New Albums

HEELS – We Look Happy Here

Memphis punk-folk band HEELS had a banner year in 2025, welcoming a new bassist into their lineup and releasing the gritty, roots-infused We Look Happy Here, an album that sharpened their sound without losing its raw, communal edge.

Joe Restivo – A Beautiful Friendship

Jazz guitarist Joe Restivo’s A Beautiful Friendship is a lovingly precise homage to classic 1950s and ’60s guitar records, channeling deep Memphis friendships, working-class swing, and the easy joy of musicians playing purely for the love of it.

Lukah – A Lost Language Found

Memphis rapper Lukah continued his remarkable ascent in 2025 with yet another standout release, reinforcing his reputation as one of the city’s most intellectually fearless voices and an artist clearly poised for a broader mainstream breakthrough.

Lawrence Matthews – Between Mortal Reach & Posthumous Grip

Fans patiently awaiting new music from multi-hyphenate Lawrence Matthews (formerly Don Lifted) were rewarded with Between Mortal Reach & Posthumous Grip, his most ambitious project to date and a bold statement from one of Memphis’s most compelling creative forces.

Above Jupiter – Abscission

Still in high school, Memphis art-rock band Above Jupiter leveled up with Abscission, a concept-driven, analog-recorded album that deepened their beat-forward, guitar-and-synth sound with striking maturity.

Dead Soldiers – CivilWarLand

On their third album, CivilWarLand, Memphis Americana band Dead Soldiers confronted the lingering effects of the Civil War amid a volatile moment in American history, earning apt comparisons to Southern rock icons like The Band.

Frank McLallen – Extra Eyes

After years helping power Memphis rock outfits such as The Sheiks and Ex-Cult, Frank McLallen stepped into the spotlight with Extra Eyes, a lush, psych-tinged solo debut shaped by loss, healing, and rediscovery.

KIRBY – Miss Black America

After four years away, KIRBY returned triumphantly with Miss Black America, a deeply personal love letter to the rural South that blends blues, soul, and gospel to vividly evoke the Mississippi Delta.

Southern Avenue – Family

The Grammy-nominated soul and blues powerhouse Southern Avenue released Family, a genre-spanning celebration of roots and resilience that quickly became one of Memphis’s most acclaimed local albums of the year.

Key Glock – Glockaveli

Memphis rap star Key Glock further cemented his dominance with Glockaveli, a hard-hitting, trap-driven album that balanced streetwise swagger with polished production, reinforcing his place at the forefront of the city’s hip-hop scene.

Shows

Unapologetic’s 10-Year Anniversary Party

On a balmy day in late August, hundreds gathered at Memphis Made Brewing Co. and The Ravine to celebrate a decade of disruption from Unapologetic, the music, media, and apparel collective that has reshaped Memphis music culture.

Missy Elliott at RiverBeat

Choosing a single standout performer at RiverBeat was no small task, but Rock & Roll Hall of Fame inductee Missy Elliott’s larger-than-life career-spanning set emerged as a defining highlight of the festival’s third year.

Memphis Rap OGz on Halloween Night

Memphis Rap OGz—featuring legends Tommy Wright III, DJ Spanish Fly, DJ Zirk, and Gangsta Pat—delivered a spooky, celebratory night of hometown hip-hop history at Minglewood Hall that won’t soon be forgotten.

Talibah Safiya and Marcella Simien at Crosstown Theater

Two local favorites joined forces for a stunning co-billed performance at Crosstown Theater, backed by the immersive visuals of Infinity Stairs. Their soaring vocals and commanding stage presence captivated a sold-out crowd.

Kraftwerk at the Overton Park Shell

Electronic pioneers Kraftwerk brought their Autobahn anniversary tour to the Overton Park Shell, pairing immersive visuals with pristine sound. More than five decades after reshaping modern music, they still sounded like the future.

Herbie Hancock at GPAC

Few artists truly merit the title “living legend,” but Herbie Hancock is undoubtedly one of them. His GPAC performance traced the evolution of jazz from acoustic traditions to funk and fusion, underscoring his enduring influence.

W.I.T.C.H. at Gonerfest

Any concerns about Gonerfest’s move to Wiseacre Brewing vanished once Zamrock legends W.I.T.C.H. took the stage. Their hypnotic Friday-night set stood out as a highlight of an already exceptional weekend.

Kurt Vile and Stephen Malkmus at Raised By Sound Fest

WYXR’s Raised By Sound Fest raised the bar once again as Kurt Vile and Stephen Malkmus transformed Crosstown Theater into a master class in laid-back virtuosity, blending wry lyrics and tangled guitar lines with effortless confidence.

Moments

Central High School Wins Big

Central High School’s jazz band made history by winning first place at the Lincoln Center’s prestigious Essentially Ellington Competition in New York City, besting elite ensembles from around the world. Kudos again to band director Dr. Ollie Liddell and all of the Central High Warriors!

8Ball & MJG at Shangri-La Records’ Lo-Fi in Hi-Fi Series

Shangri-La Records’ ongoing Lo-Fi in Hi-Fi series reached a high point with an intimate conversation featuring 8Ball & MJG, marking the 20th anniversary of On Top of the World and reflecting on their global impact and Orange Mound roots.

Havenhaus Opens Downtown

Havenhaus—an intimate venue tucked behind Earnestine & Hazel’s—opened its doors this year, expanding from DIY house-show origins into a community-focused space dedicated to supporting underground and touring artists.

Inaugural Glo Bash at FedEx Forum

Following a massive 2024, GloRilla celebrated her hometown success with the first-ever Glo Bash at FedEx Forum, a star-studded event that drew fans nationwide and featured Big Boogie, Sexyy Red, Moneybagg Yo, and more.

Saying Farewell to Local Legends

Alongside moments of celebration, Memphis also mourned the loss of beloved music figures including Steve Cropper, Sam Moore, Luke White, Earl the Pearl Banks, Todd Snider, William Bell, and Terry Manning. Their legacies remain foundational to the city’s sound.

Sinners  Soundtrack Recorded at Royal Studio

Music played a vital role in the hit vampire film Sinners, set in the Mississippi Delta. Director Ryan Coogler partnered with Boo Mitchell and Royal Studio to capture authentic, blues-infused sounds for the soundtrack.

A 9-Year-Old Joins Project Pat on Beale Street

Alaynna Doty, the Mississippi pre-teen who went viral for her flawless rendition of Project Pat’s “Chickenhead,” joined the rapper onstage during Memphis’s 901 Day celebration—a joyful, distinctly Memphis moment of civic pride.

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Cameron Bethany-YOUGETONMYNERVES

Cameron Bethany’s upcoming album YOUGETONMYNERVES isn’t out yet, but the lucky few who heard his recent preview performances at the Green Room and at the MOSH planetarium know it is going to be something special. Bethany has long been celebrated for his blend of soulful vulnerability, experimental R&B, and meticulously crafted soundscapes, and this long wait for a follow-up has only heightened the anticipation. The new material he shared feels both more intimate and more daring, showing an artist who has grown in the years since his 2017 debut YOUMAKEMENERVOUS. If these early glimpses are any indication, YOUGETONMYNERVES promises to be a rich and immersive next chapter from one of Memphis’s most distinctive voices, fully worth the patience it took to get here.

Dead Soldiers-CivilWarLand

Although commercial country radio is still sadly in the grasps of dude bros and even chart-topping AI “artists” gag, there has been a real and welcomed resurgence of the type of country and Americana that speaks truth to power and that isn’t afraid of breaking some rules. Memphis’ own Dead Soldiers is one such group, and they’ve never been better or more insightful than on their urgent new album CivilWarLand. It’s a powerful commentary on how old wounds still shape today’s world and a must-listen for fans of thoughtful, character-driven Americana.

HEELS-We Look Happy Here

HEELS, the local punk band with a blue collar folksy side, is back with both a new album and a new member. For their newest full-length We Look Happy Here, founding members Josh McLane and Brennan Whalen welcomed bassist Buddy Forbess to the party, resulting in a more robust and full sound. The album’s title, which I initially took as a dark joke (the group’s previous album was Pop Songs for a Dying Planet, for some context), seems to be sincere, as the project is filled with moments of sincere warmth. Fans of the group’s previous efforts need not fret, though–there is still plenty of introspective gloom here, if that’s your thing.

Optic Sink-Lucky Number

Lucky Number, the third album by the excellent synth-punk trio Optic Sink, was released on Halloween, an exceptionally fitting drop date for an album that is equal parts gloom and party. You know the video from the original Addams Family series when Wednesday absolutely kills it on the dance floor? Yeah, it kinda sounds like that. In all seriousness though, the group has never sounded better, allowing their minimalistic grooves to build and morph into something cosmic. Pro tip: If you haven’t already, be sure to check out the band’s hypnotic live show as soon as you can.

Joe Restivo-A Beautiful Friendship

Joe Restivo, a Memphis-born guitarist steeped in the city’s rich jazz and soul legacy, pours his deep love of mid-century swing into his stunning new album A Beautiful Friendship. Recorded at the iconic Sam Phillips Recording Studio, Restivo channels a bygone era of great Memphis jazz, reuniting organist Charlie Wood and drummer Renardo Ward to evoke the warm, intimate grooves of ’50s-’60s Beale Street. Across seven beautifully crafted tracks, his lyrical guitar lines and tight ensemble create a vibrant celebration of timeless friendship and sound.

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Qemist – “Make U Please U”

Michael Ivy, aka Qemist, has long stood as one of Memphis’s premier voices in EDM and house music, consistently delivering flawless vibes to the city’s clubs. His latest project, THE NEW JUKE TAPE, drops October 10th, led by the first single “Make U Please U.” Clocking in at a rapid 160 BPM, it’s the perfect high-energy track to carry you through the early weeks of fall.

Kennedy Ray – “One Night in Paradise”

Stax Music Academy alumna Kennedy Ray, one of the latest breakout talents from the legendary school, returns with her new single “One Night in Paradise.” Recently featured in FEMI Magazine, Ray now calls Los Angeles home, but her soulful sound remains deeply rooted in Memphis. She’s an artist whose rise is impossible to ignore.

R.U.D.Y. – “Hold On”

Local rapper R.U.D.Y. dropped one of the city’s most exciting hip-hop projects this year with his album Proof of Life. While the entire project deserves attention, the hard-hitting track “Hold On” has been on repeat, showcasing the chest-thumping energy and lyricism that have made R.U.D.Y. a longtime favorite in Memphis hip-hop circles.

Talibah Safiya – “The Message”

When we saw that Talibah Safiya had teamed up with South Memphis Jeff and Ari Morris, a standout track was inevitable. “The Message” delivers sensual, exotic, and liberating vibes that quickly make it a contender for one of the year’s best local singles. It’s a perfect showcase of Mrs. Safiya’s artistry and creative vision.

Cameron Bethany – “TBU”

Just ahead of his performance at MOSH’s Laser Live Concert Series on October 11th, R&B talent Cameron Bethany drops his new single “TBU” (Thinking Bout U) from his upcoming album YOUGETONMYNERVES. Featuring his signature smooth vocals over an airy, emotive production co-created with CmaJor, the track leaves us eagerly anticipating the full album.

The post WAMM in Rotation: 5 Songs for September ’25 appeared first on We Are Memphis.

With such a rich history of work and involvement in numerous bands, I’d imagine many of our readers are familiar with your music even if they don’t know your name. Can you give us a brief overview of your musical journey so far?

Well, I started playing in “bands” in high school, mainly at houses in East Memphis, the occasional clubs that let kids drink. The summer before my senior year, my friends and I were playing in juke joints in North Mississippi backing up the Kimbroughs and Burnsides. That was wild. I played in college party bands while doing weird stuff on the side. The Sheiks formed out of that. We played a ton around Memphis and toured a bit, and recorded an album and some 7”s. I started backing Jack Oblivian, and that took us around the world a few times. I joined Ex-Cult around 2014. That band became an almost full-time job with tons of touring, recording, all that stuff. That went on until 2019, when we formed Model Zero and released an album and toured. When the pandemic happened , it burned me out in several ways. I laid low and tried to get my life back together. During that time, I played around Memphis in the Tennessee Screamers and here I am now putting out an album with my own name on it.

Clearly, you’ve collaborated with countless musicians across a wide range of styles over the years. How did creating a solo album compare to your usual collaborative process?

When you are in a band, there is a feeling of all for one and one for all. I would write or contribute to songs, but there was always someone else to bounce ideas off of or even have to get approval that it was a good idea. There was always a safety net. I feel like once I declared this was a solo project, I was suddenly this trapeze artist that had the nets cut below. I had to have the final say.

Let’s dive into the album itself. From the singles, it feels like a very personal project with an airy, psych-pop vibe. How would you describe the album in terms of both its sound and its themes?

The sound is more laid back than previous projects, I’d say. Less aggressive. These songs were written at home during a period of regrowth after being shattered from years of playing in bands and living the “rock and roll lifestyle”. My dad passed away during this time, I cut off the abuse of substances that were really bringing me down, and learned to love myself and others again. Playing and writing on my acoustic guitar became therapy and these songs just spilled out. I didn’t write any of them with a style or genre in mind. The themes and vibe stem from that period.

It’s clear that you have a voracious musical appetite that encompasses a ton of musical styles. What were some of your inspirations when making Extra Eyes?

I wanted to make a folk record at first, just a take on roots music, but then when I started getting into the studio I wanted to play with all of the colors. “Taking it Back to the Morning” was influenced by Brazilian Topicalia, like Os Mutantes. I was getting super deep into another round of listening to anything Brian Wilson. I really wanted to layer vocals and harmony. He passed away when the album was finished being mixed. New Wave textures have always influenced me–synths, electric organs and such. There wasn’t much of a harder rock or punk influence that had been on previous projects. I also was feeling a mellow home recording vibe of Ted Lucas, White Fence, JJ Cale, R Stevie Moore, etc.

Did you collaborate with other musicians or producers for this album? How did those collaborations shape the record?

The name and concept for the record is Extra Eyes, and those are the people that have been watching over me, or had my back over the years. My extra set of eyes, guardian angels, if you will. I started recording songs at Graham Winchester’s house in late 2023 and those became the initial seeds of this record. In 2024, I started recording some songs at The Bunker studio with Andrew McCalla. A good chunk of tracking was done over there. Lots of freedom. I finished off the project at Memphis Magnetic, tracking, mixing and mastering with Scott McEwen of Red Curtain Records, who is putting out this album. Lots of friends, or extra eyes, appear on Extra Eyes: Daniel Brown, Keith Cooper, Sara Moseley, Jonathan Ciaramataro, and Jon Harrison, to name a few.

You’ll be celebrating the album’s release with a live show at Bar DKDC on September 6th. Give us a little preview of what fans can expect at that show and what it feels like to be able to perform these new songs live for the first time.

This will be the first time playing these songs with a full band. We’ve been rehearsing over the summer for this and I couldn’t be more stoked! We’ll have the record for sale, with some other goodies. Runi Salem, a project of Kacee Russell, will be opening up the show. I’m a big fan of her songwriting, voice, and what she’s got going on creatively. My band will play and then closing out the night will be Recent Future, a great new electronic duo who also happen to be labelmates with me on Red Curtain. They are going to be bringing the late night dance vibes. Hope to see some friendly faces!

Extra Eyes is available for order now at Red Curtain Records or at local record stores.

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Juicy J – “The Sri Lanka Jungle”

Juicy J proves he’s still willing to take chances with his moody, introspective new jazz album Caught Up in This Illusion. There’s a psychedelic stoner haze here that slightly nods to his Three 6 Mafia roots, but it’s a fundamentally different sonic venture than from his elbow-throwing heyday. While it’s hard to choose a favorite from the project, “The Sri Lanka Jungle” is a great laid-back instrumental that we keep coming back to. Even decades into the game, Juicy continues to surprise, reminding us why he’s one of the city’s most enduring voices.

Kirby ft. Big K.R.I.T. – “Miss Black America”

On “Miss Black America,” Memphis-born soul singer KIRBY delivers a stirring anthem that radiates pride, resilience, and elegance. Her velvety vocals float over a lush, retro-soul backdrop, while an excellent Big K.R.I.T.’s feature adds some poetic weight to the affair. Kirby’s songwriting shines with purpose here—this is protest music wrapped in beauty, and hopefully a sign of more music to come.

Lawrence Matthews – “Saint Sebastian (Death Comes a-Creepin’)”

Lawrence Matthews (formerly known as Don Lifted) offers a haunting, genre-blurring meditation on mortality and legacy with “Saint Sebastian (Death Comes a-Creepin’).” The track is steeped in gospel, blues, and experimental soul—evoking the Southern Gothic imagery that has marked much of his more recent work, with a lyrical nod to Goodie Mob that this writer certainly appreciates.. Matthews remains one of Memphis’s most compelling multidisciplinary artists, and this song is another step in his fearless creative evolution.

Slimeroni & Dubba-AA – “Super Trick”

“Super Trick” is the pool side banger we’ve been waiting for all summer and further affirmation of Slimeroni’s place at the forefront of Memphis rap’s next generation. Teaming up with veteran producer Dubba-AA, Slime rides the beat with her signature gruff yet playful style, putting every man who may cross her path on notice. You’ve been warned…

Spek Was Here – “Makumbi”

Spek Was Here delivers something cinematic and spiritually charged on his new single “Makumbi,” blending soulful vocal chops, hard Afrobeat-esque drums, and ambient textures into a track that feels both grounded and otherworldly. The local producer and artist has been quietly carving out his own lane in experimental hip-hop and beat-making, and this track is proof of his growing mastery. There’s a meditative quality to it, but it still knocks—a tough balance to strike.

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Lukah ft. Killer Mike- “South Still Speaking”

Lukah has yet to drop an album that doesn’t leave a lasting impression, but with Statik Selektah behind the boards, he may have found his ideal collaborator. It’s a pairing that recalls the magic of Clipse with Pharrell or Freddie Gibbs with Alchemist—an unmistakable chemistry that sharpens both sides. That dynamic is on full display in “South Still Speaking,” a standout track from Lukah’s excellent new album A Lost Language Found, featuring a blistering guest verse from Killer Mike and both Lukah and Statik operating at peak form.

Diplo Ft. Project Pat & Juicy J- “Flashlight”

Diplo might not be riding the wave of chart-topping hits like he was ten years ago, but when the moment calls for it, he still knows how to captivate. His longtime love for Memphis hip-hop shines through in this collab with local legends Project Pat and Juicy J, sparking one of his most impressive tracks in recent memory. Expertly pairing two horrorcore icons over a sample of a beloved Radiohead song? That’s classic Diplo.

Porcelan- “Winner”

R&B fans know a thing or two about waiting—whether it’s for Frank Ocean, D’Angelo, or Rihanna, patience comes with the territory. Fortunately for fans of Memphis’ own Porcelan, that wait has finally paid off. Her new single, “Winner,” is a slow-burning, soulful anthem that blends sensuality, lyrical wit, and a confident sense of self. It’s a striking return that reminds listeners exactly why she’s one to keep watching.

Virghost- “NBFAM Pts. 1 & 2”

When Virghost opened “NBFAM Pt. 1” with the line “Heath Ledger to you every day clowns,” it was clear we were in for another sharp, standout moment from the underrated Memphis MC. Backed by KingPin Da’ Composer’s soulful production reminiscent of the “old Kanye,” these twin singles showcase the kind of chemistry and craftsmanship that put Virghost and his team firmly among the best of Memphis’ current wave of homegrown talent.

Lawrence Matthews- “Breonna’s Curse”

Since stepping away from the Don Lifted moniker, Lawrence Matthews has reemerged with a bolder, more rap-forward sound that highlights both his versatility and evolution as an artist. But with his latest single, “Breonna’s Curse,” he circles back to the lush, emotive textures that first drew listeners in. The track confronts the tragedy of Breonna Taylor with unflinching honesty and urgency—qualities that have long defined Matthews’ most powerful work.

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Valerie June- “Joy Joy”

Memphis singer Valerie June’s new single “Joy, Joy!”—a vibrant, soul-infused burst of fun—opens her sixth studio album Owls, Omens and Oracles on a much-needed optimistic note. Rooted in her signature blend of folk, blues, gospel, and soul, the track is built on the metaphor of a seed pushing through darkness. Altogether, “Joy, Joy!” offers a joyful manifesto, with Valerie’s singular voice guiding listeners through resilience into radiance.

Lukah- “Mirror Discussions“

Memphis rapper Lukah once again delivers a raw and reflective punch with his new single “Mirror Discussions,” the lead cut from his new collaborative album A Lost Language Found with legendary producer Statik Selektah. Self-described as “a conversation with my past, my people, and the mirror that never lies,” Lukah has given us another strong argument that he’s Memphis’ best underground rapper.

Isabella&Sebastian- “Oxygen“

Isabella&Sebastian–the local duo composed of 19 year-old Isabella DeFir and 13 year-old Sebastian Stephens- continue to amaze with their latest synth‑driven single “Oxygen,” a sparkling addition to their growing catalog of retro‑tinged, hook‑laden indie pop. Perfectly crafted for your poolside playlist, “”Oxygen” is yet another exciting addition to the group’s quickly-expanding setlist.

Kenny Muney-“Nevaaa“

A protege of the late great Young Dolph, Kenny Muney has emerged as one of the brightest stars within Memphis’ insanely deep crop of trap music talent. “Nevaaa,” the lead single from his bold new album Kenjamin Franklin, has quickly flown up the streaming charts and is a great introduction to his locked-in flow for anyone late to the game.

Recent Future- “Bite My Tongue

Recent Future, the newish duo of multi-instrumentalists Charlie Davis (Trash Goblin) and David Johnson (James & the Ultrasounds), is carving out a distinctive niche in the city’s growing alt‑pop/electronic scene. Fresh off of their previous two releases “Top of the Moon” and “Crosstalk,” the group’s newest single “Bite My Tongue” is further proof that Recent Future is a must-listen for anyone tracking the city’s next wave of musical innovators.

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PreauXX-“Lost Airpods”

I seek therapy but never commit/I got trauma I could never forget/I got people who gon’ love me no matter/But watch the ones who gon’ hate from the fence…

As you can see, lost airpods aren’t the only concern on Preauxx’s infectious new single, but damn if he wouldn’t like to know where they are. Over understated, hazy production from LEE MVRS, PreauXX tells the tale of a hungover morning that continues to spiral out of control (despite him sounding cool and collected throughout). As we’ve become accustomed to, the Unapologetic rapper once again delivers proof that he’s one of the city’s most unorthodox and outstanding talents regardless of genre.

Frank McLallen-“Manic”

To say that we are living in stressful times would be quite the understatement, so Frank McLallen’s new sweet Beatles-esque pop track “Manic” has come like a much-needed salve. McLallen, a veteran of the local music scene who has been a member of bands including Ex-Cult, the Sheiks, the Tennessee Screamers, and Model Zero, confidently takes center stage on the first single from his upcoming solo album Extra Eyes. A perfect laid-back ditty for these beautiful (if stressful) spring days.

Zen Desire ft. Ronin-“Good Coffee”

Still not relaxed enough? Fair enough! May we suggest “Good Coffee,” the new single from local singer-songwriter Zen Desire? Grounded by Desire’s dulcet vocals and acoustic guitar and featuring an unexpected but welcomed guest rap verse from Ronin, the track blends elements of R&B, folk, and hip-hop to create a breezy and vibey track that is as comforting as–you guessed it–a cup of good coffee.

TANGELA-“Miso”

While one of our primary goals with this segment is to highlight songs that are hot off the presses, we can be convinced to revisit a previously-released track, especially when it goes as hard as TANGELA’s February release “Miso.” Produced by Ethan Hunt & Ryan Peel and featuring Elliott Ives on guitar, “Miso” is an exhilarating hodgepodge of trap, hard rock, and pop that just demands to be played LOUD. Our only complaint is that with a run-time of just under two minutes, we’re left wanting even more.

Bleu Levees-“Vieux Carre”

Earlier this month, Bleu Levees dropped his highly-anticipated debut album The Way of the Cat, which we’ve had on repeat ever since. We’ve been fans of the Memphis by the way of New Orleans rapper for years and his signature sound and conscious lyricism are both in top form throughout the project. One of our favorites is “Vieux Carre,” a sultry late-night jam that takes its name from NOLA’s oldest neighborhood (as well as a bourbon cocktail from the Crescent City). Be sure to check out the upcoming listening party for the album this Saturday (April 19th) at the Memphis Listening Lab!

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Lawrence Matthews ft. Idi x Teco – “Once More & Again (Our Mourning)”

We told you back in January that Memphis musician Lawrence Matthews’ forthcoming album was something not to be missed, and every subsequent single he releases just reinforces why. “Once More & Again (Our Mourning)” is his latest tour de force, a stunning and poignant song that pays homage to Southern traditions. Helping to deliver Matthews’ message is Memphis duo Idi x Teco, who each masterfully open and close the track with powerful verses. You won’t be able to play it (or watch the visuals) just once. It’s haunting in the best way possible.

Blvck Hippie – Basketball Camp

Have you ever wished someone made an album that perfectly encapsulated your high school experience? Blvck Hippie frontman Josh Shaw did, so they went about making it themselves. Basketball Camp is the Memphis band’s newest album and it doesn’t disappoint. The group blends their wide range of influences (part pop, part rock, part punk, part jazz, part everything else) and impressively makes one cohesive soundtrack over which Shaw layers his raw and visceral storytelling. Conjure up your teenage angst and let this one rip.

Rose A. – S4U/GDL/SOS

It’s been a minute since Memphis songstress Rose A. has dropped new music, but this summer she’s gifted us not one, not two, but three new tracks. All three songs feature slithering sensual production courtesy of producer Spek Was Here, over which Rose A. layers her saccharine and delicate vocals. The whole project is impressive, but where Rose A. truly shines is on “S4U,” an intimate reworking of the Britney Spears’ classic “I’m a Slave 4 U”. Her arrangement is like someone stripped away the original production and instead seductively purred the lyrics into your ear. It’s *chefs kiss*.

Marco Alexander – “Wiseman” (Acapella: TRIBE Arrangement)

Choosing to cover another artists’ song is never an easy feat, but choosing to cover a Frank Ocean song? Wheww…that’s not for the weak. It’s safe to say that Memphis musician Marco Alexander understood this though because his version of Ocean’s “Wiseman” is utterly breathtaking. Backed by the talented “TRIBE”, he reimagines the track and flips it into an acapella masterpiece. “This feels like the ‘Amen’ to a prayer” Alexander wrote of the arrangement on Instagram, and honestly, there’s not a better way to describe it.

Gloss Up – Not Ya Girl: Act 1

After dropping her debut album Different Shades of Gloss in 2019, Gloss Up garnered major attention after her appearance on Hitkidd’s hit posse cut “Set the Tone” with fellow Memphis  rappers GloRilla, K Carbon, Slimeroni, and Aleza. She hasn’t taken her foot off of the gas since, which begs the question: If you’re outside and not listening to Gloss Up’s new album Not Ya Girl: Act 1 at full blast, then what are you doing??? It’s summer, Memphis! Turn this shit up.

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MonoNeon ft. George Clinton – “Quilted!”

One thing’s for sure, there’s no shortage of funk in musician MonoNeon’s music. But if y’all had any doubts, he kicked it up a WHOLE notch by enlisting none other than funk legend George Clinton for his latest single, “Quilted”. The duo are just as fly as you’d imagine, trading catchy verses over a groovy bassline. The best part? The hook goes “Look at me mane!” and that’s Memphis as fuck.

Bartholomew Jones ft. PreauXX and AWFM – “Gold On Me”

In last month’s “WAMM In Rotation,” I wrote, “what’s better than one Memphis powerhouse on a track? Two.” and I’m here to admit, I was wrong. Because the only thing that’s better than one Memphis powerhouse on a track isn’t two – it’s three. Case in point: “Gold On Me.” The track finds musician (and Cxffeeblack founder) Bartholomew Jones linking up with fellow Memphis rappers PreauXX and A Weirdo From Memphis and together they create an unstoppable, play-this-at-full-volume anthem. “Gold On Me” has been on repeat since it came out, and that doesn’t look to be changing anytime soon.

Mulherin – “Blue Moon”

It’s been two years since Memphis duo Mulherin has released new music, but lucky for us the short hiatus is over. This month (thankfully!) they returned with their infectious new single, “Blue Moon.” The track features bouncy, dance-ready production over which the brothers layer their perfectly harmonious vocals. If the rest of their new music is as strong as this one, then the two year wait was absolutely worth it.

Rose Gold Jones – “Beautiful Things Don’t Ask For Attention”

Earlier this month, musician Rose Gold Jones dropped a mysterious trailer for his new album. It was the perfect teaser, intriguing enough to make you pay attention without giving away what’s to come on the actual LP. But now Jones has released the full project and it definitely lives up to the hype. Beautiful Things Don’t Ask For Attention is an impressive collection, featuring vibed out, surreptitious production and Jones’ effortlessly flowing verses. Beautiful Things Don’t Ask For Attention is his debut album on his self-founded independent label, so it’s safe to say this is only the beginning of promising releases from the Memphis musician.

Aaron James – “The Last Day of the Cold”

Allow me to paint a picture for you. It’s a beautiful sunny day; warm but with a cooling breeze so it’s not too muggy. You’re laying on a blanket in a park with your headphones on, fully relaxed and unbothered. What song are you listening to? If your answer is anything other than Aaron James’ “The Last Day of the Cold,” I hate to tell ya but, you’re wrong. The Memphis songwriter’s latest single is the perfect soundtrack to this exact scenario: beautifully light, airy, and carefree. It’s a must-add to your summer playlist.

The post WAMM in Rotation: 5 Songs for May ’24 appeared first on We Are Memphis.

R.U.D.Y – “Shine On”

Memphis rapper R.U.D.Y is special. We saw it on his first single “Show Improvement” and we see it yet again on his latest song, “Shine On.” Over triumphant production courtesy of TP808s & B Stylz, R.U.D.Y masterfully delivers one empowering line after another. “Each bar is an affirmation to be the light when you’re surrounded by darkness,” R.U.D.Y says of the song. Damn, if your spirit isn’t lifted after hearing this, then we are not the same. This one will be on repeat for a while.

Cyrena Wages – “Are We Allowed To Fall In Love”

I’ll admit it, I’m a sucker for an emotional tour de force ballad. You know what I’m talking about too: that type of love song that you have to start over because it didn’t hurt you enough the first time you hit play. Cyrena Wages’ new single, “Are We Allowed To Fall In Love” is one of these songs. Beautiful and delicate, the song transports you to another time and place and begs you to get lost within its notes. It’s a stunning track; one that once again showcases Wages’ prowess as a songwriter.

Key Glock ft. Young Dolph – “Let’s Go (Remix)”

How can you make a song as massive as Key Glock’s “Let’s Go” even bigger? Add a surprise posthumous verse from Memphis legend Young Dolph. Yea, this shit’s as wildly good as you’d expect. Long Live Dolph.

CMajor – “B?tch…Are You Dropping These?“

Most artists and producers have a folder of songs they recorded that, for one reason or another, never get released. Luckily for us, this isn’t the case with producer CMajor. Instead of keeping these gems to the confines of his hard drive, he decided to share them with listeners on Unapologetic’s UNDRGRNDAF Radio. Featuring some “some pretty high profile people” (Project Pat?!?! Wiz Khalifa?!?! Ty Dolla $ign??!? Say less), the collection showcases CMajor’s wide range as a producer. The tracks are said to only be up temporarily, so hurry up and listen to them before they get taken down and put back into CMajor’s vault.

GloRilla ft. Kevo Muney – “Aite”

Earlier this month, Memphis superstar GloRilla dropped her new mixtape Ehhthang Ehhthang, and on it she enlists the help of a handful of fellow Memphis artists. One of the standout tracks from the project is “Aite,” which features Memphis singer Kevo Muney. The two nicely balance each other out, with his soulful vocals providing the smooth hook in between Glo’s sharp verses. The whole tape is a must listen, but this song is specifically special because, after all, what’s better than one Memphis powerhouse on a track? Two.

The post WAMM in Rotation: 5 Songs for April ’24 appeared first on We Are Memphis.

Acclaimed Memphis singer-songwriter Chris Milam is back with a new single, the title track from his forthcoming album Orchid South. In anticipation, we sat down with the artist to discuss “Orchid South,” his upcoming listening event at the Memphis Listening Lab, and the key to writing an enduring song.

1. For anyone who may not yet be familiar with you or your music, give us a quick rundown of your musical career thus far.

I’m from Memphis, but started my career when I went to college in Nashville. I moved to NYC from there and, once touring started ramping up, I wanted a cheaper homebase than Manhattan. So I came back to Memphis and have been a touring artist (plagues aside) for several years now. I have two albums out (Kids These Days in 2017, Meanwhile in 2020) and a third on the way (Orchid South 5.10.24). All 3 are different–I try not to fax a fax.

I’ve been lucky enough to have some really kind press over the years, but that’s because I shamelessly bribe music writers with Dunkaroos and frankincense.

Andrew Trent Fleming

2. You’ve just released your new single “Orchid South,” the title track from your upcoming album. Tell us about the song, and how it fits in to the album.

The album’s about my teenage years, but it’s also set in that time and place. So I wanted it to draw on the music that I fell in love with–and fell in love to–back then. Memphis powerpop, 90’s alt rock, a pinch of psychedelia. Everything feels so heightened when you’re a kid, so I wanted big, layered songs to match those big, layered emotions. “Orchid South” is a natural single–it introduces a lot of the sounds and sights and lyrical themes of the album, and it’s got that big anthemic chorus. I think it’s cathartic.

3. You’ve really made a name for yourself as an exceptionally gifted songwriter, earning high praise from national publications and fellow artists. What do you think is the key to writing an enduring song?

That’s kind, thank you. Enduring’s a great word, because that’s exactly what I focus on/obsess over when I write. For instance, I spend a lot of time and energy making sure my songs have layers. I want the listener to enjoy the first listen, I want the listener to enjoy the millionth listen, and I want the listener to enjoy every listen for potentially different reasons. All of my favorite songs have grown with me over time. I hear something new, a lyric’s meaning might evolve with age, etc.

One song can say a lot of different things.

Tommy Kha

4. You’ll be hosting an album listening party at the Memphis Listening Lab on March 14th. What should fans expect from Orchid South, both musically and thematically?

It’s a rock and roll record! Big, summery rock songs.

Music’s the only thing that has always made me feel like I’m not alone. This started in childhood, but it became the love of my life when I was a teenager. I wanted to make the album that Young Chris would’ve clung to like a life raft, constantly playing the CD in the car, driving nowhere. So, I’ve wanted to make this album since I picked up a guitar–it just took me a while to feel ready.

Also, a lot of the things I saw or experienced in adolescence feel especially relevant now. 2024’s a tumultuous time to be an adult, and it’s always a tumultuous time to be a teenager. So, I hope these 11 songs tell stories from my past in a way that still speaks to the present.

5. Even before hearing the album, I was struck by the excellent band that you put together for this project, including many hometown heroes. Tell me a bit about your musical collaborators on this project and the process of creating it.

Like Kids These Days and Meanwhile, Orchid South was produced by Toby Vest and recorded at High/Low Recording here in Memphis. I really can’t overstate how much working with Toby and Pete Matthews at H/L has meant to me: artistically, professionally, and personally.

I knew that this album’s scope would be bigger than the last two, and that it’s a rock album that deserves a rock band. It was really important to me that, as much as possible, the songs were built around live takes–the band all playing together in a room. That takes time, planning, rehearsal, but also buy-in from the musicians. People record this way less and less because it’s harder. The upshot is that some people love recording this way. Musicians playing music together–who knew?

So I think the band was excited by the process. And everyone had a fondness for the music Orchid South‘s inspired by. If I tell Luke
White “what if the lovechild of [Tom Petty’s] Full Moon Fever and [Big Star’s] #1 Record grew up in the 90’s,” he already knows. I think the band started from a place of shared influences and kind of a musical shorthand. The full credits for the album are at my site, and I’m enormously grateful for every single person who contributed to the album. These songs couldn’t have been in better hands.

The post Chris Milam Reflects On Adolescence On His Rocking Forthcoming Album “Orchid South” appeared first on We Are Memphis.

Talibah Safiya – Black Magic EP

We’ve been anxiously awaiting Memphis songstress Talibah Safiya’s new EP and lucky for us, the wait is over. Black Magic is a spellbinding collection of songs that takes listeners on a journey through the history of Southern music. The production and sound of the project is incredible but it’s Safiya who truly operates in her element as she masterfully moves between bluesy rock, soulful R&B, and every other classic Southern style. It’s a must-listen, because this type of magic doesn’t come around often.

Dame Mufasa – HENNY HENDRIXXX 2 : Project XXX

The first time I listened to Memphis rapper Dame Mufasa’s new project, I thought to myself “yea, this is really good.” But after listening through a few more times, I was like “Oh this is GOOOOOD good.” HENNY HENDRIXXX 2 : Project XXX is a ridiculously smooth experience with Mufasa perfectly pairing his deep, contemplative vocals over melodic R&B production. It’s an excellent follow-up to his first HENNY HENDRIXXX project, proving once again that Mufasa keeps getting better and better with each new release.

Cyrena Wages – “Carried Away”

Memphis singer-songwriter Cyrena Wages is readying the release of her debut album Vanity Project, and recently she released the first single from the upcoming project. “Carried Away” is a light and catchy track that highlights Wages unique ability to seamlessly blend old and new influences in her music. If the rest of Vanity Project follows suit, it’s sure to be a supremely fun listen.

Lawrence Matthews – “Limelight Honey”

I could write a thesis on how incredible Lawrence Matthews’ first single, “Limelight Honey,” and the accompanying visuals are, but I don’t have much space here so I’m going to get right to the point. The song is a triumph. The video is a masterpiece. It makes you feel, it makes you reflect, it makes you celebrate, it makes you mourn. It represents the power and beauty of music, and I can’t wait for more.

Glockianna – The Vault

Theatrical album roll-outs are exciting but there’s something to be said for when artists are just like, “fuck it – enjoy!” and gift us an unexpected drop. That’s how Memphis rapper Glockianna delivered her debut EP, The Vault, a few days ago. The project spans 6 songs and not for one second of those 6 songs does Glockianna slow down or let up. Over booming production, she’s an explosion of energy that commands your attention. But then again, would we expect anything different from Glockianna?

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