After graduating from Booker T. Washington High School, he pursued his studies at LeMoyne Owen College and Lincoln University, before embarking on a career that would redefine music marketing. From promoting legendary artists like Sam Cooke, Nancy Wilson, and Earth, Wind & Fire, to helping launch hits like Chuck Brown & the Soul Searchers’ Bustin’ Loose, Dr. Westbrooks’ influence reached far beyond Memphis. He became the first African American territory salesman at Capitol Records and later served as Director of Special Markets for CBS Records under Clive Davis—a role in which he expanded the reach of Black music globally and created opportunities for countless African American professionals in the industry.

But Dr. Westbrooks’ impact isn’t limited to music. He has always leveraged his success to give back to the community. From supporting youth programs and mentoring future leaders, to creating spaces for local artists to thrive, his work reflects a lifelong commitment to empowering others.

Most recently, Dr. Westbrooks returned to his hometown to celebrate the release of his book Lauderdale Sub at Crosstown Concourse’s Listening Lab. The event brought together local families, artists, and community leaders to honor the history and legacy of the Lauderdale Sub neighborhood. Guests shared stories, celebrated the contributions of families like the Westbrooks, Davenports, Pattersons, and more, and highlighted the importance of preserving and celebrating Memphis’ rich cultural history.

Dr. Logan H. Westbrooks embodies the spirit of Black excellence: a Memphis native who has left a global legacy, nurtured communities, and inspired the next generation of leaders, artists, and storytellers. His story reminds us that with vision, determination, and heart, one person can change an industry—and uplift a city in the process.

The post Black Legacy Lives Here: Dr. Logan H. Westbrooks appeared first on We Are Memphis.

For Brent Hooks, that legacy is both inherited and actively built. 

The native Memphian and regional vice president at Cornerstone Engineering recently became the first professional from Memphis and Tennessee to earn dual recognition on two of the nation’s most prestigious young professional lists in architecture, engineering, and construction: Engineering News-Record’s Top Young Professionals 40 Under 40 and Building Design + Construction’s 40 Under 40 Class of 2025. 

In an industry where representation shapes opportunity, Hooks’ achievement sends a clear message: Memphis produces leaders who shape cities across the country. 

Rooted in Memphis 

Born and raised in Memphis, Hooks’ leadership journey began early. He earned his degree in accounting and finance from the University of Memphis before completing an Executive MBA at Vanderbilt University, building a foundation that blends financial strategy with operational leadership. 

Before joining Cornerstone Engineering, Hooks served as Chief Administrative Officer at Allworld Project Management, helping guide the civil engineering and construction management firm through rapid growth. Under his leadership, the company earned recognition on Inc. Magazine’s Fastest-Growing Companies in America list in 2019 and 2023. 

Allworld played a role in several transformative Memphis developments, including Crosstown Concourse, the Fairgrounds redevelopment, Hotel Chisca, and The Citizen at Union and McLean — projects that continue to shape how residents experience the city. 

Today, Hooks leads strategic growth and operations for Cornerstone across the Southeastern United States, including Memphis, Atlanta, and Birmingham. His work drives business development while ensuring projects directly impact quality of life. His work increasingly intersects with large-scale redevelopment efforts, capital strategy, and public-private partnerships that influence how cities grow. 

“I view my work as an opportunity to make a positive contribution to my community,” Hooks has shared. 

Hooks has expressed long-term ambitions in real estate development and financial structuring, aiming to help shape the next generation of transformative projects in Memphis and beyond. 

A Legacy of Leadership 

Excellence for Hooks is generational. His great-great-grandmother, Julia Britton Hooks, was the first Black woman to attend Berea College. His great-uncle, Benjamin L. Hooks, served as Tennessee’s first Black criminal court judge and later as executive director of the NAACP. 

That legacy informs his commitment to access, opportunity, and civic investment. 

Beyond his executive leadership, Hooks serves on several boards, including the Downtown Memphis Commission, the New Ballet Ensemble & School, and the Chairman ACE Mentor Program of Memphis, supporting economic development and creative growth across the city. 

“This honor reflects the power of Memphis and what’s possible for our young people,” Hooks said of his national recognition. “I hope it inspires students across our city to explore careers in STEM.” 

Brent Hooks’ story is a reminder that Black legacy in Memphis isn’t just historical — it’s present, active, and building the future in real time. 

Because here, excellence doesn’t just live. 

It leads. 

The post Black Legacy Lives Here: Brent Hooks appeared first on We Are Memphis.

Yes, this is the city of barbecue and blues. Yes, it’s where Dr. King was assassinated. But to Carolyn — founder and social curator of A Tour of Possibilities — Memphis is a majority-Black city layered with history that’s often hidden in plain sight.

And she’s made it her mission to uncover it.

A Journey Rooted in Purpose

Carolyn’s path to Memphis began in Washington, D.C., where she worked for a national sightseeing tour company and eventually became a general manager. While there, she began adding African American history to tour scripts, something few national companies were intentionally doing at the time.

After stops in Savannah and Philadelphia, and eventually being downsized, she decided to build something of her own. Drawing from years of experience weaving Black history into public storytelling, she launched A Tour of Possibilities.

Memphis came later — and once she arrived, she quickly realized the city’s untold stories were too powerful to ignore.

“The amount of history that was hidden, often in plain sight,” she says, inspired her to rebuild the tour here in the Bluff City.

It’s the Story in Between

A Tour of Possibilities is a two-and-a-half-hour driving experience that explores Memphis through an African American historical lens.

Guests pass iconic landmarks like the National Civil Rights Museum and Slave Haven Underground Railroad Museum. But as Carolyn explains, the heart of the tour isn’t just where you go — it’s what you learn along the way.

“It’s the story in between the landmarks,” she says.

It’s context you won’t find in a guidebook. It’s history woven into neighborhoods, streets, and spaces you might pass every day without realizing their significance. And it’s perspective that reshapes how you see Memphis long after the tour ends.

For Carolyn, this work is about expanding the narrative — honoring the richness, resilience, and contributions of Black Memphians beyond the moments most commonly referenced.

Because Memphis is more than a headline. It’s a living story.

Plan Your Visit

Ready to experience Memphis from a different perspective?

A Tour of Possibilities offers public and private two-and-a-half-hour driving tours throughout the city. Whether you’re a visitor or a lifelong Memphian, you’ll leave with a deeper understanding of the history that shaped the place we call home.

Learn more and book your tour at
A Tour of Possibilities

The post A Tour of Possibilities: Reframing Memphis Black History appeared first on We Are Memphis.

From the students who first integrated the University to the civil rights leaders and student organizations shaping campus today, generations of courage and commitment have defined what this institution stands for.

The Memphis State Eight

In the fall of 1959, eight African American students quietly changed the course of Memphis history.

Known as the Memphis State Eight, Bertha Mae Rogers (Looney), Rose Blakney (Love), Marvis Kneeland (Jones), Luther McClellan, John Simpson, Ralph Prater, Eleanor Gandy, and Sammie Burnett (Johnson) became the first Black students to integrate then-Memphis State University.

Their enrollment came with restrictions. They were barred from the cafeteria and student center, prohibited from ROTC and physical education classes, escorted by police to morning-only classes, and required to leave campus by noon. Separate lounges and restrooms were designated for them. Though they did not face physical violence, they endured isolation and public taunting.

Still, they persevered.

Their presence set the University on a path toward greater equality and inclusion. In 2009, the group received the Arthur S. Holman Lifetime Achievement Award in recognition of their historic impact.

Because of them, access expanded. Because of them, opportunity grew.

The Leadership of Dr. Benjamin L. Hooks

That commitment to justice found powerful expression in the life of Benjamin L. Hooks.

Born in Memphis in 1925, Hooks served in World War II before earning his law degree and returning home to challenge segregation in Tennessee. He became the first African American criminal court judge in a court of record in the state, later the first Black appointee to the Federal Communications Commission, and in 1976, executive director of the NAACP.

Under his 15-year leadership, the NAACP regained national momentum and expanded its membership by hundreds of thousands. In 2007, Hooks received the Presidential Medal of Freedom for his lifelong commitment to fairness and opportunity.

His legacy continues through the Benjamin L. Hooks Institute for Social Change at the University of Memphis, founded in 1996 to advance social change and strengthen democracy through research, community engagement, and historical preservation.

Now celebrating 30 years in 2026, the Institute partners across sectors to address disparities in education, economic mobility, health, and civic life — ensuring that scholarship and service remain connected to real community impact.

Changing the Game in Athletics

Progress also took shape on the field.

In 1968, Glenn Rogers Sr. became the first Black football player at Memphis State after joining the team as a walk-on. Alongside teammate Stan Davis, he later became one of the first Black players to appear in a game for the Tigers.

In 2024, the City of Memphis honored Rogers by renaming a street near the stadium where he once played — a tribute to the courage it took to step onto that field more than five decades earlier.

His legacy paved the way for generations of student-athletes and reflects the broader evolution of the University itself.

A Legacy That Lives On

Today, that history is not simply remembered — it is lived.

The University’s National Pan-Hellenic Council (NPHC) serves as the governing body for its traditionally African American fraternities and sororities. Originally formed in 1930 at Howard University, the NPHC unites historically Black Greek-letter organizations founded during a time when African Americans were denied equal rights and access.

At the University of Memphis, chapters including Alpha Kappa Alpha Sorority Inc, Delta Sigma Theta Sorority Inc, Kappa Alpha Psi Fraternity Inc, Omega Psi Phi Fraternity Inc, Phi Beta Sigma Fraternity Inc, Sigma Gamma Rho Sorority Inc, and Zeta Phi Beta Sorority Inc continue that tradition through scholarship, service, leadership, and civic engagement.

Academic spaces also carry the work forward. The University’s African and African American Studies program offers an interdisciplinary major grounded in history, theory, research, and a culminating capstone experience. Students explore the African and African American experience through coursework in the humanities, social and behavioral sciences, and the arts — with opportunities for global study that connect Memphis to the wider diaspora.

Black Legacy Lives Here

The story of The University of Memphis is one of resilience and forward movement — shaped by students who endured isolation, leaders who challenged systems, athletes who broke barriers, and organizations that continue building community.

Black legacy at the University is not confined to the past.

It lives in classrooms and research institutes.
On the yard and in service projects.
In scholarship, leadership, and everyday courage.

And it continues to shape the future of Memphis.

The post Black Legacy Lives Here: The University of Memphis appeared first on We Are Memphis.

She was in fourth grade when her teacher assigned the class to memorize a poem. Sabrina chose Langston Hughes’ “Mother to Son,” a reflection on perseverance — a reminder that life “ain’t been no crystal stair,” but you keep climbing anyway.

At that moment, Sabrina’s own climb had already begun.

In the spring of 2009, her grandmother noticed a lump on Sabrina’s cheek. Within days, a series of tests led her to St. Jude Children’s Research Hospital®, where she was diagnosed with rhabdomyosarcoma, a rare cancer that develops in soft tissue.

Even at nine, Sabrina understood the gravity of her diagnosis. Cancer was not abstract. Her aunt had died of breast cancer just months earlier, and another uncle had worked decades before at St. Jude as one of its first Black pharmacists.

“I was very aware of what cancer was — and what cancer could do,” Sabrina has said.

A Little Soldier With a Notebook

Sabrina endured surgery, chemotherapy, and radiation. After a tracheotomy, she woke unable to speak, terrified as she tried to communicate with her grandmother. She spent weeks hospitalized and nearly a year in intense treatment.

Through it all, Sabrina carried notebooks with her everywhere.

Writing became the one thing she could do entirely on her own. While her body was exhausted — often nauseous, weak, and in pain — poetry gave her a place to pour out fear, grief, and confusion.

“It’s an interesting feeling,” she later reflected, “to know that you are simultaneously growing, but also in the process of dying. I could feel my body at war with itself.”

As she recited Hughes’ poem again and again for homework, Sabrina began to fall in love with the way words worked — their rhythm, their weight, their ability to hold emotion without explanation. It was then that she knew poetry would always be part of her life.

Growing Beyond Survival

At ten, Sabrina had her first poem published in her school’s literary magazine. She kept writing as she navigated survivorship — learning that the impact of cancer does not end when treatment does.

At fourteen, she celebrated five years of clear scans, a major milestone for childhood cancer survivors. That same year, she learned radiation therapy had damaged her hearing in one ear. Years later, vision complications surfaced — another late effect of treatment.

Still, Sabrina thrived.

She excelled academically, joined honor societies, ran cross-country, fenced, performed in theater, and eventually became editor-in-chief of the same literary magazine that first published her work. She earned a bachelor’s degree in English and creative writing from Washington University in St. Louis, joined Alpha Kappa Alpha Sorority, Inc.®, and returned to Memphis to pursue her Master of Fine Arts at the University of Memphis.

Now 25, Sabrina teaches freshman composition and prepares to defend a thesis exploring grief, Black womanhood, the South — and poetry.

“I love sharing my words,” she says. “Creating connections. Making people feel something.”

A Legacy Larger Than One Story

Sabrina’s journey is deeply personal, but it also reflects the foundation St. Jude was built upon.

When St. Jude opened in Memphis in 1962, it became the first fully integrated children’s hospital in the South — treating patients regardless of race, religion, or ability to pay, and hiring Black doctors, nurses, and researchers at a time when segregation was still the norm.

That commitment shaped lives.

Early research at St. Jude included studies on sickle cell disease, a condition disproportionately affecting Black communities and long neglected elsewhere. Physicians like Dr. Rudolph Jackson, one of St. Jude’s first Black doctors, helped pioneer treatments that would be shared worldwide.

This legacy of equity and inclusion is what allowed children like Sabrina not only to survive, but to imagine a future beyond illness.

“St. Jude Lays Stones for Streets of Safe Passage”

In 2022, Sabrina returned to St. Jude not as a patient, but as a poet. She performed an original spoken-word piece titled “When I Was Nine,” reflecting on fear, faith, and the fragile courage of childhood.

The poem ends with a line that captures both gratitude and legacy:

“St. Jude lays stones for streets of safe passage
so kids like me can grow up to be adults like me.”

Sabrina credits the village that carried her — her mother, aunt, grandmother, and the institution that refused to turn her away.

“I’m not who I am today without St. Jude,” she says.

A poet. A survivor.

A living reminder that Black legacy lives here — in resilience, in care, and in the power of words.

The post Black Legacy Lives Here: Finding Power in Poetry at St. Jude – We Are Memphis appeared first on We Are Memphis.

“It makes me proud,” Drew said. “He’s cementing my legacy. I did my part—but now I’m stepping into his shadow.”

Drew’s legacy includes being named the 2015 Distinguished Young Alumnus, serving on the University Alumni Association board, and launching impactful campus initiatives like Project Unite, the Freshman Senate, and the Frosh Camp funding model—many of which still exist today.

But Christopher is focused on building something new.

Now a senior studying business economics, Christopher leads with a servant-leader mindset. “Being a leader is as simple as serving others,” he said. His goals include strengthening student connections through orientation, campus events like Spring Fest, and bringing back school spirit around athletics. He also plans to launch a President’s Council to unite student group leaders and expand collaboration.

Christopher is no stranger to involvement—he’s a member of Empowered Men of Color, the Black Student Association, and the Memphis Institute for Leadership Education, and has served as both a Frosh Camp Counselor and Orientation Guide.

“I want every student to feel like they have the same doors open to them as the SGA president,” he said. “This should be a unified experience.”

For the Baileys, this isn’t just a family legacy—it’s a powerful reflection of community, leadership, and passing the torch to a new generation of changemakers.

“It’s Chris’ turn to lead,” Drew said. “And I couldn’t be more proud.”

The post A Legacy of Leadership: Father and Son Make History at the University of Memphis appeared first on We Are Memphis.

We caught up with Victoria Johnson, a professional and creative legacy writer, who is doing amazing work with individuals as well as youth in the city to use their voices to narrate their stories as a form of healing.

WAM: Can you describe the unique work that you do and what inspired you to pursue it?

I am a professional and creative legacy writer, as well as an impact speaker. My work centers around facilitating healing writing communities and curating safe spaces—through dinners, Storytelling shows, community conversations, and more. I create spaces where language is used not just to communicate, but to heal rather than harm.For a long time, I knew the purpose and need for these creative and honest spaces, but I struggled to believe I could be the one to bring them to life. Life didn’t always make room for it, support was scarce, and I wasn’t sure how to make it happen. But one thing I’ve learned is that the gifts we carry don’t let up—they call to us, no matter how much time passes. After years of doing my own work and healing, I knew it was time to step fully into this purpose. Writing, creating, and building community are not just things I do—they are who I am. And now, I use them to support others in a way that is both natural and deeply meaningful to me.

WAM: What are some key lessons or values you hope to impart to those who engage with your work?

I hope people learn to breathe again or rediscover what it means to truly exhale—to release the weight & to set down the burdens they’ve been carrying. I hope people find the unspoken versions of themselves and greet them well. I hope that in these moments their spirits feel unburdened, unbound, and full. More than just leaving inspired, I want them to leave impacted. I always say, “Do not let your dreams die in draft mode.” I want them to walk away believing in the power of their own story, knowing that their voice matters, and that their life is meant to be fully lived.I hope they remember that their worth isn’t tied to how much they produce or how hard they work. There is just as much value in being—in being seen, heard, loved, and held exactly as they are. Their experiences, their truth, their existence means something. I want them to feel the freedom to create, to express, to take up space without questioning if they deserve to. More than anything, I want them to leave with a renewed sense of self—lighter, unafraid, and willing to embrace the life that is still unfolding before them.

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission?

When I was in college, Native Son, by Richard Wright was at the top of every required read list. I would soon realize why. It has steadily become one of my favorites. Reading this naturally caused me to invest my efforts into getting to know the author. I remember stumbling across some information that indicated he was denied access to a  library card at Cossitt Library, in Memphis TN. While disheartened by this I didnt think too much about it over the years. Until two years ago, I found myself walking through the doors requesting a library card. As I read some random pieces of paper I kept repeating “ Cossitt, Cossitt Library, why does this sound so familiar?” I would ask myself until it hit me heavy-like. Here I am casually getting a library card in a space where one of the most prolific writers was denied the chance to read. While he found a way to get reading materials from Cossitt ( which continued to feed and spark his curiosity to becoming a writer / author), his skin color tried to dictate his worth at that time. We share the same skin color. We share the same desires and wants to communicate to the world through words. As speakers, authors, creators. One of us is living while one of us has passed on and left LEGACY between each page written. That day, standing in Cossitt Library, I felt the weight of history press against my shoulders. I pulled out my phone and looked up the details: In 1927, a young Richard Wright had to rely on a white co-worker’s library card to access books here, forging notes that said “Please let this Negro boy have some books.” He would carefully select his reading material from a distance, never allowed to browse the shelves himself.

Now, nearly a century later, I stood at the front desk as the librarian smiled and handed me my own card – no questions asked, no subterfuge needed. I ran my fingers across its smooth surface, thinking of Wright writing in his memoirs: “I forged my first works of fiction, writing the notes that would enable me to get books.” That simple piece of plastic in my hand represented not just access to books, but the distance we’ve traveled and the distance still to go. I found myself wandering through the stacks that day, pulling out books at random, simply because I could. I touched their spines, opened their pages, breathed in their scent – all the simple freedoms Wright had been denied. Before leaving, I checked out a book at my leisure. As the librarian scanned it, I imagined Wright’s ghost watching from the corners of this renovated space, nodding in quiet acknowledgment. His determination to read and write despite the barriers placed before him had helped pave the way for future generations of Black writers and readers. Now, every time I use my library card, I remember: I’m not just checking out books – I’m continuing a legacy of literary persistence, of turning words into weapons against injustice, of transforming pain into prose that changes hearts and minds. In the end, Wright’s legacy isn’t just in the books he wrote, but in the doors he helped open – including these library doors – for those who would follow. His story reminds us that sometimes the simplest acts, like getting a library card, carry the echo of hard-won battles and the promise of victories yet to come.

WAM: Why do you think Memphis is an important place for the work you do?

I did not grow up here, but my roots grew here. They were watered here. Some still remain, while others had to be uprooted for different reasons. Moving to Memphis felt like finally coming home.This city carries so much history, resilience, unspoken pain and undoubted joy. There is so much healing needed in this space but also so much beauty that is already showing itself proudly. So many people are longing to be cared for, to be given space, to be seen in ways that don’t require them to perform or prove their worth. Memphis is a city of storytellers, of legacy builders, of those who have fought to make something out of nothing. And I believe the work I do—creating spaces for healing, writing, and self-expression—helps nurture that legacy. Memphis is a place where voices deserve to be heard, where stories deserve to be honored, and where people deserve to be reminded that they are worthy—not just because of what they’ve endured, but because of who they are. My work belongs here because the people here deserve spaces that remind them they are not alone, their experiences matter, and they still have the power to write what comes next. My story started here, the chapters traveled, and now it is back here to tell the stories to come.

WAM: Why do you believe your work is especially important for the Black community in Memphis?

My work is especially important for the black community as it  focuses on empowering Black Memphians to become the authors of their own narratives. Whether it’s helping a grandmother document her family’s journey from the Delta, guiding young writers to find their voice through poetry, or working with community elders to preserve oral histories, each project adds another vital thread to our collective tapestry. This work isn’t just about preserving the past—it’s about building bridges to the future. When a young person discovers they can write their truth, when a community member realizes their story matters, when a family’s history is documented and celebrated, we’re not just creating literature—we’re creating legacy. We’re showing future generations that their experiences are valid, their voices are powerful, and their stories deserve to be told.

In Memphis, where the echoes of struggle and triumph still resonate, this work becomes even more crucial. We’re not just writing stories—we’re reclaiming our narrative sovereignty, one word at a time. It’s about breaking generational cycles of silence, finding clarity in our stories, and speaking our truth in a way that feels real and unapologetic.  Because when we own our stories, we own our power to shape what comes next. This is how we ensure that our history doesn’t just live on, but lives forward, inspiring and empowering generations to come. We are becoming the wisdom that was once down passed to us, it now runs through us. My work is also used to strengthen organizations and businesses with their internal struggles.

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture?

Black legacy and culture live in our stories—our truths, our triumphs, our struggles, and the wisdom we pass down. I see my work as a way to honor and preserve that legacy by helping Black writers in Memphis and beyond reclaim their voices and document their journeys with intention. Writing is a powerful form of resistance, healing, and transformation, and through my programs, I encourage people to tell their stories as they were, but also to write the futures they want to see.

By creating a space where Black voices are nurtured, validated, and amplified, I’m contributing to a legacy of storytelling, writing, creating, and educating, that has always been central to our culture. Whether through personal narratives, letters to our ancestors, or visions of the future, we are archiving our existence in a way that ensures our stories don’t just survive—they thrive. My work isn’t just about words on a page; it’s about building a bridge between where we’ve been and where we’re going, making sure that our history is preserved and our future is written by us, for us.

WAM: What are your hopes for the future of your work and its impact on Memphis?

I envision this body of work growing into a deeper movement—one that inspires a culture of storytelling and writing , self-discovery,  healing through words, and empowerment within the Black community in Memphis. I want writing to be more than just an art form; I want it to be a tool for healing, transformation, and social change. My hope is that more people will step into the power of their own narratives, using their voices to break cycles of silence, reclaim their truths, and shape the futures they deserve.

Ultimately, I hope this movement sparks a lasting ripple effect—where the stories we tell today become the foundation for the legacy we leave behind.

The post Black Legacy Lives Here: Victoria Johnson appeared first on We Are Memphis.

Meet Kevin Thomas, the Founding Artistic Director of Collage Dance, who is shaping the next generation of dance and artistry right here in Memphis.

WAM: Can you describe the unique work that you do and what inspired you to pursue it? 

I began my own ballet training at the age of 7 in Montreal, Canada. It would take another 8 years before I ever saw a Black professional ballet dancer, a person who looked like me and had achieved the career I’d dreamed of. I went on to dance professionally for companies in both Canada and the United States and landed at Dance Theatre of Harlem, the first black dance company in the nation, as a ballet dancer for ten years. 

This was the first time I felt seen, celebrated and ultimately safe to be my full self. That planted the seed for the Collage Dance Conservatory which now trains nearly 1,000 young dancers of color in Memphis each week. 

WAM: What are some key lessons or values you hope to impart to those who engage with your work? 

Training in our conservatory cultivates qualities in our students that they need to dance, train, and perform, but that also benefits them greatly beyond the stage. We’re not just creating great dancers, we’re inspiring the next generation of leaders who have discipline, accountability, work ethic, collaboration, creativity, and self-pride as deeply embedded core values to ground their life’s work. 

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

I’m deeply inspired by the community of Memphis, its rich cultural heritage, beloved music and arts community, and the people who make it a great place to live and create. It’s why we relocated and established our organization’s roots in the city 15 years ago. 

I have also choreographed pieces inspired by Memphis’ history, like Rise set to Dr. King’s “I’ve Been to the Mountaintop” speech given at the Mason Temple in Memphis, Tennessee on April 3, 1968, and featuring professional dancers from our international touring company performing alongside students from the Collage Dance Conservatory. 

We have also invited guest choreographers to visit our city and create new works inspired by the richness all around us like Amy Hall Garner’s Bluff City Blues, a first-of-its-kind ballet inspired by the Home of the Blues, and Joshua Manculich’s Wash inspired by his visits to the Mississippi River. 

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis has a rich creative and cultural heritage, and, at the same time, Memphians are working towards a bold vision for what this city can become. We’re inspired by this promise and were moved to contribute to that vision, and this rich community, when we relocated the organization here many years ago.

WAM: Why do you believe your work is especially important for the Black community in Memphis? 

Our art form, and most classical art forms, have histories that did not center our stories, welcome our complexions, or seek to include our communities on or off the stage. Collage Dance is on a mission to change that and introduce historically excluded communities, like African Americans, like Southerners, like so many of us, to our beloved world of ballet. We’re committed to creating story ballets, event experiences, public performances, training opportunities, and more, with our community in mind. 

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture? 

We advance community and our culture’s legacy through the thousands of children of color who feel seen, invested in, and nurtured through our dance education programming. And when we share stories that center communities of color on stages around the country, patrons leave feeling affirmed and overcome by emotion. And when hundreds take beginner-friendly adult dance classes each week in our welcoming and affirming Center for Dance in the heart of Binghampton. We are preserving and advancing culture through the work we create, the space we share, and the community members of all ages we are proud to engage each day. 

WAM: What are your hopes for the future of your work and its impact on Memphis? 

We hope that our mission becomes a lasting reality. That we do our part to “inspire the growth and diversity of ballet” the world over, so that one day the dancers on stages, patrons in seats, students in dance studios, and philanthropists generously supporting our work reflect the beautiful diversity of our world without exception.  

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

I would encourage people to pursue what moves you. When the days are long, the resources are challenged, and the support is wavering, it’s deep passion for the work that will keep you committed to moving forward. 

The post Black Legacy Lives Here: Kevin Thomas & Collage Dance appeared first on We Are Memphis.

Radio Personality; Journalism Professor at The University of Memphis.

Memphis lives and breathes Black history. This February, We Are Memphis presents Black Legacy Lives Here—a month-long celebration of Black excellence, past, present, and future. We’re spotlighting four educators and leaders shaping the next generation.

Here, we spoke with Terris Sheronda King who is moving Memphis’ history forward with her voice both live on air and in the classroom.

WAM: Can you describe the unique work that you do and what inspired you to pursue it? 

I’m a radio personality and a journalism professor at the University of Memphis. I take great pride in training the next generation of broadcasters. What inspired me to teach was a conversation with Stan Bell, a longtime Memphis radio legend. He told me many years ago that teaching broadcasting is different from teaching other subjects like English or Math. He told me that students in broadcasting are genuinely excited about learning the ins and outs of radio and the broadcast industry. He was right for the most part. It’s that energy and enthusiasm from the students that makes it so fulfilling for me to teach. I love watching them grow, not just as students, but as future professionals. 

WAM: What are some key lessons or values you hope to impart to those who engage with your work?   

As a radio personality and journalism professor, I aim to instill a deep passion for broadcasting and a commitment to integrity in my students. It is important that your audience trusts you. That is why it is equally important to really think critically about what comes out of your mouth. I encourage my  students to be adaptable and innovative because the media landscape is always changing, and everyone is a media maker now. I also stress the value of collaboration, networking, and social responsibility, ensuring that students understand the power of their voices and the impact their words can have on the community. 

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

Memphis has played a significant role in shaping both my personal and professional journey. The city’s rich musical roots and its deep connection to social justice movements, has taught me the power of using your voice to influence change. As a radio personality, I draw inspiration from my city. I feel that Memphis thrives on community connection and resilience.  In my work as a journalism professor, I emphasize the importance of understanding the local culture and what challenges we face. Journalism can also be used as a tool for social impact. I teach podcasting at the University of Memphis and last semester I required my students to podcast with a purpose. What changes can be made because of the research presented in your podcast? Memphis reminds me daily of the responsibility we have as journalists to reflect our communities truthfully including the changes that need to be made.   

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis is an important place for the work I do because it’s where I was born and raised, and it’s a city that truly embodies both its challenges and its incredible sense of community. Despite the struggles the city faces, there’s a strong undercurrent of resilience and solidarity that surfaces during times of difficulty. As a radio personality, I’ve seen firsthand how the community comes together through music, conversation, and shared experiences, and I love that for us. As a journalism professor, Memphis offers a unique backdrop for teaching my students the power of local stories—stories that speak to the heart of the city’s history, diversity, and collective strength. There’s a responsibility to not only inform but also to amplify the voices of those whose stories are often overlooked, and Memphis provides a fertile ground for that kind of  journalism. 

WAM: Why do you believe your work is especially important for the Black community in Memphis?  

I believe my work is especially important for the Black community in Memphis because representation matters. As a Black woman who grew up in South Memphis and the Westwood area, I want Black students to see someone who looks like them thriving in spaces like radio and journalism. Too often, our communities are underrepresented or misrepresented in the media, and I strive to challenge that narrative. By being on the radio and teaching journalism, I’m able to show that Black voices can lead, inform, and shape the conversation. I want my students to know that their stories matter, that their perspectives are powerful, and that they have a place in this industry. It’s about empowering the next generation to not only see themselves in the media but to create it themselves—making sure our narratives are told with authenticity, pride, and integrity. 

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture?   

I have been doing radio in Memphis since 1995, and over the years, I’ve made it my mission to represent the rich heritage as well as the culture. This is my city, and I have a deep love for the Black community in Memphis because I am a part of it. Whether through music, interviews, or community-focused topics, my work in radio serves as a platform to celebrate Black culture and bring attention to the issues that impact us. It’s not just about entertainment—it’s about preserving and advancing our legacy and helping shape the future of Black Memphis. 

WAM: What are your hopes for the future of your work and its impact on Memphis? 

It is my hope that someone is inspired by hearing me either on air or in the classroom to the point where they want to pursue their own voice in broadcasting or journalism. Whether it’s a student who feels encouraged to step into this industry or a listener who feels seen and heard, I want others to feel empowered to share their truth. I hope to contribute to a future where Memphis’ diverse voices—especially those from underrepresented communities—are consistently highlighted and celebrated. My ultimate goal is for my students and my audience to realize the power they have to shape narratives, influence change, and connect with their communities in meaningful ways. If I can inspire even one person to believe in their own potential and see the importance of their story, I will feel that my work has made a lasting impact on Memphis. 

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

As a Black woman in broadcasting and journalism, I would encourage others in the Black community to pursue work that enriches others while embracing the unique power of their voices and experiences. My mom always told me growing up that everyone has value, and our stories also have value, and they need to be heard from our perspective. Whether it’s through radio, journalism, or any other field, I’d tell them to lean into their passion and remain authentic. Don’t try to emulate anyone else. You can have an impact just by being yourself. Use your platform to uplift your community, challenge stereotypes, and create opportunities for future generations. In our stories, there’s healing, there’s wisdom, and there’s power—don’t ever underestimate what we bring to the table. My hope is that others don’t just follow in my footsteps, but that they make an even bigger imprint by carving out their own paths and pushing boundaries even further. 

I am HER. I am the little black girl born in South Memphis, schooled in Westwood who dared to pursue my own path and use my talents to do what I love while making a difference in the lives of those who hear me. 

The post Black Legacy Lives Here appeared first on We Are Memphis.

Chief Program Officer, BRIDGES

Memphis lives and breathes Black history. This February, We Are Memphis presents Black Legacy Lives Here—a month-long celebration of Black excellence, past, present, and future. We’re spotlighting four educators and leaders shaping the next generation.

Here, we spoke with Mario Hendrix who is moving Memphis’ history forward as the Chief Program Officer for BRIDGES, known mostly for the Bridge Builders Program.

WAM: Can you describe the unique work that you do and what inspired you to pursue it 

I’m the Chief Program Officer for BRIDGES. Many people know us mostly for the Bridge Builders program. We are a Leadership, Diversity, and Community Action Program that provides hands-on unique experiences for middle and high school students. When I first entered the Bridge Builders program, I was a rising 10th grader and didn’t want to come. My grandparents made me attend. I was the only one from my school Corry Jr. High. I grew up in South Memphis on Judson St off Alcy. My experiences in the Bridge Builders program provided me with a chance to meet people like and different from my life experiences. The people I had conversations with and did activities with completely widened my perspectives on life.  I have engaged thousands of students over time through Bridge Builders. My personal goal is to ensure that each student knows they count. So far in my professional career, I have been in the nonprofit world. This is very important because it allows me to interact and provide a one-on-one service that assures them that they are heard and validated.  

WAM: What are some key lessons or values you hope to impart to those who engage with your work?  

There is no right or wrong way to be a leader. Everyone has the skills and power within. Students are realizing they are valuable members of the community while learning how to handle different types of conflict, respect for the genuine person, how you are a product of your neighborhood and more, and how to be problem solvers. All of this can be accomplished with face-to-face communication and conversation. 

It doesn’t matter what neighborhood or community you grew up in or currently live in. Each experience has value in shaping and making Memphis a place to live, work, and play. It is important for me to let students know that even if you go away for school after graduating, Memphis is a place where you can bring your talents back to the city and have an impact.  Memphis can always use fresh opinions and perspectives.  

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

Memphis is truly a small town. Everyone knows everyone. This uniqueness bears fruit for everyone to know they matter. My mentors have instilled in me the sense of being “a student of the game.” I’m constantly learning> I try to always find a glow to add to my toolbelt to give to others. I aim to go the extra mile to get the information that people need. Many people say I don’t know and stop there. I want people to know I want to provide answers that are beneficial. I want each staff member, student, and family that they have contact with to know it is more than a job. When they get through interacting with me, they know I listened carefully and gave them my undivided attention. Great service goes hand in hand with my character.  

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis is my home. I graduated from Central High School and the University of Memphis. Memphis is rich in heritage and history. We are known for music and barbecue. We are also one of the most philanthropic communities. We are willing to give our time and money to causes that support growth in our city.  This at times is why people are always involved whether we want them to be or not. Memphis is a very resilient city. Our community is vibrant with significant neighborhoods with extraordinary people. My work is all about human experience. The deeply rooted connections between students lead to strong leadership and connection within our city. 

WAM: Why do you believe your work is especially important for the Black community in Memphis? 

Many times, black students are told that they don’t matter or that what they do doesn’t matter. This is incorrect. Their perspectives and viewpoints are often overlooked. We try to provide support in navigating the challenges they experience. Oftentimes, black students don’t have the opportunities to experience outside their neighborhood. We provide experiences that showcase our city. We offer insights that are different and similar to theirs. We foster connections that they may not have thought about, and most importantly encourage conversations that may be hard to have but provide the space and comfort zone for them to speak up and out.  

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture? 

We are always seeking students to join the program from every middle and high school. We are especially seeking students from our periodontally black schools. However, many times students attending these schools are not provided the same resources as other schools. The culture of their school is vital to bring our larger communities into one accord. This allows all students a chance to express positive things about their schools and the great attributes of the community their school is in. They can destroy the negative stereotypes that people here have by enhancing perspectives and the richness of their neighborhoods. The enriching stories and knowledge from the history of the people that are currently in the program and alumni promotes success. We have many black leaders throughout our city who have been through the program or had an experience with our programming. This empowerment within our community breathes success for Memphis.  

WAM: What are your hopes for the future of your work and its impact on Memphis? 

I hope that adults in our community understand that the youth in our community should be at the table with us as colleagues. I want Memphis to not stay settled and open the envelope that may cause us to pause and rethink things that lead to a better today. We have to create and foster connections that empower us to improve the Black experience within our city.  Times have changed since I grew up. This new age that we are in allows me to be a catalyst for people to have dialogue. I want students and adults to take ownership of their narratives and use their strengths to build a positive and thriving city. Our voices are different and no one voice should be silent. I eagerly look forward to heightening the voices of our community. I intentionally spread the good news that our city offers.  

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

I’m a servant leader at heart. I’m always trying to listen to understand another person’s perspective. My goal is for each individual that I come in contact with to understand they can be more than what they thought they could be. I am in their corner. Many students especially our black boys and men don’t have the encouragement they need to get over that hump. It is my lifestyle to live a life of seeing the best in each individual person. I encourage people to see the importance of mentorship, working together, and staying grounded. As a proud black man who was raised and grew up in Memphis. A place that has taught me life lessons self-respect and endurance. Memphis is me and I am it. I will always look for greatness in my city for others to follow my lead.  I will always honor and showcase the pride I have in myself, my family, my work, and my MEMPHIS.  GO TIGERS!! 

The post Black Legacy Lives Here: Mario Hendrix appeared first on We Are Memphis.