanted, expansive tents from Harry Potter. 

Honorable mentions: 

• Bog & Barley: This Irish restaurant has incredible interior design, attention to detail, and delicious food. It’s a treat every time I come in. 

• Broad Avenue and Cooper-Young: These areas hold a special place in my heart. Broad Avenue brings back fond memories of my undergrad days at River Arts Fest. I like going to spots like Sugar Ghost, City & State coffee, and more. Cooper-Young has its own unique charm that keeps drawing me back. 

How does Memphis as a city inspire you or impact the work that you do? 

Memphis’s vibrant art, tech, and entrepreneurship scenes significantly influence my work. Places like Epicenter are hotbeds of innovation that constantly inspire me. The HungryTigerFoodClub, led by SunAh Laybourn, fuels my creativity through culinary adventures. My experiences here, from college through freelancing and game jams to my current startup, have shaped my growth tremendously. 

The local coffee culture, particularly events like Edible Memphis’s Iced Coffee ChampionSip in July, has been a springboard for my tech experiments with AI. While this year will be the last year doing those experiments, you will see a lot of innovation through my two startups. 

What are you most excited to see happening in Memphis now? 

Without a doubt, it’s the Mud Island project I’m working on: Baron Von Opperbean and the River of Time [ BVO ], led by visionary Christopher Reyes. This immersive experience aims to put Memphis on the map alongside Disney World and Universal Studios but minus the rides. Instead of rides, visitors become part of a living, breathing story – like stepping into a real-life video game, with deep lore and choose-your-own-adventure elements plus a playground. It’s set to showcase Memphis as a pioneer in cutting-edge, immersive entertainment. 

Is there another Memphian who has inspired you, impacted the work that you do, or who you’d like to shout out? 

Rather than a specific individual, it’s the collective spirit of Memphis that inspires me. The environment, the people, and the various communities – especially the food and coffee scenes – all contribute to my inspiration. The coffee community, in particular, has been a significant source of motivation and creativity. 

How do you hope to inspire change in Memphis? 

BVO is poised to be a game-changer for Memphis. It’s not just an entertainment venue; it’s a catalyst for growth and opportunity across multiple communities, particularly for people of color and those in the creative and tech sectors. By fusing art, technology, and storytelling, we’re creating something that will have a lasting, positive impact on the city and its people. We’re taking the most captivating elements from world-class immersive experiences and reimagining them into something uniquely Memphis. This innovative approach will not only put our city on the map but also redefine what’s possible in interactive entertainment. 

The post Bring Your Soul: Kathryn Hicks appeared first on We Are Memphis.

Here in Memphis, you can find lively artwork in just about every corner of the city, and that’s thanks to the creativity and talent displayed by people like @diablit0e, or Daniela Trejo Chavez. Daniela is a local artist who focuses on painting, printmaking, and ceramics and is a University of ​Memphis alum with a BFA in Studio Arts. ​Daniela describes their work as “vibrant, ​whimsical, and inspired from their own ​cultural background.” This article explores some of the ways Daniela is influenced by the local culture, loved ones, and their roots.

Q: How has Memphis influenced your creative process and the way you express your cultural heritage in your work?

Daniela: Memphis is such a diverse place, and being able to represent my roots and background in my work fuels my creativity. Whether… through painting, textiles, or ceramics, my work uses symbolism and vibrant colors that I feel represent my Mexican roots. Elements like the sun, nopales, La Muerte, and scorpions often appear in my work, each translated into various mediums to celebrate and honor my cultural background. The inspiration I draw from my community—whether it’s through music, food, or art—provides a constant spark of motivation for me to create.

Q: Share a story about a memorable experience or collaboration you’ve had with other Memphis-based artists or entrepreneurs.

Daniela: Last…summer, my friend Cesar B Diaz (@kid_mestizo) curated an art show called “Construcción: Una Exposición Colectiva.” It was an art show that was truly eye-opening; it highlighted themes of migration and dignity. “From an anthology perspective, each migrant seeks to build a future, primarily striving for a “dignified” existence for themselves and their families, without forgetting that in order to establish themselves in another country, they had to leave everything behind and start from scratch.” A story many of us are very familiar with. As a participating artist in the show, I was able to communicate with people within my community who were able to connect with my work – people who felt what I felt. [In] doing so, I was overcome by many emotions because I’ve never connected with anyone on such a deep level! After that show, I was just hit with a lot of inspiration and drive to keep pushing forward and to keep creating because that made me feel good, not only about my work but also the moments I created with people through my work. The show was a success, and I’m glad I was able to form bonds and friendships within! And I’m glad [to] this day we are all pushing forth in our artistic journeys together! 

Q: In what ways has the Memphis community supported or shaped your journey?

Daniela: Being able to surround myself with creative people… has been an essential key [to] growing as an artist artistically.  You need that community space, especially in the arts, to be able to spit ideas out, collaborate with each other, share resources, and grow together. Sometimes, achieving your goals alone can be challenging, and having a supportive network can make all the difference. Thanks to David Yancy, he has created a space at Ink Therapy for creatives to get together and collaborate! The Clandestine Creative Club has been around for about two years, and it [has] been a tremendous help for creatives and beginning artists in Memphis to be able to network with one another as well as form a safe space and creative outlet for people who just want to hang out and create! 

Q: What advice would you give to other creatives and entrepreneurs looking to make their mark in Memphis?

Daniela: First things first, you have to make ugly art to make your best works. Not everything you make will be perfect, and that’s okay. Keep the ball rolling; that idea will lead you to the next and to the next and to the next one, etc. Don’t stop creating, and be yourself! Remember to always make art enjoyable! ART IS SUBJECTIVE[!] DO WHATEVER YOUR HEART DESIRES!

You can catch Daniela at the upcoming Por Vida Fest on September 21 at the 495 N. Hollywood Street parking lot at 5:00 PM. It’s free and will feature local DJs and vendors for a celebration of life.

The post Hispanic and Latin Heritage Month Spotlight: Local Artist Daniela Trejo Chavez appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Dr. Wigginton

Dr. Russell Wigginton, the President of the National Civil Rights Museum, has a deep connection with the city of Memphis. Beyond his role at the museum, his love for the city’s vibrant energy and culture is rooted in the authenticity of its people, the places he visits, and the inspirations he draws from fellow Memphians. His perspective on Memphis is more than just about its landmarks; it’s about its soul.

When asked about his favorite places in Memphis, Dr. Wigginton’s picks are personal yet universal to anyone who appreciates the city’s charm. Among his top choices are Overton Square and Overton Park, a lively district blending nature, art, and entertainment, and Café Eclectic, a beloved spot for locals to unwind over coffee and community. These places represent more than just locations—they embody the character of Memphis, a city rich in history and brimming with creativity. Overton Park offers a lush green retreat, while Overton Square is a vibrant center for culture, dining, and nightlife, bringing people together from all walks of life.

But it’s the people of Memphis who make the city truly special for Dr. Wigginton. He speaks of the authenticity and resilience of Memphians as the driving force behind his work and his passion for being an ambassador for the city. The people here shape the culture, and their genuine, down-to-earth nature inspires him to showcase Memphis’ many virtues to the world. For Dr. Wigginton, the city’s heart lies in its community, a collective spirit that fuels his dedication to the National Civil Rights Museum.

Dr. Wigginton is particularly excited about the deeper collective reckoning happening in Memphis today. He sees a growing movement toward addressing social and economic inequalities and uplifting the least privileged in the city. This, he believes, is essential for Memphis to truly thrive. He echoes the words of Dr. Martin Luther King Jr., reminding us that to create a prosperous future, we must commit to elevating everyone, particularly those who have been historically marginalized. This shift towards social justice and equality is a positive step that makes Dr. Wigginton optimistic about the city’s future.

In reflecting on those who have inspired him, Dr. Wigginton speaks with reverence about Maxine Smith, a civil rights leader who passed in 2013. Smith’s tireless work for justice and equality left an indelible mark on the city, and her legacy continues to influence Dr. Wigginton’s work today. A portrait of Maxine Smith hangs near his office, reminding him daily of the importance of advocating for real opportunities for all Memphians to reach their full potential.

As the leader of the National Civil Rights Museum, Dr. Wigginton envisions the museum as a space not only for reflection but also for action. His hope is that every Memphian feels a sense of belonging at the museum, using it as a source of inspiration and a catalyst for finding real solutions to the challenges the city faces. He believes that by embracing its history and learning from its past, Memphis can continue to grow and thrive as a city of inclusion, justice, and opportunity for all.

Through his love of Memphis, Dr. Wigginton’s work at the museum, and his belief in the power of community, he is helping to shape a future where everyone can find their place in this vibrant, soulful city.

The post BRING YOUR SOUL: Exploring Memphis with Dr. Russell Wigginton appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet CHEF MO

Chef Monique Williams is a celebrated Memphis-based chef known for her creative take on Southern cuisine as the brilliant mind behind Biscuits and Jams! She has built a reputation for her innovative dishes that honor Memphis’ rich culinary heritage while pushing the boundaries of traditional Southern cooking. Chef Mo has been featured across the city and country and her expertise and vibrant personality have made her a prominent figure in Memphis’ thriving food scene.

What are your top 3 local people, places, things, or organizations?

Epicenter is one of my favorite non-profits in Memphis. It provides so much support for new and growing businesses. It has truly been a godsend for people in the food industry.  Feast & Graze (Cristina McCarter) at the Brooks Museum.  Great food, amazing exhibits, and awesome music on Thursdays. Dos Hermanos (Chef Eli Townsend) at the Cossitt Library…those Salmon Croquettes on Thursdays are everything as well as the Tiny Kitchen concerts. 

How does Memphis as a city inspire you or impact the work that you do? 

I grew up in the Rozelle-Annesdale area of Memphis and it was full of community and love. Biscuits & Jams is a representation of that for me. As a local restaurateur, I strive to hire people from the community, mentor people with the vision of owning their own restaurant or small business as well as be a light in Downtown Memphis. 

What are you most excited to see happening in Memphis? 

 I am excited to see the growth and the revitalization of the downtown area between Madison and Jefferson.  

Is there another Memphian who has inspired you, impacted the work that you do, or who you’d like to shout out? 

Luis Toro of City and State and the former owner of The Liquor Store. When I first opened up Biscuits & Jams, Luis helped me so much with figuring things out. He will always be one of my favorite people. See you soon Luis!! 

How do you hope to inspire change in Memphis?  

By being an active member in our community…creating jobs, mentoring, and making myself available to push Memphis forward in a positive way. 

The post Bring Your Soul – Chef Monique williams appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet DJ Alpha Whiskey

Memphis is a city with soul, and no one knows how to tap into that energy better than DJ Alpha Whiskey. As one of the city’s top DJs, she’s not just about spinning tracks—she’s all about connecting with Memphis on a deeper level. In this article, DJ Alpha Whiskey shares her favorite ways to experience the heart of Memphis, from hidden gems in the local music scene to the best spots for soaking in the city’s rich culture. Get ready to discover Memphis through the eyes (and ears) of a true local legend!

What are your top 3 places you love to visit in Memphis?
Aww man I know you said 3 but I have 5 places that I always recommend. They are my favorite places in the city and never let me down! Central Station Hotel, Hive Bagel & Deli, Andalusia, Sage, MBABAZI House of Style. 

How does Memphis as a city inspire you or impact the work that you do? 
Memphis is a city with a tremendous amount of soul and rich history. The musical legacy here is known around the world and it fuels creativity and passion in various forms. For someone like me who loves music and creativity , I am in my happy place. I am able to share my wonderful experiences and knowledge with people from all around the world when I travel to DJ. Also as an Air Traffic Controller I can literally say that we “Move the World” in Memphis because of FedEx and its international flights, delivering packages all over the world. We make sure those FedEx planes get in and out of Memphis safely, efficiently and expeditiously. 

What are you most excited to see happening in Memphis now?
I’m excited that our new Mayor Paul Young has been working hard to improve the city. That includes decreasing crime, improving our infrastructure, and investing in the youth. It takes time to build a better future , and I believe we are headed in the right direction . 

Is there another Memphian who has inspired you, impacted the work that you do, or who you’d like to shout out?
I have a few Memphians to shout out : Jared JB Boyd, DJ Crystal Mercedes, Jana Mitchell and Zach Word. These four individuals represent Memphis like no other and inspired me to do the same! 

How do you hope to inspire change in Memphis?
In addition to making people dance and having a wonderful time while DJing I have recently started my own nonprofit organization, Enlightened Leaders Initiative that will foster future leaders through STEM education, Agriculture , Leadership , Music, and Aerospace education nurturing well-rounded, innovative minds for a dynamic world. My purpose  is  work within the community to inspire youth to achieve their goals and dreams. 

The post Bring Your Soul – DJ Alpha Whiskey appeared first on We Are Memphis.

Memphis soul shows up in community impact that stretches far and wide and in the thousands of Memphians lifting each other up every single day. It’s the fire of volunteerism and advocacy burning in our hearts, driving us to dream bigger and push harder for change. It’s the boundless creativity that feeds our hunger to explore and discover. Memphis has always been a city of bold dreams and even bolder love, where soul lives loud and proud. So when you see your neighbors’ faces shining across the city, you’re seeing the pride we all share.

We’ll be sharing stories of how your fellow Memphians connect with our city through ambition, art, food, culture, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

In Memphis, soul isn’t just something you feel—it’s how we live.

Whether through small acts of kindness, big dreams, or a constant drive to innovate, the soul of Memphis is the essence of what makes this city extraordinary. It’s a place where the past, present, and future converge, creating a vibrant tapestry of life that continues to evolve and inspire.

We Are Memphis is dedicated to celebrating the creativity and resilience of our city. We invite you to share your stories, artwork, or music by connecting and tagging us on social media using @wearememphistn and #bringyoursoul.

By joining our movement, you’re helping to amplify the unique spirit of Memphis and contribute to the vibrant culture that makes our city extraordinary. Let’s work together to showcase what makes Memphis so special!

#BringYourSoul!

The post Bring Your Soul! appeared first on We Are Memphis.

She began her cosmetology journey during college with her own YouTube channel, where she shared about her hair, makeup, and lifestyle under the Mia’s Mane brand. In 2019, however, she decided to pursue this venture full-time by enrolling in a cosmetology school. Within 11 months, she graduated as a licensed cosmetologist and has grown her client list exponentially over the past 4 years.

On August 3rd, Amia held a free Back to School Cuts and Curls event for children and their parents. Kids received a new haircut or silk press and a backpack filled with school supplies for the upcoming school year. 

As for what inspired this giveaway, Amia said, “I’ve always wanted to give back to my community, and God gave me the idea to use my talents to help out where I can. My husband and I are both licensed professionals, so it was only right to cater to our youth to help make them feel confident for their first day of school. Not only to help the children, but their parents as well. We filled the backpacks with as [many] supplies as we could with the donations that we’ve received, and we hope it can lighten the load for many!”

Outside of offering natural hair and luxury extensions at her salon, Amia also provides one-on-one business coaching through the “Mia’s Mane Method” to help other women or entrepreneurs get started on their own cosmetology careers through marketing, microlinks courses, and more.

You can check out her website to schedule an appointment or follow her on Instagram to stay up to date on her journey.

The post Spotlight on Amia McKinney of Mia’s Mane appeared first on We Are Memphis.

Photos by Shane Smith

Lukah, the South Memphis rapper with a rapidly growing profile, seems to take the idiom “strike while the iron’s hot” as a personal mantra, releasing an astounding 5 full-length albums over the past three years. “I want to see a change in the way that hip-hop has been trending. There’s a lack of balance right now, and I’m driven to help bring that back. People’s attention spans are so fucking short, you’re almost forced to keep going and going and going. I have a lot of shit in my head that I just have to get out.”

Lukah (born Timothy Love Jr.) is certainly an anomaly in today’s rap scene, an old soul with a sound that harkens back to hip-hop’s vaunted “Golden Age.” Raised in a deeply musical family of women, Lukah seemed prime for a life in entertainment from the beginning. “Everybody had their talent in my house and there was always music playing-Michael Jackson, Prince, the Temptation, Al Green-I grew up listening to everything, and I first got into music by singing.” Rapping came soon after, and there was no turning back. “I remember I was at a sock hop in elementary school and Crucial Conflict’s ‘Hay’ came on. I saw the way that we all reacted and I said to myself ‘I want to do this.’”

In addition to his musical upbringing, Lukah was also surrounded by family members with radical and revolutionary political beliefs, a fact that should be unsurprising to anyone familiar with his art. “My grandfather is an influential community activist and an advocate for Black people, but I was also raised in a neighborhood where I was exposed to the trials and tribulations of the streets. I say it best in a song… ‘all my life I was torn between gangsters and freedom fighters.’ I grew up in a loving family, but once I was off the porch, I was on my own.”

In middle school, Lukah briefly relocated to Chicago to live with his aunt and uncle. It was there that he first began to really dig into the rich history of hip-hop. “My uncle told me ‘if you’re really serious about this rap thing, then you need to learn where this shit came from, where it’s going, and where it’s at.’” Nas and his unparalleled ability for observational street narratives became especially influential and provided a blueprint for the type of music that Lukah hoped to one day make. “His words and storytelling really spoke to me, man. It’s like ‘this guy is me, I’m just in Memphis.’”

All of these factors–musical, political, and societal–all play key roles in Lukah’s ever-expanding discography, perhaps most notably on last year’s excellent Permanently Blackface (The 1st Expression), a bleakly honest concept album focused on systemic racism and its many grotesque iterations. “At its core, all my music is about breaking the chains of this passed-down trauma and bringing awareness to not just Black people, but white people as well. Because of our shared history in this goddamn country, it’s very hard to get over shit and move forward. Whether that’s right or wrong, I’m not sure, but it’s true and deserves to be discussed.”

Just six months later, the prolific rapper is back with Temple Needs Water. Village Needs Peace. As with all of his albums, the title gives you a clear indication of its underlying themes and concept. “I think the title is relatively self-explanatory, but there are some double entendres there as well. For example, temple can mean body, while water represents knowledge. I came up with that because I genuinely feel that that’s what the world needs at this time.” Produced entirely by L.A.’s Real Bad Man, a kindred hip-hop classicist who was first connected to Lukah from their mutual collaborator Boldy James, Temple Needs Water. Village Needs Peace. is in many ways a response to the embittered and dark Permanently Blackface. 

“It’s largely about people getting back to the roots of nature and realizing what a gift the earth is, and how much you can learn by reconnecting. I’ve been thinking a lot about the circle of life, which of course includes death. My favorite song is called ‘Burial,’ which features Talibah Safiya, and it’s about burying my old self. There’s a line on there where I say ‘this is my higher self, I put the lower in the burial/ Beautiful ceremonial, on to the next embryo.’ As we talked about earlier, that line is really about trying to bury the fucked-up trauma so as not to pass it down to my kids,” he says. 

In this season of rebirth and renewal, it’s a welcomed sentiment and yet another example of the artist’s depth and wisdom. “This project is about the community, or the village. As long as you offer something–and I’m not talking about money–but whatever it is you can bring to the table, you’re welcome to participate and help this thing thrive.”

Temple Needs Water. Village Needs Peace. will be available for streaming on March 29th. Physical copies are expected to be released sometime after. Follow https://lukah.bandcamp.com for more information.

The post On New Album “Temple Needs Water. Village Needs Peace,” Memphis Rapper Lukah Finds Peace Through Nature and Community appeared first on We Are Memphis.

In our city, “soul” isn’t just a word. It’s a feeling, it’s a movement, it’s a vibe. As Memphians, we wear soul with pride. Our city isn’t just the birthplace of musical icons or the city where food, music, and culture come to life.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that’s stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you see your fellow Memphians’ faces across the city, you see a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Meka Egwuekwe

Raised in South Memphis, Meka explored computer programming on his own and, after recognizing the transformative power of technology in his own life,  committed himself to paving the way for people of color in computer science education, starting right here in the city. He helped bring the nonprofit CodeCrew to life in 2015, has influenced over 10,000 K-12 and adult students, and championed computer science education legislation–impacting over one million kids in Tennessee.

About Code Crew

CodeCrew is actively transforming Memphis through programs that instill students with the fundamentals of information and computation. Their curriculum delves into understanding digital systems and equips students with the skills to apply this knowledge through programming and software development concepts. The organization’s offerings encompass diverse initiatives, including summer camps, after-school programs, in-school elective classes, internships, and special events.

Since its beginning, CodeCrew has empowered over 11,800 students to code through a variety of channels, including summer camps, after-school programs, in-school electives, and exposure events. With a focus on inclusivity, 92% of the 800 students served weekly are black and Latino youth, 44% are female coders, and, overall, 85% of students are more likely to pursue computer science studies. Impressively, 79% of CodeCrew students write their first line of code through the organization’s initiatives!

The post My City, My Soul – Meka Egwuekwe appeared first on We Are Memphis.

Photos by Gabrielle Duffie

Imagine you’re standing shirtless and blindfolded in the middle of a busy college campus. You’re surrounded by cans of paint and you ask those who pass by to stop and paint something, anything, on your actual body. No, this isn’t some drunken dare or Greek life hazing ritual. Instead, you’re there on your own freewill to try and do something much scarier: encourage people to be vulnerable.

That’s the idea behind musician Aaron James’ new project, “Paint What You Feel.” With this, James pivots from his traditional role behind his guitar and instead takes on a new role as a human canvas. “My songs represent a lot of themes of self-discovery and the importance of telling those stories,” he explains. “The paint kind of represents the parts of me I haven’t discovered yet, but there’s always parts left to uncover. So, the idea was to get other people to tell their stories and be vulnerable about things about themselves or how they’re feeling through painting on me.”

Paint as self-expression isn’t new to James. If you’re familiar with his live show, he has always performed with streaks of paint on his face and body. He admits that initially he did this to create an onstage persona (and truthfully, to help with a little stage fright). Eventually the body art and his music became intrinsically tied. “Honestly when I released my very first songs, there was a woman who, just for promo of the songs, would work with me to do different body paint type stuff. We painted something to represent each song. It was from there that I had the idea that I could do this all the time and it could really mean something to myself and others.”

It was before the 2016 election that James first set out to try his ‘paint what you feel’ idea in real life with real people. “There was a lot on people’s hearts at the time, so people wanted to get a lot out,” he recalls. “I stand there and I don’t speak, but I can still hear obviously. I just heard a lot of very positive things from those that participated. It definitely made people feel good.”

Despite the glimpse of success the project had, James’ focus shifted back to just writing and creating his own music. He released a handful of beautiful singles and stunning EPs, set out on a solo tour, and collaborated with his Unapologetic labelmates and other local musicians. It wasn’t until many years later that James would bring the project back at a Trolly Night in downtown Memphis. There, he once again stood blindfolded and shirtless, armed with cans of paint, and asked those that passed to stop and paint something on him. And, once again, the impact was overwhelmingly positive. “Eventually it became, like, oh maybe there’s a bigger idea here. We can turn it into something more, like a documentary sort of thing.”

And that’s exactly what he did. Earlier this year, James embarked on a college campus tour for the project. Holding a sign that says “I am a product of you. Paint what you feel,” he physically became an outlet for students’ thoughts and feelings. Sometimes the contributions would be as fun and unassuming as a heart or a smiley face. Other times, there’d be deeper messages of kindness and encouragement written, most likely just as needed by the next participant as it was by the author themselves.

On campus, he was joined by collaborators (and Unapologetic producers) CmaJor and Eillo, who helped conduct interviews with participants after. “CmaJor would pull people aside and ask things like ‘what did you paint or why did you paint that?’,” James says. He’d also asks more intense questions about vulnerability, like is it hard for the painter to be vulnerable and why. These questions were asked with the idea that hopefully one person expressing themselves or sharing what they’re going through is going to help somebody else in a similar position. And for the most part, this has been resoundingly true.

“There have been several times where,” James starts to tell me then stops. He shakes his head almost in disbelief and smiles widely before he continues. “This is one of my favorite moments, where conversations will start among strangers who are both painting on me. Maybe one of them painted or wrote about something they were stressed about. Then the other will look at it and ask them, ‘hey, what do you have going on right now?’ and that person will just start opening up to a complete stranger. I hear them talk to each other about it and sort of like, console each other. It’s special,” he states. 

This type of interaction lies at the heart of the project’s mission, the true why behind it all. James speaks at length about the braveness of vulnerability and the importance of being unapologetically yourself, and these ideas are all essential to “Paint What You Feel”. But at the crux of it, this project shows the power of connection. Not an Instagram like or a retweet. Not a Facebook post or choreographed Tik-Tok dance. Real, genuine connection where people feel heard and seen; where people feel validated and supported. I mean, it’s 2023 and the world is going to shit. The least we can do is give a fuck about each other, right?

“I want people to not get lost in all the noise. I want people to slow down and take moments to check in with themselves and others. To be honest with themselves and ask themselves how they’re really feeling,” James explains when I ask him what he wants viewers to take away from the documentary. “I think the more you can understand about yourself and share those understandings, the more people can relate to you and the more connected we’ll all feel.” It’s an ambitious sentiment, but one that seems entirely plausible when you see what James has already accomplished with the project.

Just because James has wrapped the project for now, it doesn’t mean that this is the end. In fact, he looks at it as only the beginning of something he hopes to continue doing in new locations and with new people and stories. “Everyone has a unique and special story. Just because your life and your existence is unique doesn’t mean that nobody else can relate to it in some way. You’d be surprised at what people connect with. We shouldn’t be intimated by the uniqueness of someone else’s stor,y but inspired by it.” 

The documentary is set to be released at the beginning of 2024.

The post With ‘Paint What You Feel,’ Musician Aaron James Encourages Us to Connect With Ourselves and Each Other appeared first on We Are Memphis.

If you listen to just the first thirty seconds of Moneybagg Yo’s smash hit “Time Today” you notice
something. From the booming production and twinkling synths to the smooth delivery of Bagg’s
braggadocious verses, everything – and I mean every little thing – comes together perfectly. It’s
the musical equivalence of a completed 1,000 piece jigsaw puzzle where every piece has a
place and more importantly, a purpose.

This is no happy accident. In the same way the puzzle does not just build itself, songs don’t
magically build themselves either. It takes people who, somehow, simultaneously possess both
a grandiose vision and a meticulous ear for detail to transform the rough cuts of songs into the
version we hear on our Spotify. The words good or great do not exist in their vocabulary – in
fact, saying something is “good enough” would probably get you kicked out of their studio.
These creatives strive for perfection and work relentlessly until they achieve it.
Welcome to the world of mixing and engineering.

“They couldn’t get me to leave the studio. I was the intern that wasn’t going to leave until the
lights were turned off that night. Everyone had to leave before I was ready to leave because I
didn’t want to miss anything,” explains mixer/engineer/producer Ari Morris. “I felt like anytime I
was out of the studio I had FOMO. Like, I wasn’t there and Rick Ross came by? What am I
doing not being here? You couldn’t get rid of me. I was at the studio every single day, all day.”
It’s this mentality that’s earned Morris his 65x gold and multi-platinum status and cemented him
as the go-to mixer for some of the biggest names in hip-hop today. He’s worked with artists like
Young Dolph, Future, Key Glock, Lil Durk, Royce da 5’9”, Moneybagg Yo (yea, that’s his work
on “Time Today”), Migos, and GloRilla among MANY others. His work mixing Moneybagg’s
vocals on Mary J. Blige’s Good Morning Gorgeous earned him a Grammy nomination.

If you ask Morris if there’s a so-called science behind his success, you’ll be met with a pause
and then a smirk. “I don’t think I’m good enough to do the same thing twice. I don’t think I’m
good enough at what I do to execute the same thing over and over again,” he says humbly. It’s
clear there is no formula to his talent. It’s innate to Morris, a feeling he has that’s tangible but
unquantifiable. “Art is going to get its wings and find itself and then once it finds itself, it
becomes its own unique thing. So, when people say, ‘I want something to sound like this,’ I
shrug and say ‘ok’ because nothing is going to ever sound exactly the same. At least not with
me. I don’t know that magic trick yet but if someone out there reading this does, teach me it,“ he
laughs.

This sentiment is only further emphasized when you see him at work. From the outside his
studio looks incredibly nondescript, tucked away on a seemingly hidden street in Memphis. But
when you walk in you’re transported to a place where time and reality feel nonexistent and the
only thing that matters is what goes into that mic and out those speakers. Simply put, you get
the feeling that if you’re not here to do real work, you can get the fuck out…respectfully.

“The only way to get ahead in music is to be around,” Morris explains. “If you’re an engineer, the
more you’re in the studio the more things are going to happen. I was taught very early in my
career that every time you walk into a studio it has the potential to change your life that day.”
This grind is partly who Ari naturally is, and partly where Ari’s been. He went to school for
recording engineering and simultaneously started interning at Young Avenue Sound in
Memphis. During this time, he worked for industry heavyweights like Skip McQuinn and Nil
Jones who took him under their wing and showed him the ropes. He quickly worked his way up
from an intern to being the engineer that everyone was calling to work with.

It was then that Morris realized he wasn’t just following a passion, he was building a career. As
in demand as he was at Young Ave, he was equally as sought after outside the studio. The
transition to branching out on his own happened organically and with the support of his mentors.
“I was lucky enough to apprentice under people who wanted to see me grow and wanted to see
me win,” Morris explains. “As my career took flight, I started getting calls to travel and work on
the road, and the people I learned under encouraged it. Once I started moving I didn't stop.”
It was around this time that he began working with a young, local rapper who was starting to
launch their own career. The rapper was Young Dolph. “He just started booking studio time at
Young Ave and I got put on the sessions,” Morris says. “We ended up catching a vibe and
before I was even out of school I was working on records with him.”

When Morris talks about their time working together, you can see why he and Dolph had such a
strong relationship. They both knew exactly what they wanted to create or achieve, but also
agreed there were no rules in doing so. To illustrate this shared mindset, Morris shares a story
about their time working together on King of Memphis.

“He walks in on Saturday and says he wants us to put his debut album together. I was like ‘Sick!
When is it coming out?’ and he’s like ‘It’s coming out on Friday.’ I was like ‘Ok…what songs are
we working on?” and he says, ‘We’re about to do them now my boy.’” Morris remembers
laughing. “We’d leave the studio at 7 in the morning and I’d get a text from him at like 11 a.m.
that he was ready to go back. So, we went back to the studio and worked until 7 a.m. again.
That really showed me there are no rules to art.”

As pivotal as his mentors and this time with Young Dolph was, Morris also credits two other
artists he’s worked with that helped form how he makes music: Macy Gray and Royce da 5’9”.
“Very early in my career getting to watch Macy Gray cut vocals reshaped my entire theory on
recording in general because she did not think in the studio at all, she just did. She just
performs,” Morris recalls. “Then working with Royce, I was like oh wow he never settles. He will
just beat the idea until it’s exactly what he wants it to be.”

In 2019, Ari flew to Detroit to work on Royce’s eighth studio album, The Allegory. The album
earned Royce a Grammy nomination for Best Rap Album, though Morris doesn’t count this as a
personal Grammy nom despite mixing the album in its entirety. “Semantics,” he explains.
“Engineers are not named in genre specific nominations.”

Even though the result of their time together produced a critically acclaimed album, how Morris
even got involved with the project to begin with was rather unconventional. “What’s crazy is that
it was the first job I got from an artist really hating a mix I did,” he states laughing. “I didn’t know
it was a concept album where one song flowed into the next. I was just given this one song; I
didn’t hear any of the other material. The song kind of had a trap beat and I just assumed they
wanted me to trap it the fuck out. So, I did.”

Morris, along with legendary producer Carlos Broady (who he credits as another “great mentor
of mine”), sent the track back to Royce. Then Broady played him the rest of the album. “I
listened to it and I just put my head in my hands knowing Royce is going to hate the mix we just
did. Sure enough, he calls Broady and says, ‘Man this mix is terrible,’” Morris recollects. “The
one thing he didn’t hate was how I mixed his vocals so that got me the job. He flew me out to
Detroit to help work on the rest of the album. To this day it’s one of the coolest weeks I’ve ever
spent in the studio.”

Ari has a million stories like this from his career, but it’s evident that right now he’s more focused
on what’s yet to come. As someone who was part of Memphis rap when it was more fringe and
independent back in the mid-late 2010s, Morris brings a unique perspective to the renaissance
Memphis rap is currently having. “All these records – like 2 Federal, King of Memphis, Glock
Season – that I was lucky to be part of at the beginning of my career have created this thing and
now everyone’s taking this thing and running with it,” Morris says. “It’s almost like we made a
new genre. So many people from the city are a part of that. It’s an amazing collective effort
where we’re all seeing the fruits of our labors now.”

When I ask Morris what he makes of all the new art coming out of Memphis, he instantly lights
up. He tells me that the energy in Memphis now is like the energy of a busy studio. “Coming up
we never wanted the studio to be empty, it was never a good vibe. Any time there was dead
time, we would schedule things because it was better for our creative energy if people were
doing dope things around us. As long as there are people making things, the studio feels alive
and the city of Memphis feels alive right now,” Morris explains. “I drive down the street, I see
people making music videos or having photoshoots and that makes me smile so big because
nothing makes me happier than seeing kids making art.”

As for the art Morris is working on himself, he’s equally as excited but a touch more guarded. He
grins and says coyly that some projects he can tell me about, while others he cannot discuss
yet. “I’m working with an artist named b3cca who’s got some very cool and different stuff coming
out. I’m also working on a really incredible project with (Memphis rapper) RUDY. That’s going to
be something special,” he tells me. The rest of his projects are secrets or, in his words, “not my
story to tell yet.”

Truthfully though, it wouldn’t matter who he was working with as long as he was working. It’s
clear that although he’s proud of the accolades and perks his success has brought him, he’s still
most at home in his studio behind the mixing board. While others in his position might be more
concerned about making Tik-Toks or Instagram posts to grow their own following, Morris is too
busy making…well…music.

“To be seen now is a thing,” he explains. “But to me, an engineer is not supposed to be seen,
they’re supposed to be heard. For years, and to this day, I try to let my work speak for itself. You
want to learn about me? Go listen to the records I did – I leave a little piece of myself in
everything I do.”

The post Meet Ari Morris: Your Favorite Rapper’s Favorite Mixer appeared first on We Are Memphis.